Last night Amon Amarth brought their furious Heavy Metal to hundreds of headbangers at the Best Buy Theater in Times Square, New York City, for "An Evening with Amon Amarth". We had personally never seen the band, but had very high expectations, which the band proved right last night and demonstrated that they are one of the most important Heavy Metal bands to ever surface from Scandinavia.
For over 2 hours the band demonstrated how tight they are on stage and made everyone in the crowd tired just by watching them play their music at full blast. The band played two full sets. On the first set they played their brand new album "Surtur Rising" in its entirety, and after a short intermission (beer break) they played a second set full of their famous Viking Metal anthems. The technicality of this band is without a doubt what made them successful and what keeps people coming back to their shows and losing their mind in the pit.
We ran into Brian Slagel from Metal Blade Records (Amon Amarth's label) at the end of the show and we sarcastically told him that the show was so bad that we either wanted our money back or for the band to do another show. He confirmed that they will be back in New York City at the end of the summer. We can't wait! \m/
The BBC has been investigating the trade, and the routes from Syria through Turkey and Lebanon to Europe.
The Smuggler
It has taken many calls and a lot of coaxing to get a man we are calling "Mohammed" to meet us. He is originally from Damascus but now plies his trade in the Bekaa valley on the border between Syria and Lebanon. He's 21 but looks much younger in his T-shirt, skinny jeans and black suede shoes. As we sit in an apartment in central Beirut I have to lean forward to hear the softly spoken young man describe how he began smuggling looted antiquities from Syria. "There's three friends in Aleppo we deal with, these people move from Aleppo all the way to the border here and pay a taxi driver to sneak it in." He specialised in smaller items which would be easier to move on - but he says even that has become too risky. "We tried our best to get the items which had most value, earrings, rings, small statues, stone heads," he says.
He made a good profit but bigger players with better connections "sold pieces worth $500,000, some for $1m", he says. When I ask who's making the money and controlling the trade in Syria his gentle voice takes on a flinty tone: "IS are the main people doing it. They are the ones in control of this business, they stole from the museums especially in Aleppo," he says. "I know for a fact these militants had connections overseas and they talked ahead of time and they shipped overseas using their connections abroad." Mohammed is still involved in cross-border trade, but no longer in antiquities. "Anyone caught with it gets severe punishment," he says. "They accuse you of being IS."
The Go-between
To sell looted antiquities you need a middle-man, like "Ahmed". Originally from eastern Syria, he is based in a town in southern Turkey - he doesn't want me to specify which one as he doesn't want the police to know. As a Turkish-speaker he is popular with Syrian smugglers, who ask if he can move goods on to local dealers. When I speak to him via Skype he shows me a blanket next to him filled with artefacts - statues of animals and human figures, glasses, vases and coins. They were dug up in the last few months. "They come from the east of Syria, from Raqqa, all the areas controlled by ISIS (Islamic State)," he says. Islamic State plays an active part in controlling the trade, he tells me. Anyone wanting to excavate has to get permission from IS inspectors, who monitor the finds and destroy any human figures, which are seen as idolatrous (those Ahmed is showing me have slipped through the net). IS takes 20% as tax. "They tax everything," he says.
The main trade is in stoneworks, statues and gold, and it can be extremely lucrative. "I have seen one piece sold for $1.1m," he says. "It was a piece from the year 8500BC." He gently handles each artefact as he brings it closer to the webcam to give me a better view. He has had to pay a sizeable bond to the smugglers to get this material and he doesn't want to lose any of it. The final destination is Western Europe, he says. "Turkish merchants sell it to dealers in Europe. They call them, send pictures... people from Europe come to check the goods and take them away." Ahmed will have to return the looted artefacts to his Syrian contacts, as I am clearly not buying them, but he won't be returning to his homeland. "If I went back I'd be killed," he says.
The Dealer
It's an unremarkable tourist shop in the centre of Beirut. Inside the glass cases are ancient oil lamps, rings and glassware but the shop owner, a laconic man in his late 40s, has an unusual selling tactic - he says much of it is fake. However, he assures me he does have genuine pieces from the Hellenic and Byzantine periods, around 1,000 years old. I'm interested what other items he can get, mosaics for example? I had been advised by archaeologists that mosaics would almost certainly be looted - at the moment, that would mean most likely from Syria. He asks which kind I want. Faces, animals, geometric designs? "If you're serious we can have a serious negotiation... there is always a way," he promises. When I ask if it's legal he smiles as he tells me the only way to legally ship these items is with official documentation from a museum saying they have been cleared for export.
If it was only a small mosaic I wanted, I could take the chance and try to smuggle it out myself but he warns it's a serious decision, as I could get caught. For a fee he can have them shipped to the UK but it will cost me many thousands of pounds. We shake hands as I leave and he gives me his business card. It has only taken 10 minutes to be offered illicit antiquities. Arthur Brand, an investigator who helps recover stolen antiquities isn't surprised, it chimes with his experience in Lebanon. "I've been there several times and at times and it really is amazing," he tells me from his base in Amsterdam. "The illicit trade is run as a professional business with offices and business cards and you can buy antiquities from Lebanon, but also from countries like Syria, Iraq." The link between smugglers and dealers is the dirty secret the art world doesn't want to admit to, he says.
The Cop
He could easily pass for the star of an Arabic cop show but Lt Col Nicholas Saad is a real policeman, head of Lebanon's bureau of international theft. In his office, filled with certificates from the FBI and Scotland Yard, he shows me photos of huge Roman busts seized in a recent raid in Lebanon. We go up to the roof of his police station, where out to the east, beyond the mountains, is the border with Syria. This is where refugees pour into the country and are exploited by the smuggling gangs.
"The refugees come in big numbers and the gangs put things between the belongings of the refugees," he explains. Since the conflict in Syria he has noticed a significant increase in the smuggling of looted artefacts, "especially from the Islamic parts, Raqqa (the base) of the Islamic State", he adds. His team has seized hundreds of Syrian artefacts. "We have the archaeology expert that said they're very valuable from the Roman period, from the Greek period, years before Christ," he says. But there isn't a market for them in Lebanon. "Lebanon is a transit station, it's one of the the doors that goes to Europe. The real money is made in Europe."
The Treasure
Inside the Beirut National museum are treasures from the cradle of civilisation - Hellenic, Roman and Byzantine statues, busts and sarcophagi 3,000 years old. Hidden away from the public in a store room below the main galleries, seized looted antiquities wait to be returned to Syria. My guide is Dr Assaad Seif, an archaeologist and head of excavations at the directorate general of antiquities in Beirut. He rings a bell and a wrought iron door is unlocked. Inside are scores of items - pottery, stonework - but the most valuable items are sealed away in a warehouse. "We have huge funeral sculptures, representing men and women used to seal the tombs, from Palmyra," he says.
Most of the seized items are from excavations rather than thefts from museums. The looters target warehouses at ancient sites like Palmyra, a Unesco world heritage site. "The warehouses at archaeological sites have objects they know are not listed or catalogued yet, and they think it could be easier to sell them," he says. "The Palmyra objects had value for people in Syria... it gives a kind of identity," he says. Although reluctant to put a price on any of the bigger items, after some coaxing he relents. "We have a dozen objects that would sell for $1m each on the open market." I understand why they keep them out of sight of curious foreign visitors.
The Destination
It has taken days to get through to Dr Maamoun Abdulkarim, the archaeologist in charge of Syria's dept of antiquities in Damascus. When I do reach him, he's angry. "The sites under the control of ISIS, in these areas we have a disaster, a lot of problems. IS attack all things just for the money," he says. "It is our memory, our identity, for the government, the opposition, for all Syria." It's impossible to stop the looting but he is adamant more could be done to crack down on the trade. "We are sure through all the sources a lot of objects go from Syria to Europe, in Switzerland, in Germany, in UK - and Gulf countries like Dubai and Qatar," he says.
It was a common refrain. Everyone from the Lebanese police to Mohammed the smuggler and Ahmed the go-between said the main market was Europe. In the UK there have been no prosecutions or arrests for selling looted Syrian artefacts but Vernon Rapley, who ran the Metropolitan Police's art and antiquities squad for almost a decade, says too much shouldn't be read into this. "I'm quite confident that there have been seizures of material like this," he confidently states, as we stroll around his new workplace, the Victoria and Albert museum, where he is director of security.
Rapley still liaises closely with his former police unit and he is certain that artefacts from Syria are being sold here. He wants the trade in these antiquities to become "socially repugnant and unacceptable" so that in the future, he says, "we don't have interior decorators looking for these things to decorate people's houses".
Author: Simon Cox | Source: BBC News Website [February 17, 2015]
I picked up Memory of Trees for no other reason than the subtitle A Daughter's Story of a Family Farm. I love reading about farms and agriculture, but it's rare that I see a story from the point of view of a daughter. I was especially intrigued because that is what I mostly write about-- Iowa agriculture from a daughter's point of view. Gayla Marty writes about her family's Minnesota farm during the sixties and seventies. She watches as the farms around her become more industrial and watches her own family's farm come to an end. She punctuates the end of each section with a little vignette on a tree from her life. The book is nonfiction, but its really poetry.
"North, east, south, west. North is the pasture behind the barn and the lane along the fence that leads the cows to the woods. East are the railroad tracks and highway. South is town, three miles away. You can see the white towers of the mill across the swamp and fields. West is Gramma's house, which is also Uncle and Auntie's; just beyond it is the woodshed, then the orchard, then the creek flowing under the road into the swamp. In springtime the creek is swollen, the swamp turns into a lake a quarter mile wide" (4).
I love stories about the Midwest but I never see them and I certainly never see them done well. Marty captures the essence of rural Midwest life so well it almost brought me to tears. I've always wanted a book that showed me my life and this was it. The one book that really captured it all for me. I had an extremely intense connection with this book because Marty was able to get the time and place of her story exactly right. By the end of the book I felt like I grew up with her.
Her exploration of place goes beyond the Midwest to farms in Switzerland and Tanzania where she traveled late in high school and early in college. She sees everything through the eyes of a farmer's daughter, and because I shared that bond with her I felt like I saw these places in the most realistic way.
There were a few issues. I thought the book was a little too slow in parts, although overall I thought the pacing was right on and the slowness fit well with the location. Most of my other problems were with Marty's decisions, which have nothing to do with the writing and really nothing to do with her either. It was more about me projecting my own desires onto her life.
This is a book I seem to be recommending to everyone lately even though I have a feeling not everyone will love it. If you're a farmer's daughter though, and you love that about yourself, I really think this is a must read.
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Copyright by Eva & Bernard
IN TOWN, LOOKING LIKE YOU’RE ON VACATION EVA&BERNARD S/S 2012
In their new Spring/Summer 2012 collection Berlin based fashion label Eva & Bernard meant to focus on the ›easy‹ side of ›Easy Tailoring‹, their coined motto; to employ a less severe approach in the design process and to choose cheerful, lighthearted colors. the styles were designed to express cool effortlessness and show generous volume. the designers have been looking at images of old rural Spanish houses and architecture, and their modern renditions in places like Santa Monica in LA. the arch shape employed in them and the beautiful pastel colors of pink, light blue and ecru attracted Eva’s and Bernard’s attention, and they wanted to translate all these moods into the new collection for S/S 2012.
Silk plays a lead role in the collection, which offers as well a great variety of fine cotton, viscose, jersey, cupro, linen, ramie and knitted cashmere. All fabrics were sourced in Switzerland and Italy, where the collection is produced. the blue color, which was missing from previous collections, is at the core of the new one, with texture and tone variations. Around the blue the designers gathered up such colors as peach, pink, orange, bronze, grey black and white. This season the brand offers leather accessories for the first time!
EVA & BERNARD
