Merry Wanderer of the Night [Search results for agriculture

  • Leif Reads: Getting Back in Touch

    Leif Reads: Getting Back in Touch

    Leif Reads is a monthly feature I work on with Aths of Reading on a Rainy Day. Each month we choose a book that covers an environmental topic and discuss these topics and the book.

    I've really enjoyed reading Coop this month because it's fitting in nicely with a long term comic I'm working on about sustainable agriculture. If you haven't noticed I've been thinking a lot about the disconnect that has happened between Americans and their food. While it's great that Michael Perry is able to live on his family's farm and teach his children about how food is grown and made I'm starting to realize that most people have never even set foot on a farm. A couple of weekends ago I went to an organic farm to do some volunteer work through an Iowa City organization called Local Foods Connection. Even though I grew up on a farm and around agriculture this farm was in a completely different league. I was amazed by the variety of produce they grew and the methods they used. The farm I visited started everything in a greenhouse and then moved it to a field.

    If you have the ability to visit a farm or do some work with a farmer I would encourage you to do so. Next time you're at a farmer's market talk to the farmers there and find out what methods they use to grow their produce. It saddens me when I hear people talk about how lettuce comes from the bag. They don't realize that the lettuce in their bag was grown in Mexico and shipped to a plant where it was bagged and then shipped to their grocery store. They don't realize that the food they're putting in their mouths has gone through miles and miles of travel to reach them. They have no idea who is on the other side of that lettuce.

    Even if you're not into gardening, visiting farms or farmer's markets, you might find it fruitful to grow a little something. I don't have my own yard but we're working on growing some things on our patio. Even if you don't have the option to do that, if you live in an apartment with one window you too can grow something. Jason and I are growing coneflowers, sunflowers, basil, and a few other things on our kitchen counter. It's set by a window and we water it every once in awhile. We planted all of these things just a few weeks ago and as you can see they are growing like crazy. If nothing else it's an exercise in understanding. Children often grow something small as part of their science classes in elementary school, but adults can learn from growing a flower in their kitchen to. It will help you understand that everything starts somewhere, even the book I'm reading came from a tree.

    I am an Amazon Affiliate. If you make a purchase using one of my links I will earn a small percentage which will then go back into this blog.

  • Book Review: Memory of Trees

    Book Review: Memory of Trees

    I picked up Memory of Trees for no other reason than the subtitle A Daughter's Story of a Family Farm. I love reading about farms and agriculture, but it's rare that I see a story from the point of view of a daughter. I was especially intrigued because that is what I mostly write about-- Iowa agriculture from a daughter's point of view. Gayla Marty writes about her family's Minnesota farm during the sixties and seventies. She watches as the farms around her become more industrial and watches her own family's farm come to an end. She punctuates the end of each section with a little vignette on a tree from her life. The book is nonfiction, but its really poetry.

    "North, east, south, west. North is the pasture behind the barn and the lane along the fence that leads the cows to the woods. East are the railroad tracks and highway. South is town, three miles away. You can see the white towers of the mill across the swamp and fields. West is Gramma's house, which is also Uncle and Auntie's; just beyond it is the woodshed, then the orchard, then the creek flowing under the road into the swamp. In springtime the creek is swollen, the swamp turns into a lake a quarter mile wide" (4).

    I love stories about the Midwest but I never see them and I certainly never see them done well. Marty captures the essence of rural Midwest life so well it almost brought me to tears. I've always wanted a book that showed me my life and this was it. The one book that really captured it all for me. I had an extremely intense connection with this book because Marty was able to get the time and place of her story exactly right. By the end of the book I felt like I grew up with her.

    Her exploration of place goes beyond the Midwest to farms in Switzerland and Tanzania where she traveled late in high school and early in college. She sees everything through the eyes of a farmer's daughter, and because I shared that bond with her I felt like I saw these places in the most realistic way.

    There were a few issues. I thought the book was a little too slow in parts, although overall I thought the pacing was right on and the slowness fit well with the location. Most of my other problems were with Marty's decisions, which have nothing to do with the writing and really nothing to do with her either. It was more about me projecting my own desires onto her life.

    This is a book I seem to be recommending to everyone lately even though I have a feeling not everyone will love it. If you're a farmer's daughter though, and you love that about yourself, I really think this is a must read.

    I am an Amazon Affiliate. If you make a purchase using one of my links I will earn a small percentage which will then go back into this blog.

  • Sunday Salon: Why it is Dangerous to be a Lover of Nonfiction

    Sunday Salon: Why it is Dangerous to be a Lover of Nonfiction
    The Sunday Salon.com

    To be a lover of nonfiction is a dangerous and confusing thing. I have become aware of a major difference in the way readers who primarily love nonfiction shop over the way readers who primarily love fiction shop. When you go to the bookstore and you look for a fiction book, there is generally one place you're searching. Maybe two if you like YA or three if you like romance or western. If you love nonfiction there are an unlimited number of places you might find your books. This can be dangerous and frustrating.

    For example, after a recent trip to Half-Price Books I purchased seven books and they were each in a completely different section.

    • The first place I always look is in Essays and Memoirs, which is generally only one or two shelves of a bookcase (in a normal store there might be one whole bookcase). In this section I found Coop, which is a memoir, I suppose, of Michael Perry's life as a farmer and parent.
    • I moved to the Sports section where I found The Lost Art of Walking, a history and discussion of walking.
    • Nearby was travel, where in the further category of Iowa travel I found Postville: A Clash of Cultures in Heartland America

      , a profile of a town in Iowa.

    • I went to graphic novels and found the graphic memoir Blankets

      .

    • I caught up with Jason in the Science section where I found The Compassionate Carnivore: Or, How to Keep Animals Happy, Save Old MacDonald's Farm, Reduce Your Hoofprint, and Still Eat Meat

      on the one shelf of sustainable agriculture books.

    • From sustainable agriculture I moved towards nature writing where I picked up The Control of Nature

      , a book of essays by John McPhee.

    • I ended by trip in the close-by section of Green Living, which had a really neat copy of Barbara Kingsolver's Animal, Vegetable, Miracle: A Year of Food Life.

    Seven books. Seven sections.

    Can you see why loving nonfiction is a dangerous and frustrating process? Dangerous because, as you've just seen, it's very easy to hop around the whole store and find something you're interested in in every section. It's too easy, especially in a store like Half-Price Books, which organizes its categories down into smaller categories.

    It's frustrating, however, because if you are looking for a specific book there can be at least three places it will be located. Is it in essays and memoirs? Is it in environmentalism? Is it in cookbooks? I've found Animal, Vegetable, Miracle in every place. Even from the books I purchased you can probably see some overlap. The Compassionate Carnivore, The Control of Nature, Animal, Vegetable, Miracle, and Coop could have easily been found in the same section, but for some reason Half-Price Books distinguishes them. The distinguishing factor might be something as arbitrary as what type of writer wrote the book. Was it a journalist? A farmer? A scientist?

    Part of this is just that the majority of the books in a bookstore are nonfiction, and bookstores do distinguish all the nonfiction by subject because that is how most people look for it. But when you're a general lover of all types of nonfiction it gets frustrating when there isn't just a single section titled Essays that contains all the books of essays. Since nonfiction is a constantly evolving genre (I'm not saying fiction is not, I'm saying literary fiction has a more established, concrete history) it's difficult for a lot of readers to make the distinction between literary nonfiction and what I would consider "How to" nonfiction. How to travel in Mexico. How to become a Buddhist. How to farm sustainably. Versus. My travels in Mexico. My experience as a Buddhist. My experience as a sustainable farmer.

    Do you read nonfiction? Do you find yourself running around the store looking for a book? If you are a fiction reader, how many sections do you generally look in?

    I am an Amazon Affiliate. If you make a purchase using one of my links I will earn a small percentage which will then go back into this blog.

  • Iraq: Islamic State smash ancient Iraq statues in Mosul

    Iraq: Islamic State smash ancient Iraq statues in Mosul
    The Islamic State group released a video on Thursday showing militants using sledgehammers to smash ancient artifacts in Iraq's northern city of Mosul, describing the relics as idols that must be removed.

    Islamic State smash ancient Iraq statues in Mosul
    In this image made from video posted on a social media account affiliated with the Islamic 
    State group, which has been verified and is consistent with other AP reporting, a militant
     uses a power tool to destroy a winged-bull Assyrian protective deity at the 
    Ninevah Museum in Mosul, Iraq [Credit: AP]

    The destructions are part of a campaign by the IS extremists who have destroyed a number of shrines — including Muslim holy sites — in order to eliminate what they view as heresy. They are also believed to have sold ancient artifacts on the black market in order to finance their bloody campaign across the region.

    The five-minute video shows a group of bearded men inside the Mosul Museum using hammers and drills to destroy several large statues, which are then shown chipped and in pieces. The video then shows a black-clad man at a nearby archaeological site inside Mosul, drilling through and destroying a winged-bull Assyrian protective deity that dates back to the 7th century B.C.

    The video was posted on social media accounts affiliated with the Islamic State group and though it could not be independently verified it appeared authentic, based on AP's knowledge of the Mosul Museum.

    Mosul, Iraq's second-largest city and the surrounding Nineveh province fell to the militants during their blitz last June after Iraqi security forces melted away.


    In their push, the extremists captured large swaths of land in both Iraq and neighboring Syria, declared a self-styled caliphate on territories that are under their control, killing members of religious minorities, driving others from their homes, enslaving women and destroying houses of worship.

    The region under IS control in Iraq has nearly 1,800 of Iraq's 12,000 registered archaeological sites and the militants appear to be out to cleanse it of any non-Islamic ideas, including library books, archaeological relics, and even Islamic sites considered idolatrous.

    "Oh Muslims, these artifacts that are behind me were idols and gods worshipped by people who lived centuries ago instead of Allah," a bearded man tells the camera as he stands in front of the partially demolished winged-bull.

    "The so-called Assyrians and Akkadians and others looked to gods for war, agriculture and rain to whom they offered sacrifices," he added, referring to groups that that left their mark on Mesopotamia for more than 5,000 years in what is now Iraq, eastern Syria and southern Turkey.

    Islamic State smash ancient Iraq statues in Mosul
    Militants used sledgehammers and drills to smash the statues [Credit: AP]

    "Our prophet ordered us to remove all these statues as his followers did when they conquered nations," the man in the video adds. The video bore the logo of the IS group's media arm and was posted on a Twitter account used by the group.

    A professor at the Archaeology College in Mosul confirmed to the Associated Press that the two sites depicted in the video are the city museum and a site known as Nirgal Gate, one of several gates to the capital of the Assyrian Empire, Ninevah.

    "I'm totally shocked," Amir al-Jumaili told the AP over the phone from outside of Mosul. "It's a catastrophe. With the destruction of these artifacts, we can no longer be proud of Mosul's civilization."

    He said that very few of the museum pieces are not genuine.

    Islamic State smash ancient Iraq statues in Mosul
    In this image made from video posted on a social media account affiliated with the 
    Islamic State group, which has been verified and is consistent with other AP reporting,
     militants attack ancient artifacts with sledgehammers in the Ninevah
    Museum in Mosul, Iraq [Credit: AP]

    Among the most important sites under the militants' control are four ancient cities — Ninevah, Kalhu, Dur Sharrukin and Ashur — which were at different times the capital of the mighty Assyrian Empire.

    The Assyrians first arose around 2500 B.C. and at one point ruled over a realm stretching from the Mediterranean coast to what is present-day Iran. Also in danger is the UNESCO World Heritage Site Hatra, which is thought to have been built in the 3rd or 2nd century B.C. by the Seleucid Empire. It flourished during the 1st and 2nd centuries as a religious and trading center.

    The damage to Iraqi artifacts in Mosul is the latest episode in that has targeted the nation's heritage.

    In January, Islamic State militants ransacked the Central Library of Mosul, smashing the locks and taking around 2,000 books — leaving only Islamic texts. Days later, militants broke into University of Mosul's library. They made a bonfire out of hundreds of books on science and culture, destroying them in front of students.

    The day after Baghdad fell to U.S. troops in April 2003, looters burst into the Iraqi National Museum in the Iraqi capital, making off with scores of priceless artifacts and leaving the floor littered with shattered pottery. The U.S. was widely criticized at the time for failing to protect the site.

    Author: Sinan Salaheddin | Source: The Associated Press [February 26, 2015]

  • The house-tree by Tatiana Bilbao

    The house-tree by Tatiana Bilbao

    The house-tree

    Mexican architectural company Tatiana Bilbao has created the design project of a university building. The author has inspired on project creation — an ordinary tree.

    Biological Penates

    The building has received the name “Biotechnological Park Building”. The six-storied structure will shelter researchers and experimenters in the field of the new technologies applied in agriculture.

    The project will take places on 8,000 sq.m. of a campus of the largest private university in Mexico (Tecnológico de Monterrey) in the city of Culiacan.

    The university concept

    The concept represents a complex of the blocks placed in chessboard order. On-opinion architects, such structure is similar to a live, growing tree.

    The university education will be taught on the building ground floors — in "roots", and research and business programs — on top, in "crones".

    VIA «The house-tree by Tatiana Bilbao»