Merry Wanderer of the Night [Search results for citadel

  • South East Asia: Hanoi to restore Kinh Thien Palace

    South East Asia: Hanoi to restore Kinh Thien Palace
    The Hanoi People's Committee has approved the restoration of Thang Long Citadel Complex's Kinh Thien Palace in Hanoi, which was used for royal meetings under the reigns of the Ly (1009-1225), Tran (1226-1400), Le (1428-1789) and Nguyen (1802-1945) Dynasties, Vietnam News Agency (VNA) reported.

    Hanoi to restore Kinh Thien Palace
    Remains of the Kinh Thien Palace [Credit: VNS]

    The Thang Long-Hanoi Heritage Preservation Centre and the Vietnam Archaeology Institute started excavating the Kinh Thien Palace site in February, 2014.

    In recent years researchers have suggested restoring the palace, but they did not have enough information on the building's original architecture and measurements. Most of it was destroyed by the French in 1886. They left behind only the floor and a staircase bordered by two stone dragons.

    Hanoi to restore Kinh Thien Palace
    Remains of the staircase at Kính Thiên Palace, Hanoi Citadel 
    [Credit: Gryffindor/WikiCommons]

    Scientists said that if they received enough support from concerned agencies, the rebuilding could be started within five years, once enough information on the palace's architecture was gathered. Under the recently approved project, scientists will do more research, design a 3D building plan and submit it to the authority by 2016.

    According to Dai Viet Su Ky Toan Thu (Complete Annals of Dai Viet), construction on Kinh Thien Palace began in 1428 under the reign of King Le Thai To and was completed under the reign of King Le Thanh Tong.

    Hanoi to restore Kinh Thien Palace
    French soldiers taking photos on the steps of Kinh Thien Palace during the encamping
     period here. (Taken by Doctor Charles – Edouard Hocquard during 1884)
     [Credit: Hanoi Heritage Conservation Centre]

    The palace is among the most important buildings in the citadel complex and was often used for Le kings' big diplomatic or political events.

    After Oct 10, 1954, when anti-French resistance troops took over the city, the site was used as an office for the Ministry of Defence. In 2014 the Ministry gave part of the site to the city's administration.

    Hanoi to restore Kinh Thien Palace
    Kính Thiên Palace in the Citadel of Hanoi, 1884-1885 
    [Credit: WikiCommons]

    The Kinh Thien Palace relic is an essential part of the citadel. Doan Mon (South Gate) and Hanoi Flag Pole are positioned in front of the palace. Behind the palace is the Hau Lau Building and Cua Bac (North Gate). The eastern and western sides of the palace are also bordered with walls and smaller gates.

    The stone dragons at the palace's staircase are considered a special piece of architectural heritage, representing sculpture art of the Early Le period.

    Source: Bernama [March 16, 2015]

  • Winter garden in the Northern club

    Winter garden in the Northern club

    Elite club

    “The Northern Club” it is organised by group of known professionals and businessmen in 1867 year when in British Empire clubs of gentlemen were very fashionable. The four-storeyed building was initially created as hotel.

    Elite a citadel of gentlemen

    Members of this private club have chosen bureau Fearon Hay Architects for building of the new neighbour for a historical building.

    Jet set club

    Jet Set Club

    The new building under the concept reminds a Winter garden: thin steel lattices, glass — the style inspired by the Victorian epoch.

    In this project borders between an interior and an ex-terrier are mixed; they are equally substantial and hospitable.

    VIA «Winter garden in the Northern club»

  • More Stuff: Britain dismisses UNESCO mediation offer on Parthenon Sculptures

    More Stuff: Britain dismisses UNESCO mediation offer on Parthenon Sculptures
    The British Museum has rejected, albeit in a polite manner, an offer for UNESCO mediation vis-a-vis the Parthenon Marbles and underlined that it is not a government body, and that the marbles do not belong to the British government.

    Britain dismisses UNESCO mediation offer on Parthenon Sculptures
    In a letter dated March 26, 2015, the museum’s trustees claimed they are retaining the friezes — sliced off the Parthenon by the notorious Lord Elgin — for British people … for the benefit of the world’s public, present and future.

    The letter also cited trustees’ “honest respect for the organization” but also “the already good relationships with colleagues and institutions of Greece”,

    Here’s the British Museum’s very “long-winded” response, signed by the chairman of the British Museum board of trustees, Sir Richard Lambert:

    “I write on behalf of the Trustees of the British Museum, who at their meeting of 19th March 2015 considered the request put forward by the Greek Government that they should enter into a process of mediation, facilitated by UNESCO, on the subject of the Parthenon Sculptures in the British Museum. After full and careful consideration, we have decided respectfully to decline this request. We believe that the more constructive way forward, on which we have already embarked, is to collaborate directly with other museums and cultural institutions, not just in Greece but across the world.

    The British Museum admires and supports the work of UNESCO, fully acknowledging the importance of its unique ability, as an intergovernmental agency, to address the serious issue of the threats to, and the destruction of, cultural heritage around the world. The Museum has a long history of collaboration with UNESCO, notably in Iraq in 2003-5, and is currently engaged with UNESCO in formulating responses to the crisis in Syria, including the illicit trafficking of antiquities. The Museum would wish always to align itself with UNESCO’s purposes in the preservation and safeguarding of the world’s endangered cultural heritage. However, the surviving Parthenon Sculptures, carefully preserved in a number of European museums, clearly do not fall into this category.

    The British Museum, as you know, is not a government body, and the collections do not belong to the British Government. The Trustees of the British Museum hold them not only for the British people, but for the benefit of the world public, present and future. The Trustees have a legal and moral responsibility to preserve and maintain all the collections in their care, to treat them as inalienable and to make them accessible to world audiences.

    In pursuit of this aim, the Trustees would want to develop existing good relations with colleagues and institutions in Greece, and to explore collaborative ventures, not on a government-to-government basis but directly between institutions. This is why we believe that UNESCO involvement is not the best way forward. Museums holding Greek works, whether in Greece, the UK or elsewhere in the world, are naturally united in a shared endeavour to show the importance of the legacy of ancient Greece. The British Museum is committed to playing its full part in sharing the value of that legacy for all humanity.

    The potential of this approach can be seen in the British Museum’s current special exhibition Defining Beauty, the Body in Ancient Greek Art, which opened to the public today. Here some of the Parthenon Sculptures are displayed with other works that similarly show the intense humanism of ancient Greek civilisation, including masterpieces generously lent by museums around the world. Nowhere else in the world is it now, or has it ever been, possible to see these objects together. The aesthetic impact is considerable, and the intellectual content compelling. This seems to us to point the way forward, as an example of the great public benefit that arises from museums internationally using and sharing their collections in this way."

    Meanwhile, the British government also addressed a letter to Alfredo Pérez de Armiñán noting their respect for UNESCO’s work in preserving cultural heritage and “providing a forum for the resolution of international disputes.”

    “The issue of the Parthenon sculptures in the British Museum has been the subject of much discussion over the years both within the Committee and elsewhere, and while the UK is not formally a member of the Committee, officials from the Department for Culture, Media and Sport and the British Museum have regularly attended and sought to assist the Committee in its work,” the letter stated.

    However, while the British government wishes to cooperate with UNESCO, they clearly state that they cannot agree to the Greek government’s request for the return of the Parthenon Marbles since they “were legally acquired by Lord Elgin under the laws pertaining at the time and the Trustees of the British Museum have had clear legal title to the sculptures since 1816.”

    “We have seen nothing to suggest that Greece’s purpose in seeking mediation on this issue is anything other than to achieve the permanent transfer of the Parthenon sculptures now in the British Museum to Greece and on terms that would deny the British Museum’s right of ownership, either in law or as a practical reality. Given our equally clear position, this leads us to conclude that mediation would not carry this debate substantially forward,” the British government added

    The letters sparked a reaction from the Greek government. In a statement, Culture Minister Nikos Xydakis criticized the British officials’ “unwillingness to cooperate.”

    “We are surprised at the ongoing effort to downgrade an interstate issue to an issue between museums,” he said, adding that the Greek government would continue its bid to repatriate the sculptures.

    Greece has unsuccessfully campaigned for the return of the ancient sculptures that were removed from the citadel by Lord Elgin in the early 1800s. 

    Source: Protothema [March 27, 2015]