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The reopening was brought forward in what officials said was a response to the destruction of priceless artefacts by Islamic State group jihadists in the northern city of Mosul.

"We have been preparing to reopen for the past couple of months, the museum should be open to everyone," Qais Hussein Rashid, the deputy tourism and antiquities minister, told AFP.

"The events in Mosul led us to speed up our work and we wanted to open it today as a response to what the gangs of Daesh did," he said, using an Arabic acronym for the IS group.

On Thursday, the jihadists who have occupied the second city of Mosul since June last year released a video in which militants smash ancient statues with sledgehammers in the city's museum.

Militants are also seen using a jackhammer to deface a colossal 40-tonne Assyrian winged bull in an archaeological park in Mosul.

The destruction sparked global outrage, calls for an emergency meeting of the UN Security Council and fears over the fate of other major heritage sites in areas under IS control.

The Mosul destruction was the worst disaster to strike Iraq's treasures since the national museum in Baghdad was looted in the chaos that followed the toppling of Saddam Hussein.

The pictures of jihadists gleefully hacking away at treasures dating back several centuries before Christ drew comparisons with the 2001 dynamiting by the Taliban of the Bamiyan buddhas in Afghanistan.

Hunt continues

One jihadist speaking to the camera claims they are destroying them on religious grounds because the statues are symbols of idolatry.

But officials and experts argue the IS militants are seen destroying the pieces that are too bulky to be smuggled and sold to finance their self-proclaimed "caliphate".

The 2003 plundering of the Baghdad museum, footage of which was beamed around the world at the time, has been compared to the 13th century Mongol sack of the city's library.

The museum was considered to host one of the world's greatest archeological collections.

Officials said Saturday that about 15,000 pieces were looted in 2003, of which 4,300 have been recovered.

"We are still tracking down more than 10,000 artefacts in markets and auctions. What we got back were the most important," Rashid said.

After cutting a red ribbon at an official ceremony, Prime Minister Haider al-Abadi said: "Today the message is clear from Baghdad, from the land of Mesopotamia.

"We will preserve civilisation and we will track down those who want to destroy it," he said.

'Happy day'

The Mosul museum, which UNESCO museology expert Stuart Gibson described as "a small jewel" constructed on the gardens of the former palace of King Faisal of Iraq, was also pillaged in 2003.

Archaeologists have expressed fears the jihadists would go on to destroy more heritage in the areas they control, possibly the Assyrian site of Nimrud and the UNESCO-listed ancient city of Hatra.

Abadi warned traffickers and buyers that Iraq and its partners would not relent in the hunt for looted artefacts.

"We have details on every artefact in Mosul, every piece is marked, and we will track down all the pieces smuggled by Daesh and the terrorist groups. We will track them down and all the world is with us."

Rashid said the reopening would help heal the wounds of the Mosul looting.

"We don't want February 26 to be a day of sadness and gloom... reopening the museum sends a message at home and abroad that it should be restored as a touristic and cultural institution," he said.

The museum is due to reopen to the public on Sunday. Tickets will cost 1,500 dinars (just over a dollar) for Iraqis, 10 US dollars for foreign Arabs and 20 for other foreigners.

"This is a very happy day," said Rashid.

"For the first time there's a whole generation of Iraqis who never knew what the national museum was. Starting tomorrow, kids and families will visit the museum to see the artefacts and touch them."

Author: Karim Abou Merhi | Source: AFP [February 28, 2015]

Thou Shalt Not Road Trip by Antony John is one of the books I was most looking forward to in 2012. So when I invited Antony to take part in Just Contemporary and he sent me an ARC, to say I was ecstatic is an understatement.

I am going to warn you in advance that this review is all over the place and it's long. Although my feeling are overall positive, they range from surprised to shocked to disappointed to confused to annoyed to thrilled to amazed to Seriously? to pleased and pretty much everywhere in between. So.

To be perfectly honest, a part of me is devastated that I didn't love this book the way that I absolutely adored Five Flavors of Dumb. This doesn't mean I didn't like it, but this book lacked a certain authenticity in everything except the religion talk. Which makes that a great place to start.

I was surprised when I started reading this book to realize just how much religion plays a part in the story. I don't know how I missed it, because the title includes the words 'thou' and 'shalt' and the main character is on a book tour for the book he wrote called Hallelujah. So, I was instantly wary. Because, for a lot of reasons, that I'm pretty sure I don't need to numerate, books with really strong religious themes are not always my favorite and, in my experience, they aren't always done very well. But for me, this was actually the best part of the book. Rather than being a book about RELIGION it is more a book about a boy who happens to be religious. He believes in God, says his prayers, wants to see other people happy and he also questions his faith and beliefs. As someone who has been religious my whole life, this was incredibly refreshing to me. Here we have a mostly normal teenage boy, who is religious and it isn't this huge thing or problem or issue or whatever. It just was.

And Antony gets the full Ashley stamp of brilliance, because he managed to talk about religion a lot (Luke is on a book tour through Christian book stores) but he never, not once, came across as preachy to me. There were morals to the story, and life lessons learned but none of them were strictly brought about because of a religious lesson. They were normal. And it was amazing. Here is a book with religion in the summary that didn't turn into either an excuse to hate on religion and demonstrate its utter evil OR a 300+page Sunday School lesson. There are a lot of people and a lot of teens who go to church every Sunday. It an important but normal part of their lives. It's nice to have a book that gives us a religious character and handles it well. So, serious awesome points to Antony for that. Seriously.

However, I had a really hard time with just about every character in this story. Luke is supposed to be on tour for his book and his older brother, Matt, is brought along to act as his chauffeur. But Matt decides to bring along his girlfriend, Alex, and her little sister, Fran, who happens to be Luke's ex-best friend and major crush. Awkward. Fran has changed physically a lot in the past year, and Luke interprets this to mean that everything he knows about Fran has changed. And since she is a large part of the reason he's questioning a lot of his decisions (including his faith) and feeling disconnected from his life. So the author of this inspirational best-selling Christian self-help novel finds himself feeling... less than charitable as their road trip advances.

I found myself really frustrated with these characters. Luke's disinterest in his own life, his naivete and his complete and total self-centeredness were incredibly frustrating to read. Not that he didn't grow as a character, because he did and by the end of the book I was absolutely rooting for him. But it was a struggle getting me there. Fran has made some drastic physical changes — outrageous hair, piercings, tattoos, drinking etc. All things that usually signal a cry for help. But all Luke can see is that his best friend is suddenly different and he feels so wounded. When he talks to her, even when he thinks he is being so magnanimous and gracious, he's judgmental and feels as if her problems are all about him. Again, he grows as a character but it's a bit rocky in the beginning.

Matt was probably my least favorite character (although undeveloped Alex isn't far behind.) He is supposed to be in charge of organizing Luke's schedule and getting him places on time. Instead, he regularly took long detours, made decisions about where they would stop without saying anything about it to Luke and there were a few times he outrighted lied to him. While it's very true that Luke needed to lighten up a bit, Matt's behavior drove me nuts. He ignored phone calls from Luke's publicist, used the emergency credit card too often and ignored Luke's distress without even trying to alleviate it. Pretty much every time he did anything, Matt frustrated me. You understand him and his motivations better by the end of the book too, but he still never really grew on me.

Fran was an interesting character and probably my favorite of the bunch. Aside from Luke, she has the most depth and personality and meaning, but even then, I felt her main purpose in the story was to bring balance and understanding to Luke and give him the motivation, reason and environment necessary to invite growth and change. Luke has some depth as a character (for good or bad) without Fran, but Fran had very little without Luke. She was the next best developed character overall, and I felt for her, I really did, but not enough.

The book also include excerpts from Hallelujah, Luke's books, and they are seriously laugh out loud funny. Written as Bible passages, full of 'and he spake' and 'thus sayeth' and 'art thou' they are basically stories of inspiration and hope and insight. Some are funny, some are motivating, and some are a little more tinged with despair, but each were placed perfectly throughout the book to build and move the story forward. These were a fabulous addition, one that added a lot of depth and feeling to the story that would have otherwise been missing.

I do have one other confession about this book, lest you think I was totally disappointed. I have been in a bit of a reading slump lately. And when I'm in this kind of mood, I read very slow, I start and stop books frequently, and I have to kind of force whatever book I'm reading. This has absolutely nothing to do with the book I'm reading, and everything to do with my personal mood. And even though I really and truly did enjoy this book, I am 99% positive that if I had read it when I was more in the mood to read, I would have really loved the book. It's definitely one that I'm going to reread. Maybe I'll even reread it soon, so that if my feelings change drastically, like I think they could, I can rereview the book closer to its April release date. Who knows.

What I do know, is that even not being as enamored of this book as I was of Dumb, it is definitely a book worth reading and it's one that I've already been talking about and recommending. I think this book has a lot to offer and Antony John is going to be firmly stuck on my favorite authors list for a long time. It's a story about life and love and second chances, about friendship, looking beyond the surface and being true to yourself. It's a story that makes you laugh, but one that also makes you think. And while it's not necessarily a story for everyone, it is a story that I believe is important. It's a book that is going to stick with me and even though they weren't my favorite, I have a feeling these characters aren't going to get out of my head for a long time

Alright — I was too lazy to record an IMM for about 2 weeks & then, I got a package of complete WIN in the mail and just KNEW I had to vlog right THEN! But... I got a lot of books, so it's a bit of a long video.:)

Before the video though — Quick Note about the pen pal thing — I'm late getting everything together because my sister is going through a lot of personal drama right now, that includes toxic people putting her and her children at risk and an emergency move beginning at 8pm... LONG story full of more drama that I want to get into. But I have been spending a lot of time helping her, watching her kids etc so that they can try to find a safe place to move with their family. (UGH. I hate stupid drama). SO. I'm hoping to get this put together soon, but it's taking longer than I thought it would.

Anyway — the video. (Also... sorry... It seems the syncing is off again at the end.)

There are too many books to list here (read... I'm too lazy to do it, maybe later, but probably now...)

So, I will link all the bloggers that I mention as well as the books I got for review.

ALSO — Update re Lisa Schroeder — I have converted another lover since this video was recorded!! Ya, I'm that good.:)

Review:

Breadcrumbs — Anne Ursu (excerpt, review)
The Beginning of After — Jennifer Castle
Dark Eden — Patrick Carman
The Power of Six — Pittacus Lore
The Kid- Sapphire (DNF review)

Joli @ Acting Up with Books

Shannon @ Books Devoured

Lindsi @ Books, Sweets and Other Treats

Enna @ Squeaky Books

Cyndi @ Dog Eared and Bookmarked

Jacinda @ The Reading Housewives

Not mentioned by name in video — But my cousin is Ems @ In Which Ems Reviews Books

Back of the Book Reviews

Rachel @ Reading Angel

Rachel @ Fiktshun

Nancy @ A Musing Reviews

Also — OH MY GOODNESS!!! LISA SCHROEDER!!! LOVE her!!:)

The report analyzes six of the 12 sites that Syria has nominated as World Heritage Sites: Dura Europos, Ebla, Hama's Waterwheels, Mari, Raqqa, and Ugarit. A forthcoming report will analyze the additional six sites.

"As we continue to study the conditions at Syria's important cultural sites, we have observed significant destruction that is largely the result of conflict. However, unlike our previous analysis of Syria's World Heritage Sites, we're seeing a lot of damage that appears to be the result of widespread looting," said Susan Wolfinbarger, director of the AAAS Geospatial Technologies and Human Rights Project, which authored the report. Researchers from the University of Pennsylvania Museum's Penn Cultural Heritage Center and the Smithsonian Institution also contributed to the research.

"This report helps us understand how the extensive the actual damage is to Syria's cultural heritage. It will inform future emergency preservation efforts," said Brian Daniels, director of research and programs at the University of Pennsylvania Museum's Penn Cultural Heritage Center.

In the report, images from 2014 show numerous pits throughout three sites where ancient cities once stood. The pits generally do not appear in similar images from 2011, when the conflict in Syria began. "We interpret these pits as evidence of looting due to the distinct craters visible within the satellite images," said Jonathan Drake, a senior program associate at AAAS.

"This type of documentation really allows us to make a firm statement based on scientific observation of things that have happened at a site," said Wolfinbarger.

"Sometimes when things are reported in the news media or social media, details can be obscured or purposefully misconstrued. But this analysis is replicable. We can say definitively, 'we see this.' And when it is tied it in with other types of information, satellite imagery can give us a more complete picture in parts of the world that are difficult to access."

"These images show the destruction of ancient artifacts, architecture, and most importantly, archaeological context that is the record of humanity's past," said Katharyn Hanson, a post-doctoral fellow at the University of Pennsylvania Museum's Penn Cultural Heritage Center and a visiting scholar at AAAS. "From the origins of civilization to the first international empires, Syria's cultural heritage and these sites in particular are vitally important to our understanding of history."

The most extensive looting identified in the report was at Dura-Europos, which was founded in the 3rd century B.C. and served as a frontier city as well as the main hub for caravan routes. The site represents a blend of cultural traditions, including Greek, Mesopotamian, Aramaic, Persian, and Roman influences. There have been numerous reports of damage through social media and news reports, and the AAAS report now documents the extent of this activity.

Based on the imagery analysis, 76% of the area within the city wall had been damaged by April 2014, and the looting pits were so close together it was impossible to distinguish individual pits, the researchers report. Looting pits outside the city wall were less dense but still numerous; approximately 3,750 individual pits were observed. Images from 2 April 2014 show four vehicles among the ancient Roman ruins in close proximity to the looting, suggesting that the disturbances at the site may have been ongoing at that time, according to the report.

The second site described in the report is Ebla, the site of an important kingdom in the Early Bronze Age. The site is best known for its archive of several thousand written tablets that "revolutionized knowledge regarding the ancient history and political economy of the region," the report says. Ebla is constructed out of mud brick, so without preservation it is vulnerable to erosion.

The images in the analysis show looting pits, including 45 new holes observed between 18 August 2013 and 4 August 2014, as well as eroded walls, earthen berm fortifications, and heavy vehicle tracks. Military compounds have been constructed on the site, likely due to the fact that the site is elevated over the surrounding plain and provides a good view of the area.

Looting is also widespread at the ancient Mesopotamian city of Mari, which was founded in the early 3rd millennium B.C. and prospered as a node on the trade routes. Like Dura-Europos, Mari is located in the Deir ez-Zor province that has seen violent clashes during the conflict. The Albu Kamal region, where Mari is located, came under the control of ISIS in June 2014.

The looting appears to have ramped up during the last year. The researchers identified 165 visible pits dug between August 2011 and March 2014 (an average of 0.17 pits formed per day). Between 25 March and 11 November 2014, however, they identified 1,286 new pits, an average rate of 5.5 pits dug every day over the seven-month period.

The fourth site is Raqqa, and important city center that exemplifies the transition of a Greek/Byzantine urban center into an Islamic city by 796 A.D. Since 2013 Raqqa has been at the center of the conflict in Syria. After fighting by opposition groups, ISIS took control of the city in October 2013, and in September 2014, the United States and partner nations began an airstrike campaign against ISIS in Raqqa.

The observed damage in vicinity of the Tentative World Heritage site in Raqqa appears to be different from that of the other sites in the analysis, according to the report, with little evidence of direct military conflict. "Rather, when damage is present, it appears to be nearly total and targeted, with specific buildings disappearing while the surrounding buildings remain untouched," the report states.

This phenomenon appears too precise to have been caused by the Syrian Arab Republic Government's military forces, and while it is well known that the United States and other partner air forces have the ability to deliver munitions with high precision, the destroyed sites are all cultural sites located within the UNESCO Tentative World Heritage site boundary, according to the report. "The more plausible explanation is that the demolitions in the vicinity of the Tentative World Heritage site's boundaries are the result of actions by ISIS," the report states.

The two other areas that the researchers analyzed -- the historic waterwheels of Hama, which raised water up to aqueducts for drinking and irrigation, and the ancient site of Ugarit, a mostly stone city that connected the ancient empires of Mesopotamia with those of the Mediterranean -- do not appear to have been damaged.

Copies of the report can be downloaded at http://www.aaas.org/geotech/culturalheritage-SyrianTWHS-122014.html.

Source: American Association for the Advancement of Science [December 17, 2014]

The burial site in the Valley of the Queens was opened for ten days in mid-October to celebrate the 110th anniversary of its discovery by the Italian archaeologist Ernesto Schiaparelli. Speaking at an event in London last month, Egypt’s minister of tourism, Hisham Zazou, proposed that the site remains open. “I want to make sure [this period] is expanded, so it is open every month,” Zazou said, adding that the tomb would be open one week a month to a limited number of tourists. Access was restricted to 150 visitors before it was closed in 2006.

Egypt’s tourism industry has suffered since the 2011 revolution, with just 7.1 million visitors from January to September this year, compared with 14.7 million in 2010, according to Zazou. Although tourism has increased in resorts around the Red Sea, numbers remain low at cultural sites. Egypt’s authorities now hope to attract visitors back to the Nile Valley by opening new archaeological sites.

Nefertari’s tomb is renowned for its colourful paintings showing the queen with deities, but the remarkably well-preserved works quickly deteriorated after the tomb’s discovery due to rising humidity levels and associated salt damage, partly brought on by the breath of tourists. From 1986 to 1992, the Getty Conservation Institute used emergency conservation measures to stabilise the works. The tomb reopened in 1995, but renewed concerns led to its closure to the public in 2006, although the antiquities ministry continued to grant access for private tours.

The Getty has monitored the tomb regularly over the years, and according to a spokesman for the institute, there has been “no apparent deterioration as a result of visitors or due to humidity from visitors”. There has been physical damage, however, which the Getty has “ascribed to filming in the tomb”.

Author: Garry Shaw | Source: The Art Newspaper [December 18, 2014]

In an interview with The Associated Press, UNESCO Director-General Irina Bokova described her angry reaction to Thursday's attack that came just a week after video showed Islamic State militants with sledgehammers destroying ancient artifacts at a museum in Mosul.

"We call this cultural cleansing because unfortunately, we see an acceleration of this destruction of heritage as deliberate warfare," Bokova said. She said the attack fit into a larger "appalling vision" of persecution of minorities in the region and declared that attacks on culture are now a security concern.

"It's not a luxury anymore," Bokova said.

Later Friday, the spokesman for the U.N. secretary-general said Ban Ki-moon condemned the attacks and said the deliberate destruction "constitutes a war crime and represents an attack on humanity as a whole."

The Iraqi government says Islamic State militants "bulldozed" the renowned archaeological site of the ancient city in northern Iraq with heavy military vehicles on Thursday.

Bokova said U.N. officials have to rely on satellite images of the destroyed city to assess the level of damage, because the dangerous security situation makes it impossible to get people close to the site.

But she said officials have seen images of some of the large statues from the site "put on big trucks and we don't know where they are, possibly for illicit trafficking."

Officials have seen photos of destroyed symbols of the ancient kingdom of Assyria, with the head of a human man and the body of a lion or eagle. She called them and other items at the site priceless.

"The symbolism of this, they are in some of the sacred texts even, in the Bible they are mentioned," she said. "All of this is an appalling and tragic act of human destruction."

She said that before the attack, UNESCO had been preparing to include Nimrud on its list of World Heritage Sites. The city was the second capital of Assyria, a kingdom that began around 900 B.C. and became a great regional power. The discovery of treasures in the city's royal tombs in the 1980s is considered one of the 20th century's most significant archaeological finds.

The site lies just south of Iraq's second largest city, Mosul, which was captured by the Islamic State group in June.

Bokova denounced the "cultural chaos" and said she had alerted both Ban and the prosecutor of the International Criminal Court.

She was meeting with Ban later Friday and said she was sure of his support.

Iraq's U.N. ambassador, Mohamed Alhakim, said Iraq had not yet formally asked for an emergency meeting of the U.N. Security Council. He did not say what exactly Iraq wanted from the council but warned of the looted treasures.

"Somebody is going to buy these," he said.

Bokova said she also plans to meet with Interpol, major museums such as the Metropolitan Museum of Art in New York, major auction houses and Iraq's neighbors in an attempt to stop the illicit trafficking of items from the Nimrud site.

Bokova appealed in a statement Friday to people around the world, especially young people, to protect "the heritage of the whole of humanity."

"I don't see any justification, any religious belief, any other kind of ambition, political or others, that justify this kind of destruction," she said.

Author: Cara Anna | Source: The Associated Press [March 06, 2015]

As a result of the heavy rainfall and overflowing of rivers, the historic Bridge of Plaka near Tzoumerka has collapsed. The bridge which was constructed in the 18th century is the largest single-arch bridge in the Balkans, with the main arch measuring 40.2 meters long and 21 meters tall at its apex.

While the Bridge collapsed in the 1800s, it was quickly reconstructed. The bridge attained greater symbolic value in 1944, during the German Occupation of Greece, when the resistance groups singed a pact there against the Nazi occupiers.

The Ministry of Culture has issued a statement noting that it will take all necessary measures to protect the bridge and collect the debris and structural elements that can be used in the restoration. A team of mechanics has already been dispatched to the area in order to conduct a preliminary report and investigation.

Source: To Vima [February 02, 2015]

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