“This is a salvage operation to get as much as we can,” said archaeologist Jera Davis, who is part of the team excavating the site.

The sites along the bank overlooking the river have been endangered by rapid erosion caused by a shift in the river channel. The salvage effort is a stopgap measure until UA and the U.S. Army Corps of Engineers can agree on a plan to stabilize the stretch of riverbank along the wooded northern border of the park, according to Matt Gage, director of the UA Office of Archaeological Research.

“Since 2010, we have really seen a major change in what is happening with the erosion in this area,” Gage said.

The university and the Corps are trying to work on a feasibility study, he said.

The stabilization work would likely be funded by local and federal matching funds, with the Corps responsible for the stabilization and the university assisting with the archaeological work at the site.

At a site below the raised walkway that runs along the edge of the bank, the team has been excavating a midden heap — or trash pit — for about a week.

The bank below the excavation is a steep slope of exposed sandy soil where the trunks of toppled cypress and gum trees protrude from the silt at the water’s edge.

Gage estimated the staff has about six to eight months of salvage work along the riverbank on the edge of the park. The salvage by the archaeologists needs to be done before the stabilization work begins and before the valuable archaeological deposits slide down the slope into the river.

Only about 15 percent of the massive Moundville complex has been excavated. The section threatened by the river is among the least explored, according to Davis.

The site overlooking the river was likely one of the first and last places to be occupied at the complex, which was inhabited from roughly the 11th to 16th centuries by Native Americans of the Mississippian culture. The site was a religious and commercial center, home to both elite and commoners of the culture.

Based on materials found in the trash pit, experts say the sites near the river were likely the residential areas for the elite members of the society. The items include such things as shards of elaborate ceramics and mineral pigments from the Midwest, Davis said.

The trash pits offer glimpses of daily life at the sprawling complex, once the second largest of its kind in what is now the United States.

Moundville is eligible as a United Nations Educational, Scientific and Cultural Organization World Heritage site, Gage said.

Erosion along the bank is speeding up, he warned.

“Every day, we are losing a little bit of Moundville,” he said.

In the past, a natural jetty formed by silt deposits at the mouth of Carthage Branch to the east of the park helped protect the stretch of riverbank by redirecting the current. The recent changes to the river channel eroded the natural barrier and began to cut away at the bank along the Moundville site, Gage said. He estimated that approximately 30 meters of riverbank has been lost since 1969. The Corps of Engineers stabilized a stretch of riverbank northwest of the park roughly 25 years ago with riprap and other stone to prevent erosion.

While the Corps was previously able to stabilize the riverbank on the northwest corner of the park with aggregate, the erosion occurring now is a more challenging engineering problem because of the steep slope of the bank, which drops almost immediately into the river channel, Gage said.

Gage anticipates the project could cost anywhere from $7 million to $11 million.

“It all depends on what the Army Corps of Engineers decides is a possibility,” he said.

Author: Ed Enoch | Source: The Tuscaloosa News [January 26, 2015]

Niyang River Visitor Center

VIA «The centre for visitors on the bank of the mountain river»

VIA Steven Moffat Is Pissed!

I have more mini-reviews today, because these both also fall under the category of wanted to/should have loved these books, But.

First is May B. by Caroline Starr Rose. This is a book that I really should have loved. It's written in verse, which I'm pretty sure most people know how much I absolutely adore. It's historical fiction — life on the prairie — which I've been totally fascinated with for as long as I can remember. And it's a survival story taking place in the midst of a crazy, nasty blizzard. Oh ya, and, the importance of reading and language plays a large part in the growth of the main character. Umm, yes please.

I was in love with the idea of a historical fiction story being told in verse. I feel like non-Contemporary verse novels are rather rare, so I was really excited for this one. But for some reason, the execution was really lacking for me. May is sent by her parents to live/work with a newlywed couple because her family needs the money her servitude will bring. But shortly after May gets there, the wife (who is from the city and really struggling with the vast prairie life) decides she is going to leave, and the Mr. goes after her. He's only supposed to be gone for a day, but he never comes home. May is left completely alone as winter approaches and she has no idea how to get home.

That is enough for a compelling story. But there were other things added to the story that I assume were meant to give depth to the story and to May's character, but instead just felt underdeveloped and tacked on to say — Look!! Character growth! May should have been a strong character, but I never really believed that she was, I only ever believed that I was supposed to think she was. I just never felt a true sense of connection with May and honestly thought the inclusion of May's struggles to read were overdone and unnecessary, constantly pulling me out of the story and severing whatever connection had started to form. I don't know why that was. Reading is (obviously) a big deal to me, but it never felt natural or necessary. It always felt to me like a plot device, and a poorly disguised one at that. This is actually a story I think might have worked better in traditional prose (although it pains me to say this) and although, overall, I did enjoy the story well enough, it's not a book I'll be recommending much, although if you are already interested, I suggest you give it a try anyway. I will definitely try the author again, and I think this is a book worth giving a chance, even if it didn't quite click for me.

On a completely different note, I have always been completely fascinated by true crime stories, and serial killers and other morbidly interesting stuff. So when I saw Green River Killer: A True Detective Story by Jeff Jensen on Netgalley, I was like — Yes! Win! The Green River Killer was a big deal for a lot of years, killing a tragically large number of women and eluding the police for a very long time. And, because I really am morbid, I was excited to read a story written by the lead detective's son and told as a graphic novel.

Unfortunately, the idea behind the book was the most interesting part of it. I found myself very disappointed in the actual contents of the book. The story had a very strange chronology that didn't flow well and it made it really hard to be interested in the story. There were random and unexplained jumps in time and setting that were never explained and it made the story really awkward to read.

And, the illustrations, while well drawn, weren't very distinct, and I'll admit that there were times I wasn't sure who was actually depicted. They all kinda just looked the same to me.

I feel like this is a story that could have been amazing. As the son of the lead detective on such a high profile case, you would have a lot of different information and a different view of the case than most people, and I feel like there could be a lot of really solid material for a book. Unfortunately, this one just didn't work for me and I ended up spending a good 85% of the book bored and wishing it were over.

*Disclaimer: Both of these books were electronic ARCs received via Netgalley.

According to China's State Administration of Cultural Heritage, UNESCO has already made a preliminary review of the application. A series of official documents to protect the ancient site of rock paintings in Huashan Mountain were issued. So far, around 150 million yuan has been invested on the relevant work to preserve the site. Better management and enhanced conservation efforts have been launched.

The rock paintings of Huashan Mountain are located on the west bank of the Mingjiang River in the Yaoda town, Ningming county, Guangxi Zhuang autonomous region. It is the biggest, most content-rich and best-preserved ancient rock carvings in China among all the discovered cultural relics to date. With a history of around 1800-2500 years, the sites were left from sacred activities of the ancient Luoyue people of the Zhuang ethnic groups in the drainage area of the Zuojiang River during the Warring States period (475-221BC) and Eastern Han Dynasty (25-220AD).

The whole painting stretches more than 200 meters in length and around 40 meters in height, with more than 1800 images in it, including people, horses, dogs, knives, swords and drums. Though a variety of archaeological theories have been made to explain the origin of the ancient artistic work, the exact reason for its creation still remains a mystery.

Source: China Daily [February 04, 2015]

Every month Aths and I are reading one eco-centered book for our feature Leif Reads. To find out more about this feature visit the about page.

With all the snow falling this year a lot of people think the signs of global warming are over. In reality, all of this snow is just more proof of the amount of carbon dioxide in the air. More carbon dioxide in the air means the air holds more moisture, and that moisture has to go someplace which is why we've had record snow and rainfalls recently. Since there is more rain on the ground and there needs to be somewhere for it to go we experience floods. As Bill McKibben points out in Eaarth, "a river that has to carry more water takes up more space... the river [the road] running next to is getting wider because we now live on a planet where warmer air holds more water vapor and hence we have bigger storms. There's no room for the road to shift" (61).

This is something that really hits home for me because I've experienced two pretty monstrous floods in last three years. One where I live now, Iowa City, and one where I grew up, Des Moines. While you may not care about the natural problems with flooding, I'm sure you care about the people whose lives are changed by them. "After such a disaster, researchers report, 'people feel inadequate, like outside forces are taking control of their lives" (75). This is a huge problem right now. Our earth is not the only thing changing, we as people are changing because of these things we've done to our earth.

Flooding in Colfax, Iowa, where my dad grew up. This flood was just last summer and washed out the majority of the fields in area. Photo source.

I walk by this building every day, but during the flood of 2008 the door was blocked off by water. Photo source.

We all know flooding happens, but it's important to make the connection between the amount of snowfall we see and the amount of flooding we have. Snow is frozen, but when it melts that means there is more water in our rivers. More water than our rivers can hold.

Have any of you experienced a flood?

I am an Amazon Affiliate. If you make a purchase using one of my links I will earn a small percentage which will then go back into this blog.

Work has been continuing at Ani, which has been home to many civilizations throughout history and is today a major draw for tourists in the area, with the support of Turkey’s Culture and Tourism Ministry.

Ani is located 40 kilometers from the city of Kars, where tourists usually base themselves during trips to visit the remote site.

Local Culture and Tourism Director Hakan Doğanay said salvage excavations in Ani would be headed this year by Pamukkale University Classical Archaeology Department Professor Fahriye Bayram.

Doğanay said projects regarding the restoration of the ancient city’s walls have now been finished, with an eye to including Ani on the UNESCO’s heritage list.

“[Ani] may enter the UNESCO list during the meeting to be held in Oslo in 2016. We predict that 2015-2016 will be the years of Kars and the ancient ruins of Ani. The Culture and Tourism Ministry has provided us with great support on this issue,” he said.

“We will also bring over 21 new artifacts from various cultures, making the best use of cultural heritage in our region,” Doğanay added. “Ani is a treasure for us that should be included in the UNESCO World Heritage List.”

Ani, which occupies 78 hectares of land and is surrounded by 4,500-meter-long ramparts, was once the capital of a medieval Armenian kingdom that covered much of present-day Armenia and eastern Turkey.

Ani is protected on its eastern side by a ravine formed by the Akhurian River and on its western side by the Bostanlar or Tzaghkotzadzor Balley. The Akhurian is a branch of the Aras River and forms part of the current border between Turkey and Armenia.

Dubbed the “City of 1,001 Churches,” Ani stood on various trade routes, and its many religious buildings, palaces, and fortifications were among the most technically and artistically advanced structures in the world at the time, according to specialists.

Source: Hurriyet Daily News [March 02, 2015]

The site dates back to the time of the Achaemenid king Darius the Great in the 5th century BCE. It involves two main diversion canals on the Karun River, one of which, Gargar canal, is still in use providing water to the city of Shushtar via a series of tunnels that supply water to mills.

The system forms a cliff from which water cascades into a downstream basin and enters south of the city enabling people in Shushtar to plant orchards and create farms over an area of 40,000 hectares.

Source: Iran Front Page [December 25, 2014]

Residents say the extremists smashed the locks that had protected the biggest repository of learning in the northern Iraq town, and loaded around 2,000 books — including children’s stories, poetry, philosophy and tomes on sports, health, culture and science — into six pickup trucks. They left only Islamic texts.

The rest?

“These books promote infidelity and call for disobeying Allah. So they will be burned,” a bearded militant in traditional Afghani two-piece clothing told residents, according to one man living nearby who spoke to The Associated Press. The man, who spoke on condition of anonymity because he feared retaliation, said the Islamic State group official made his impromptu address as others stuffed books into empty flour bags.

Since the Islamic State group seized a third of Iraq and neighbouring Syria, they have sought to purge society of everything that doesn’t conform to their violent interpretation of Islam. They already have destroyed many archaeological relics, deeming them pagan, and even Islamic sites considered idolatrous. Increasingly books are in the firing line.

Mosul, the biggest city in the Islamic State group’s self-declared caliphate, boasts a relatively educated, diverse population that seeks to preserve its heritage sites and libraries. In the chaos that followed the U.S.-led invasion of 2003 that toppled Saddam Hussein, residents near the Central Library hid some of its centuries-old manuscripts in their own homes to prevent their theft or destruction by looters.

But this time, the Islamic State group has made the penalty for such actions death. Presumed destroyed are the Central Library’s collection of Iraqi newspapers dating to the early 20th century, maps and books from the Ottoman Empire and book collections contributed by around 100 of Mosul’s establishment families.

Days after the Central Library’s ransacking, militants broke into University of Mosul’s library. They made a bonfire out of hundreds of books on science and culture, destroying them in front of students.

A University of Mosul history professor, who spoke on condition he not be named because of his fear of the Islamic State group, said the extremists started wrecking the collections of other public libraries last month. He reported particularly heavy damage to the archives of a Sunni Muslim library, the library of the 265-year-old Latin Church and Monastery of the Dominican Fathers and the Mosul Museum Library with works dating back to 5000 BC.

Citing reports by the locals who live near these libraries, the professor added that the militants used to come during the night and carry the materials in refrigerated trucks with Syria-registered license plates. The fate of these old materials is still unknown, though the professor suggested some could be sold on the black market. In September, Iraqi and Syrian officials told the AP that the militants profited from the sale of ancient artifacts.

The professor said Islamic State group militants appeared determined to “change the face of this city … by erasing its iconic buildings and history.”

Since routing government forces and seizing Mosul last summer, the Islamic State group has destroyed dozens of historic sites, including the centuries-old Islamic mosque shrines of the prophets Seth, Jirjis and Jonah.

An Iraqi lawmaker, Hakim al-Zamili, said the Islamic State group “considers culture, civilization and science as their fierce enemies.”

Al-Zamili, who leads the parliament’s Security and Defence Committee, compared the Islamic State group to raiding medieval Mongols, who in 1258 ransacked Baghdad. Libraries’ ancient collections of works on history, medicine and astronomy were dumped into the Tigris River, purportedly turning the waters black from running ink.

“The only difference is that the Mongols threw the books in the Tigris River, while now Daesh is burning them,” he said, using an Arabic acronym for the Islamic State group. “Different method, but same mentality.”

Authors: Sinan Salaheddin & Sameer N. Yacoub | Source: Associated Press [January 31, 2015]

A very warm welcome now to Ammy Belle who has a great post for us today about How to Find Pixies in New Jersey. Not sure what them means? Then read on!!

And, don't forget to check out Ammy's first guest post over at The Book Rat about Tender Morsels!

~*~*~*~*~*~*~*~*~*~*~*~

I suppose in some way, everyone thinks of the princess in the castle or the knight in shining armour when they think of fairy tales: your mind becomes awash in the grandeur of the Disney fairy tale – the white walls of a palace, the beautiful silhouettes of the old dresses, the magic of a time that caught somewhere in the fold of history we have yet to discover.

But the real magic of fairy tales is that they can adapt – and adapt well – to pretty much anything. The reason for this, is the plain fact that fairy tales are just moral tales – they are stories you tell people to warn them about life (especially the original ones, the ones I like to call dark fairy tales). Essentially, these modern fairy tales take the original magnetism of the stories from the olden days and attempt to fit them into some modern city or town.

Lately there has been a little bit of a trend on adapting fairy tales: one such series is the Tithe series by Holly Black. In this series (I have only read the first book, but my understanding is that the first is the best example of modern times and fairy tale) we are dropped into a fairy war, where dark fairy tales meet the New Jersey shoreline. It ‘s through the realm of faerie that Black creates, the use of iron as the boundaries between human and faerie, and the manipulation of the changeling narrative from old stories, that makes Tithe a modern faerie tale.

Kaye is our heroine. She’s a blonde haired, green eyed girl with almond shaped eyes and is pretty small for her age. She lives a nomadic lifestyle with her Mom, who sings for a series of bands. Her father isn’t in the picture, but when her mother’s boyfriend attempts to stab her, they pick up and move back to their home in New Jersey – to live with Kaye’s older, stricter grandmother, in her home near the seashore and the woods, where Kaye had imaginary friends growing up. The imaginary friends, are of course, faeries of different types, and they “play” along a little creek near her house. Little does Kaye know, they have been fighting a strange war for her whole life.

Tithe is a real faerie story – in the sense that, it has faeries. Like Tir Na Nog. In fact, very much like that: in the original faerie stories, faeries were not like Tinker Bell – they were actually untrustworthy. They guarded their own possessions jealously, and killed anyone who came at them from any which way. Faeries are manipulative and care very little for humans – and sometimes they are beautiful, but often they are gnarled and misshapen creatures that have a very scary sense of humour.

Black doesn’t hold back – she makes her story gritty and realistic, with a caffeine-addicted, chain smoking, strong willed protagonist, and her dismal nomadic background. Her friends are few and far between, and filled with jealousies. Her life is dangerous, but she doesn’t realize it, and coming back to New Jersey makes it that much worse: there in the industrial dotted river side, there lives a kelpie – a sea horse that collects young drowned girls. Black entwines the old with the new – mixing the harsh and lonely world of the kelpie, with the paint chipped world of the New Jersey boardwalk. It’s an amazing comparison, and the best example of it is when the kelpie and Kaye strike a bargain: for his boon, he requests the dilapidated old carousel horse to keep him company in the deep. This juxtaposition of old and new, on top of the contrasted faerie and human world, creates a blanket of intrigue that almost shows a compassionate side of Kaye’s world.

Such is the case with iron in Tithe: the faeries are cruel and out for themselves, their desires – whether they are actually good or bad – come before anything else – but they are nature, they represent a basic form of nature, that can be cruel and yet very vulnerable. This tension works within the New Jersey city limits – or at least, the New Jersey that Black paints for us – this urban wasteland where the shoreline is wasting away, and nature seems on the verge of making a comeback, as the water and grasses start taking over the boardwalk. Iron represents this hardline though, the thing that faeries cannot survive – they can be wild and dangerous – but put them in a car, and they’re toast.

I think that iron is an interesting choice for this. In an age where we see digital media and electricity and such as such big themes (see Steampunk), I think a return to iron is both interesting... and it makes sense – I mean, what do we have that isn’t made of iron? The whole human world seems to be a death trap for faeries, and in turn, the faeries are harsh and cruel – and they have weapons. Instead of guns, they have swords, but it works in the totality – the adaptation to the New Jersey shoreline works with the iron, the totality of the dangers for each world is balanced so well, it is almost as if New Jersey itself is a magical place.

Finally, there is the changeling aspect of the story: the changeling narrative is an old faerie tale, where faeries will steal into a nursery and switch a newborn baby with an old, dying – but veiled – faerie. There actually is no real reason, I think... or at least I have never found a common theme for all of it – though each story has its own unique spin. Tithe gives its faeries a reason for the changeling, but it changes the rules – the changeling doesn’t die, instead, the changeling becomes the story. The main viewpoint is through the lens of someone who does not quite belong and at the same time, is pivotal to everything that happens. The reason this works for the modern fairy tale, is the fact that it basically reminds us all of our awkward teenage years when we were confused about how the world fit together, but deep down inside, we knew we were special.

In the end, this is what why the modern fairy tale works – it pulls out the comparisons between the old and the new, and draws a line between these worlds... and then allows the characters to hop scotch between the lines, in order to draw the reader in. It works because we want the magic, and we recognize the setting – much like a dystopian, where the parameters of what we understand become hazy and fluxuate so that we can imagine ourselves in different situations.

Tithe was a great read, and I cannot wait for the next two instalments – not only because of weird way New Jersey becomes more magical, but also because the main love interest, Roiben – he’s awe-inspiring.

Anyways, that is my take on modern fairy tales and Tithe – go check it out, and keep reading those fairy tales – they can adapt to pretty much anything – can’t wait to see a cyberpunk fairy tale set in the future...

A rectangular scrap measuring about 4.five inches by 1.five inches and featuring 15 partial lines of Homer's epic poem The Iliad in the elegant hand of a 4th Century Egyptian scribe was just [DEC] picked up by an unidentified European purchaser for £16,000 right after a feverish Net auction battle.

That value was way above the posted estimated but is standard of the sums that collectors will now devote to lay their hands on these fingerprints from the previous. Indeed, it is not just modern day art that has been setting jaw-dropping records at auction lately - so have ancient scrolls.

When a fragmentary parchment sheet from the 3rd century AD featuring portions of Paul's epistle to the Romans was bought at Sotheby's for £301,000 auctioneers and antiquity authorities alike have been stunned.

But even though there is no suggestion of any impropriety in these unique sales, scholars are alarmed by the burgeoning online trade as some unscrupulous sellers also cash in. They portray a no cost-ranging trade, particularly on the on line auction giant eBay, exactly where precious documents are carved up for sale, potentially stolen goods are trafficked and forgers can flourish.

Brice Jones, a papyrologist and lecturer in New Testament and Early Christianity at Concordia University in Montreal, has turn into an on the web scrolls sleuth, scouring auction web-sites for manuscripts that are usually incorrectly labeled or their provenance unclear.

A couple of pieces are straightforward forgeries. Most famously, the papyrus fragment called the Gospel of Jesus's Wife created headlines for apparently overturning almost two millennia of theological teaching that Jesus was unmarried, but is now widely viewed as a forgery.

Considerably a lot more distressingly, some sellers are dismembering papyrus books to sell things page-by-page, a financially lucrative endeavor that amounts to small extra than vandalism of ancient works.

A single eBay papyrus seller turned out to be two sisters who ran an online beauty supplies store. They had inherited a Book of Revelation from which they cut person pages to sell on an ad hoc basis to fund the wedding costs for one.

But Mr Jones has also identified a proliferation of scrolls becoming sold of which the origin and ownership is unknown or unclear. A fragment of papyrus with neatly penned Greek script of Homers Iliad, 565-580, 4th Century AD. Ex Hamdy Sakr collection, London, formed in the 1960's. There had been only two serious bidders on the piece and it probably went a lot greater than either of them had anticipated.

Papyrus itself is a tall, fibrous reed plant that grew along the shallow banks of the Nile River in Egypt. 'Papyrus' is the Latin type of the Greek word papuros, from which the English word 'paper' is derived.

The papyri - mostly written in ancient Greek and Coptic - variety from items such as rare biblical texts or the lines of the Iliad to hum-drum but fascinating each day records of book-maintaining accounts or letters amongst loved ones members. All exert an incredible lure for collectors, historians, archaeologists and theologians.

But under American and Egyptian law, only antiquities that can be verified currently to have been in private hands ahead of the early 1970s can be traded. Those guidelines are intended to avoid looting and end the export of papyrus that is generally still identified by Bedouin tribesmen, preserved by the arid desert situations. But critics say that lots of sellers skirt or ignore the guidelines on Internet internet sites that are difficult to monitor and regulate.

The disapproving tone from academia also reflects a deep philosophical objection by many scholars to how manuscripts flow by means of private hands, fearing that priceless scripts will disappear forever amid the frenzy of trading.

"The study of ancient papyri is a fascinating field of historical inquiry, simply because these artefacts are the fingerprints of true men and women from a bygone era," Mr Jones told The Telegraph.

"Each time I study a new papyrus, it is as if I am peeking over the shoulders of the scribe who wrote it, eavesdropping on a conversation that in several cases was meant to be private: an argument in between a husband and wife, a divorce contract, an invitation to dinner, a letter in between a father and son.

"But when private collectors acquire papyri for private enjoyment and restrict scholarly access to them, the instant consequence is that we drop worthwhile historical info that would otherwise advance our understanding about ancient people."

Nonetheless, the owner of a little specialist World-wide-web auction corporation, who asked not to be named due to the fact of the sensitivity of the situation, pushed back against these criticisms.

"We are scrupulous about producing certain of ownership despite the fact that not everybody is so fussy and it's accurate that there are some people today who know practically nothing who are out attempting to make a buck in the wild West of the Web," he mentioned.

"But some of these archaeologists and purists simply hate the reality that that any private person would personal, invest in or sell antiquities.

"They ignore the reality that things like this have always been collected. Indeed, some of these scripts have been commissioned by the private collectors of that time.

"Collectors play a crucial function in preserving these items with their interest. A lot of these items would stay hidden, forgotten, fading away, unknown to the scholars, if there was not a industry for them."

Amongst specialists in the research of early Christianity, there is specific concern about the emergence of eBay as a absolutely free-wheeling marketplace for antiquities, with low opening bids and normally exaggerated language to lure in possible purchasers.

An eBay spokesman, however, stated that its150 million buyers and sellers "must make certain listings comply with our clear policy on artefacts. We operate with regulators, law enforcement and other parties which includes the Egyptian Embassy to apply this policy, and if a listing of concern is identified we will need proof that it was legally exported and take away any listing exactly where this proof is not supplied."

As a specialist who spends his life studying such scrolls, Mr Jones also has concerns for the preservation and conservation of sensitive centuries-old documents when they are handled by traders.

He cited then instance of the well-known papyrus codex of the Gospel of Judas, which published in 2006. It was stored by one particular of its owners in a protected-deposit box on Long Island for sixteen years, and then placed in a freezer by a possible purchaser who thought that was the ideal way to preserve it.

"The benefits of these choices have been horrifying: the codex crumbled into quite a few hundreds of tiny pieces and what was after a practically total codex was now badly deteriorated and tricky to restore," he stated.

The booming trade has clearly revealed to scholars how numerous papyri have survived down the centuries.

"This prompts the question: just how quite a few ancient manuscripts are sitting in the basements, match boxes, drawers, safes, or shelves of private collectors about the globe?" Mr Jones asked lately.

"It is nearly certain that numerous ancient manuscripts or fragments thereof are just sitting in the dark closets of their collectors, decaying and crumbling to pieces. The public demands to be conscious of the importance of the preservation of antiquities, for the reason that when they are gone, they are gone forever."

Author: Philip Sherwell | Source: The Telegraph [December 28, 2014]

Awhile ago I announced that I planned on reading all of my humongous Montaigne essay collection in 2011. The year tends to start more in February for me than January, because January is my birthday month so I'm never on a "normal" schedule. I'm planning on updating the Montaigne reading list later today so you can follow along with what I'm reading if you so choose. I'll post my thoughts about the essays I read every Monday along with some questions about them. EDIT: The new schedule is now available online.

I bought a few books recently that I'm really excited about. The first is Reading Jackie: Her Autobiography in Books

, which is about Jackie Kennedy Onassis and her career as a book editor. I heard about this book in December on Books On the Nightstand and wanted it immediately because I love biographies and I think biography in books sounds like the best kind of biography. I also got House of Leaves

due to a superb recommendation from my friend Marleen. The book looks super bizarre but I can't wait to read it, which is unfortunate because I don't think I'll get to it until Spring Break. I bought Geektastic: Stories from the Nerd Herd

on a whim while perusing the newly arranged Young Adult section at the Barnes and Noble in my mall. It's a story collection including stories and art from M.T. Anderson, Libba Bray, David Levithan, Bryan Lee O'Malley, Scott Westerfeld, and several others.

Today I'm catching up on some reading and doing a little homework. Jason and I are also recording a new podcast for Green Reads. I'm talking about a book I'm super enthusiastic about, Farmer Jane: Women Changing The Way We Eat

and Jason is talking about The 1,000-Year Flood: Destruction, Loss, Rescue, and Redemption along the Mississippi River

. Keep your eyes peeled for that so you can hear about these great books!

Is anyone else going to Book Expo America this year? I'm going and I'm still looking for a roommate if anyone is interested-- let me know!

I am an Amazon Affiliate. If you make a purchase using one of my links I will earn a small percentage which will then go back into this blog.

The Global Green Project

The project of Park of the World has been initiated by a municipal government of the city of Chungju in honor of that now the Secretary general of the United Nations is the native of this city, Ban Ki-Moon. Having stretched on river Namhangang coast, the project becomes the new city center.

The UN Memorial Hall

The building in the form of an ellipse, the maximum diameter — 60 meters becomes United Nations monument. In a building of 8 floors + a basement floor. In the center — an audience on 1,500 places, and also additional conference halls. From an audience the fine kind on Tangeumdae Natural Park will open.

Rising up a spiral, the building becomes the house for an exhibition in which the history of the United Nations since 1945 till today will speak. The person who is the center of interest of missions of the United Nations, will be integrated into architecture and appearance of "globe". The building will be located in the center of a garden from 192 apple-trees which number is equal to number of the states which are members of the United Nations.

VIA «Park of the United Nations»

This Fairy Tale Fortnight post is from author Laura Lond. Laura's books take an interesting twist, offering a main character who, according to the Goodread's summary, is a villain, but still quite capable of being the hero of his own story. I think it sounds delightful! Misty will have more stuff from Laura about her books (Sunday, I believe) but for her, here is an excerpt from book 2.

Excerpt from My Royal Pain Quest, book 2 of The Lakeland Knight Series
by Laura Lond
The Tenebrous Valley greeted us with a chilly breeze. The place deserved its dreary name. It was misty and damp, fog rose from the wide river in the middle and spilled out onto the bank. The hills on both sides quickly grew into mountains, blocking the sun more and more as we went deeper in.

The prince was clearly nervous, constantly glancing over his shoulder. I knew exactly how he felt.

Some time later I noticed him look at Cassandra again. And again.

“Your face seems familiar,” he said. “Have you been to Dalvanna?”

“No, I haven’t.”

“What’s your name? Archibald?”

“Yes.”

“Yes, Your Highness! I will not have a villain’s servant disregard my title!”

“He will skip Your Highnesses if he so desires,” I interfered, “and I wouldn’t recommend retaliation. He is excellent with the sword.”

Kellemar sneered at that. “He won’t dare raise it against me.”

“He will if he has my permission. And as of this moment, he does.”

“Don’t be ridiculous. For whatever reason, you need me alive. You won’t let your servant kill me.”

I smiled. “Of course not. But chopping off an ear or a hand is a different story.”

That shut him up for a long time.

We kept walking, the unpleasantness between us seemingly fading as long as neither one of us said a word. I hoped Cassandra was reassured about the prince possibly recognizing her. Yes, he thought Archie looked a little familiar, but it was clear he had no clue of her identity. Her disguise was too good.

A couple of hours passed. I was beginning to think about a snack when we heard the growl.

I wish I could say ‘the forgotten growl,’ but it wouldn’t be true. I’d never forget that sound.

Kellemar’s face turned white. He stopped in his tracks, frantically searching the reeds where the menacing rumble had come from. I knew he wanted to run—which would be the end of him.

I grabbed his arm; he nearly jumped out of his boots, eyes wild.

“Stay here,” I urged. “Don’t leave my side.”

The reeds moved and parted. The lizard-like monster slithered out, fangs bare, glowing red eyes locked on us. Slowly, he lifted one paw and dragged it over the ground, long claws leaving deep marks.

Click the button to be taken to the
Fairy Tale Fortnight Main Page & Schedule
(button image via)

The guest reviewer for this post is none other than my husband, John. John is a huge fan of politics, so when I heard about the blog tour for American Lion

I knew he'd be interested! So everyone, please welcome John to Jenn's Bookshelf!

Hello to all the dedicated and casual readers of Jenn’s Bookshelf. I was somewhat perplexed and surprised that Jenn asked me to write this guest review. Unlike my wife, I read not for entertainment, but for information. However, I found Jon Meacham’s American Lion

reached both objectives and should be an interesting read to virtually anyone who chooses to open the cover.

Andrew Jackson is, arguably, one of the most controversial presidents ever to occupy the residence at 1600 Pennsylvania Avenue. Some have described Jackson as one of the best executives of an early United States to lead the country; second only to George Washington. Others have portrayed him as a bully on the cusp of tyranny, capable of viewing the world only from the lens of his own narrow convictions. While many of his contemporaries considered our seventh President to be a simple man with a less than honorable background, Mr. Meacham illustrates a complex man, full of contradictions that continue to fuel the controversial perception of President Jackson even today.

Meacham continually portrays Jackson as a man, who orphaned as a young boy was determined to make his way in life of his own accord. Yet, Jackson places the highest regard on the institution of family, both his own personal, as well as the national “family” he sought to represent and defend. Additionally, Meacham describes a singularly devoted husband, who defends the honor of his wife against political adversaries; even though Jackson engaged in courting her and potentially married her while, she was married to another man. Jackson also earns a reputation as a determined General, brutally leading battles against Indians on the frontier to protect the interests of American citizens. Nevertheless, he shows compassion by taking as his own adopted son, the orphan of a fallen adversary, only to later lead the charge as President of removing all Indians, east of the Mississippi river, from their ancestral lands and transplanting them in the west for the economic benefit of the American people.

Mr. Meacham offers a very personal view, given through the observations and writings from family, adversaries and compatriots, of the transition of a nation from infancy to adolescence. The multiple accounts from the various players of the time provide an intimate perspective of Jackson. They describe the man that they know personally, not just the President of the United States. The book demonstrates his generosity and stubbornness, along with nobility and character flaws. We remember most presidents for a single dominant trait that defines them and/or their administration. Washington was gallant; Lincoln was melancholy; Teddy Roosevelt was relentless; FDR was a manager of crisis; Kennedy was regal; Reagan was a great communicator and Clinton was a persuasive pragmatist. Jackson demonstrates each of these traits, for better or worse throughout the course of his life. Meacham captures the full measure of the man, letting these traits shine through in a balanced manner rather than a vehicle of praise or condemnation.

I highly recommend this book. It will capture the interest of the most ardent historian to the individual looking for a good tale for an escape. The book will touch you on many emotional levels, causing you to laugh all the way to cringing in embarrassment. Most of all you will learn much more than the standard information passed to us as history in our youth. Do read and enjoy.

Thank you, John, for the review! Also, thank you to Pump Up Your Book Promotions for allowing me to join the blog tour, and the publisher for providing John a review copy of the book!

The Montaigne Readalong is a year long project in which I try to read over 1,000 pages of Montaigne's essays. Every Monday I write about the essays I read for the week. You can share your thoughts or join the readalong if you'd like, just check the Montaigne Readalong schedule. You can read several of these essays for free on Google Books or subscribe to Montaigne's essays on Daily Lit.

Essays Read this Week:
1. On moderation
2. On the Cannibals

Favorite Quotations:
"True victory lies in your role in the conflict, not in coming through safely: it consists in the honour of battling bravely battling through." (On the Cannibals)

"I wish everyone would write only what he knows--not in this matter only but in all others. A man may well have detailed knowledge or experience of the nature of one particular river or stream, yet about all the others he knows only what everyone else does; but in order to trot out his little scrap of knowledge he will write a book on the whole physics! From this vice many inconveniences arise." (On the Cannibals)

General Thoughts:
On the Cannibals is frequently taught in nonfiction writing classes, or at least it is at Iowa, which is why it makes me think not so much about the essay itself as nonfiction writing. That last quote in my favorite quotations about writing what you know, I think that is my biggest takeaway from this essay. Montaigne is really interested in judgement and the the human tendency to think there is only one way to do something. Your way. Culture to culture we all do things a little differently and it's easy to think of the world only in your terms. I think part of what essays do is help the writer recognize the way he or she does something while still pushing their boundaries and looking at how others might do it.

So then how do you write about your experience in another culture and still acknowledge that you are not an expert on that culture? This seems to be a huge problem in travel writing. The best travel writing, I usually feel, is either completely inward or completely social. In the inward variety the author really doesn't experience much but rather writes about the displacement of being in another culture and ruminates on that. The more social kind involves the writer talking to people of that culture but acknowledging his or her outsider status and understanding.

I am struggling with this quote a little bit because it doesn't acknowledge the writer's ability to go seek out first hand knowledge from an expert. Maybe I'm struggling because I become annoyed by people who do very little research and try to pass themselves off as experts. Part of the reason I love John McPhee is he always acknowledges how stupid he is on a given topic, even if he knows more than the average person. This seems like an extremely important aspect of essay writing--no wonder I'm pulling it from Montaigne.

I am an Amazon Affiliate. If you make a purchase using one of my links I will earn a small percentage which will then go back into this blog.

About the author:

They had her at hello. From her first moments in Charleston and Savannah, and on the South Carolina and Georgia coasts, novelist Karen While was in love. Was it the history, the architecture, the sound of the sea, the light, the traditions, the people, the lore? Check all of the above. Add Karen’s storytelling talent, her endless curiosity about relationships and emotions, and her sensitivity to the rhythms of the south, and it seems inevitable that this mix of passions would find its way into her work.

Known for award winning novels such as Learning to Breathe, the recently announced Southern Independent Bookseller Association’s 2009 Book of the Year Award nomination for The House on Tradd Street, and for the highly praised The Memory of Water, Karen has already shared the coastal Lowcountry and Charleston with readers. Spanning eighty years, Karen’s new book, THE LOST HOURS, now takes them to Savannah and its environs. There a shared scrapbook and a necklace of charms unleash buried memories, opening the door to the secret lives of three women, their experiences, and the friendships that remain entwined even beyond the grave, and whose grandchildren are determined to solve the mysteries of their past.

Karen, so often inspired in her writing by architecture and history, has set much of THE LOST HOURS at Asphodel Meadows, a home and property inspired by the English Regency styled house at Hermitage Plantation along the Savannah River, and at her protagonist’s “Savannah gray brick” home in Monterey Square, one of the twenty-one squares that still exist in the city.
Italian and French by ancestry, a southerner and a storyteller by birth, Karen has lived in many different places. Born in Tulsa, Oklahoma, she has also lived in Texas, New Jersey, Louisiana, Georgia, Venezuela and England, where she attended the American School in London. She returned to the states for college and graduated from New Orleans’ Tulane University. Hailing from a family with roots firmly set in Mississippi (the Delta and Biloxi), Karen notes that “searching for home brings me to the south again and again.”

Always, Karen credits her maternal grandmother Grace Bianca, to whom she’s dedicated THE LOST HOURS, with inspiring and teaching her through the stories she shared for so many years. Karen also notes the amount of time she spent listening as adults visited in her grandmother’s Mississippi kitchen, telling stories and gossiping while she played under the table. She says it started her on the road to telling her own tales. The deal was sealed in the seventh grade when she skipped school and read Gone With The Wind. She knew—just knew—she was destined to grow up to be either Scarlet O’Hara or a writer.

Karen’s work has appeared on the South East Independent Booksellers best sellers list. Her novel The Memory of Water, was WXIA-TV’s Atlanta & Company Book Club Selection. Her work has been reviewed in Southern Living, Atlanta Magazine and by Fresh Fiction, among many others, and has been adopted by numerous independent booksellers for book club recommendations and as featured titles in their stores. This past year her 2007 novel Learning to Breathe received several honors, notably the National Readers’ Choice Award.

In addition to THE LOST HOURS, Karen White’s books include The House on Tradd Street, The Memory of Water, Learning to Breathe, Pieces of the Heart and The Color of Light. She lives in the Atlanta metro area with her family where she is putting the finishing touches on her next novel The Girl on Legare Street.

You can visit Karen White's website at http://www.karen-white.com/.

Pump Up Your Book Promotion
“We take books to the virtual level!”
http://www.pumpupyourbookpromotion.com/

My Review:

When Piper was six years old, she helped her grandfather bury a box given to her by her grandmother. This box is forgotten until, after her grandparents death, she seeks answers regarding her families history that no one is able to answer. Piper retrieves the box, and inside she finds aged scrapbook pages, a faded newspaper article about an infant that was found dead, and a gold charm neckace. In a search of her grandmother's home she also finds a secret room containing a baby crib. After reading several of the scrapbook pages, she becomes determined to track down a woman that was very close to her grandmother, mentioned as being one of her closest friends as a child. Yet, her grandmother has never mentioned her name. Her grandmother suffered from Alzheimers, and Piper experiences a great deal of remorse at not knowing or discovering more about her grandmother while she was still alive. He vows to stop at nothing to find out more about her grandmother's past. She soon discovers that there is a past that has remained hidden for some time, and individuals that want it to remain this way.

THE LOST HOURS takes the reader on a trip through several generations. It highlights the importance of family, and taking the time to know and maintain ties to older generations. It grabs and takes hold of your heart from the very beginning. You become a character in the book, you experience the things the characters experience. It takes hold of your emotions like very few books do. I treasure the time I spent reading this book, and regret the moment when I read the last few pages.

This book really hit home for me. My grandmother has been experiencing bouts of dementia for the past several years. Oftentimes she doesn't remember her husband and often has flashbacks of her childhood. She's not the Grandma I remember as a child, and I regret not taking the time to learn more about her life. I hope I still get the opportunity to do so, if not with my grandmother, then with the other members of my family.

VIA The Master's Daughter?

The British Museum is considering three further overseas loans from the Elgin Marbles – but a reluctance to entertain the sculptures’ return to Greece is set to provoke renewed anger in Athens.

Last year the British Museum allowed part of the Marbles to leave the country for the first time when it lent the headless statue of Ilissos, a Greek river god, to the State Hermitage Museum in St Petersburg.

Greece, which is seeking to reclaim ownership of the 2,500-year-old sculptures removed from the Parthenon in Athens in the 19th century by Lord Elgin, described the Russia loan as “provocative”.

A current request from the British Museum for a key antiquity from the Museum of Cycladic Art in Athens for a forthcoming exhibition on classical sculpture has been delayed, in what is being seen as retaliatory move by the Greek authorities.

The work has been requested for the show, “Defining Beauty: the Body in ancient Greek Art”, which opens in March.

The delay is ascribed to “tensions” with the Greek government, despite friendly curatorial relations between the two institutions – the British Museum currently has 24 items on loan to the Cycladic museum.

However the chances of securing the loan in time for the exhibition may be harmed by the news that the British Museum is seriously entertaining bids for further Elgin Marbles loans to museums outside of Greece.

“Three serious bids are being considered,” The Art Newspaper reports, including one informal loan request made before the Hermitage deal was revealed.

New York’s Metropolitan Museum of Art, Berlin’s museums and the Louvre in Paris are the kind of institutions which “stand the best chance of success” when formal loan requests are submitted, the art title suggested.

The British Museum would expect any museum to which it lends the Parthenon sculptures to “be generous in responding to loan requests” made in return by the London body. Requests for single sculptures will be more favourably received, it is suggested. Bids are also expected from the UK’s regional museums which could expect huge interest in displaying items from the famous collection.

The Museum confirmed that further loans from the Elgin sculptures are being considered. A spokesman said: “Museums around the world have shown interest in requesting to loan from our set of Parthenon sculptures, and we always welcome these conversations. The Trustees will consider any request for any part of the collection to be borrowed and then returned, subject to the usual considerations of condition and fitness to travel and this has always been made clear to the world.”

Further Marbles loans will inflame tensions with Athens. Antonis Samaras, the Greek prime minister, described the loan of the Parthenon sculpture to the Hermitage as “an affront to the Greek people”.

Some of the Marbles will be moved from their permanent display to the temporary exhibition gallery for the British Museum’s March show, including the pediment sculptures of Ilissos, which will be returning from Russia, Iris and Dionysos.

However time is running out to strike an agreement with the Museum of Cycladic Art for the work that the London museum is seeking. The British Museum spokesman said: “We have requested to borrow one object from Greece and await the official response. The Museum has very positive working relationships with colleagues in Greece and lends extensively to museums in Greece including 24 objects on loan to two temporary exhibitions at the Museum of Cycladic Art in Athens.”

The Athens museum declined a request to comment. A source said: “The museum is happy in principle to lend the work but the Greek government is stalling on the paperwork.”

Greece refuses to recognise the British Museum’s ownership of the sculptures, which make up about 30 per cent of the surviving decoration from the Parthenon.

Author: Adam Sherwin | Source: The Independent [January 06, 2015]

Jane Hoffman and Gwen Baker have been friends for decades. Jane was there for Gwen when her husband, Theodore, left her to raise two young children alone. They’re raised their children together and through the years their friendship has endured as well. Now, they are in their 40s and are facing larger, more painful crisis. Jane comes home early to find her husband, Arnold, in bed with another woman. Their marriage has never been a strong one. Arnold’s always been an empty shell of a man, more concerned about his needs than hers. And when Arnold attempts to walk right back into her life, rather than conceding to him like she’s done for their entire marriage, Jane begins to think first about what she wants. And when their daughter, Caroline, comes to her with news that will change their lives, Jane must be there to support her in a way her own mother was never able to do.

Gwen has been in a relationship with Daniel, a married man, for several years. When he tells her that he’s going to leave his wife, she begins to wonder if this is what she really wants. She’d become used to having her own space, but now Daniel wants to move in with her. She can’t help but flash back to her marriage to Theodore and all she was forced to give up for that relationship. Is she ready to give up her independence again?

Schieber tells an endearing tale about the friendship of two women. Despite the many challenges they each suffered in life, they never take for granted their friendship. Through the years as their friendship grows, they both discover a bit about themselves as well. Shieber’s lesson is an important one: value the needs of others but never forget the value of one’s self.

About the author:

The first great irony of my life was that I was born in a Catholic hospital. My parents, survivors of the Holocaust, had settled in the South Bronx among other new immigrants. .In the mid-fifties, my family moved to Washington Heights. The area offered scenic views of the Hudson River and the Palisades, as well as access to Fort Tryon Park and the mysteries of the Cloisters. I graduated from George Washington High School. I graduated from high school at sixteen, went on to Bronx Community College, transferred to and graduated from Herbert H. Lehman College with a B.A. in English and a New York State license to teach English. I earned my M.A. in Literature from New York University and later my M.S. as a developmental specialist from Yeshiva University. I have worked as a high school English teacher and as a learning disabilties specialist . My first novel, Strictly Personal, for young adults, was published by Fawcett-Juniper. Willing Spirits was published by William Morrow. My most recent novel, The Sinner's Guide to Confession, was released by Berkley Putnam.

Contest:

Thanks to the author, I have an extra copy of Willing Spirits to give away!

To be entered once, comment about this posting.

To be entered twice, blog about it. Be sure to include a link to your posting in your comment.

To be entered three times, become a follower of this blog.

US and Canadian residents only, please.

Winner will be announced Saturday, March 28.