Merry Wanderer of the Night [Search results for anthology

  • Book Review: I Saw You and The Wonderful Wizard of Oz

    Book Review: I Saw You and The Wonderful Wizard of Oz

    This review is actually two reviews in one. I read I Saw You over the last couple months and The Wonderful Wizard of Oz last month. These two graphic novels could not have been more different, but I enjoyed them both tremendously.



    I Saw You...: Comics Inspired by Real-Life Missed Connections

    is an anthology edited by Julia Wertz which has short comics inspired by Craigslist's Missed Connections section. It is totally black and white and a couple of my favorite comic artists, Liz Prince and Lucy Knisley, were featured in the anthology. I must say that anthology was a bit hit and miss. The missed connections that actually happened to the comic artists tended to make better comics than the ones based solely off advertisements. It also felt like the same trope was repeated: old creepy guy after hot young girl. It seemed a little too easy. The comics that stood out made this one worth reading, and I love the "Me too!" moments I got when the artists talked about love. I'd say this is one to check-out from the library if you can, unless you're really interested in missed connections like me. If nothing else you'll learn a lot about comic artists you've never heard of before. I'll definitely look for Julia Wertz's look in the future, as her comic (on the cover) was one of my favorites.

    The Wonderful Wizard of Oz graphic novel could not be more artistically different from I Saw You. Skottie Young's artwork is extremely colorful and detailed. This is one example were the artwork worked perfectly with the story, always the happy medium in graphic novels. I read The Wizard of Oz when I was a kid but I don't remember it too well since I've seen the movie many more times. As far as I can tell the graphic novel sticks with the story of the book. The pictures add a lot though. Shanower is great at combining cute and creepy, which I think describes The Wizard of Oz extremely well. The Scarecrow was my absolute favorite character-- he is totally creepy but in this adorable cuddly way.

    My only complaint about The Wonderful Wizard of Oz is it relied too much on the reader's presumed familiarity with the story. I'm familiar with the story and I still felt like there were some plot holes. Overall it's a good story and I felt the artwork added more to the story than the imagines in the film did. Definitely a must-have for any Wizard of Oz fan or anyone who enjoys Tim Burton-esque artwork and storytelling.

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  • Homework readin'

    Homework readin'

    I that Vasilly had done a post on what books she had to read this semester at her blog 1330v. I thought this was such a great idea I had to steal the idea to use here! I'm taking seven classes this semester but two of them are business classes and therefor not really that interesting, so I'll just skip those books (the classes are Nonprofit Organizational Effectiveness I and Foundations of Entrepreneurship in case you were wondering).

    I'm taking a class called Film and Literature that is all about visual essays. For this class we're going to watch a film essay every week and have other essays that we read. I was really excited when I saw the book list for this class because it included some books I've wanted to buy for awhile. This includes The Art of the Personal Essay: An Anthology from the Classical Era to the Present

    and The Lost Origins of the Essay

    . These are both humongous essay collections that will take me forever to get through, so I'm really excited I'll be required to read from them this semester. We're also reading Let Us Now Praise Famous Men: The American Classic, in Words and Photographs, of Three Tenant Families in the Deep South

    . I'm not really sure what this one is about other than it deals with sharecroppers from the South. The final book for this class is The Pleasure of the Text

    by Roland Barthes. This one appears to be about why people read, it's a very small book, only 80 pages so I'm interested to see what it's about.

    The second English class I'm taking is Literature and the Book: Renaissance Texts as Technology. There are no books for this class but we will do a lot of readings online. I'm planning on using my nook to take the pdf's with me to class so I'll be sure to let everyone know how that goes. Even though we don't have books I know we're going to read Shakespeare, Donne, and Spenser, as well as texts about how reading formats have changed. I looked at the syllabus for this class yesterday and we're taking seven field trips!

    The final English class I'm taking is Advanced Nonfiction Writing: Nature Writing. An opening just came up in this class yesterday and I was thrilled because I waited all summer for it to happen. I love nature writing and I'm excited to do some of my own. I'm also excited because while this class meets twice a week, only one meeting is actually in a classroom. The other meeting every week is at an outdoor location. For this class we're reading Nature Writing: The Tradition in English

    , which appears to be an anthology of nature writing. A quick glance at some of the writers has me excited because they include Thoreau and Annie Dillard who I know I enjoy.

    I'm taking an anthropology class that we're using the textbook Introduction to Physical Anthropology

    for. I don't have much to say about that one. I'm also taking piano lessons but as far as I know there isn't a book for that yet.

    I'd also just like to mention where I purchased the majority of my books. I rent expensive textbooks but for my book for English classes I just Better World Books. I'm mentioning this simply because I support this company. They offer free shipping in the United States and they use the money they get from the books to support global literacy organizations. If you have to buy textbooks anyway you might as well support a great organization as well.

    I am an Amazon Affiliate. If you make a purchase using one of my links I will earn a small percentage which will then go back into this blog.

  • Thrillerfest 2009-Oh, How I Wish I Could Go!

    Thrillerfest 2009-Oh, How I Wish I Could Go!

    July 8-11

    Those that know me are aware of my obsession with thriller and horror fiction. Thrillfest is like my dream come true; the opportunity, according to Jon Land, Vice President of Marketing for ITW, to "mix and mingle with some of the biggest names in the business." But, alas, since I took time off to attend BEA in May, I can't take off any additional work time without experiencing intense feelings of guilt.

    One of the highlights of the event is the coveted ThrillerMaster Award, recognizing outstanding contribution to the thriller genre. This year’s winner is noted author David Morrell, widely considered the “father” of the contemporary action novel with his 1974 debut First Blood (which introduced the character of Rambo to the world). The award celebrates Morrell’s amazing career, spanning 37 years and 28 novels published in dozens of languages across the globe.

    The prestigious Silver Bullet Award, recognizing outstanding achievement in the encouragement of literacy and the love of reading, will be presented to the #1 New York Times bestselling suspense novelist Brad Meltzer (The Book of Fate).

    Additional bestselling spotlight guests that will attend are last year’s ThrillerMaster award recipient Sandra Brown as well as Robin Cook, Katherine Neville, and David Baldacci.

    The four-day event includes numerous author signings, a complete bookstore on premises, a cocktail party and reception for readers, a roasting of Clive Cussler, and a breakfast featuring first-time authors. The highlight is the annual ThrillerFest Awards Banquet, which this year will take place at Cipriani, one of New York City’s most spectacular event venues.

    Some of the biggest names in the genre will be holding court with interactive panel sessions, including Kathleen Antrim, Steve Berry, Peter Rubie, William Bernhardt, James Rollins, Barry Eisler, Andrew Gross, David Hewson, Jon Land, Eric Van Lustbader, Gayle Lynds, Steve Martini, Donald Maass, Joan Johnston and many more.

    2009 Thriller Award Nominees:

    Best Thriller of the Year

    Hold Tight by Harlan Coben
    The Bodies Left Behind by Jeffery DeaverT
    The Broken Window by Jeffery Deaver
    The Dark Tide by Andrew Gross
    The Last Patriot by Brad Thor

    Best First Novel

    Calumet City by Charlie Newton
    Child 44 by Tom Rob Smith
    Criminal Paradise by Steven Thomas
    Sacrifice by S. J. Bolton
    The Killer's Wife by Bill Floyd

    Best Short Story

    Between the Dark and the Daylight by Tom Piccirilli (Ellery Queen Magazine)
    Last Island South by John C. Boland (Ellery Queen Magazine)
    The Edge of Seventeen by Alexandra Sokoloff (The Darker Mask)
    The Point Guard by Jason Pinter (Killer Year Anthology)
    Time of the Green by Ken Bruen (Killer Year Anthology)

    So, if you are able to attend Thrillerfest, do so! I plan on attending next year. For more information, and to register, visit The International Thriller Writers Web Site.

  • Awesome Essays: First

    Awesome Essays: First

    This is my first edition of a post I hope will go on for quite awhile, and one that all of you might be able to get something out of. When I first started this blog I was kind of pulling away from something that I really, really love. The essay. This summer I have taken a strong return back to my old favorite and now I'm hoping to talk about one essay I love every week. To start us off I decided to go with First by Ryan Van Meter which originally appeared in the Gettysburg Review, but I read it in The Best American Essays 2009. If the anthology is any actual gage of the best American essays published in 2009 then I would argue that this is actually the best essay, because I've returned to it about six times in two weeks and every time I grow to love it more. It's the only essay from the anthology that has left such a huge mark on me. And I didn't even know this until exactly this moment, but apparently he teaches at the University of Iowa (my school!). I honestly didn't know this, I don't want you all to think I'm biased or something.

    This essay is the story of a five-year-old boy's thoughts on love, which he gains from watching soap operas with his mother during the summer. "What I enjoyed most about soap operas was how exciting and beautiful life was. Every lady was pretty and had wonderful hair, and all the men had dark eyes and big teeth and faces as strong as bricks..." (178). He believes that love is possible and beautiful and wonderful, and he believes that he is in love with his best friend who is possibly named Ben (being that he was five at the time, it's a little difficult to recall). "What I know for certain right now is that I love him, and I need to tell him this fact before we return to our separate houses, next door to each other" (177). They are riding backwards in the back of a car, with their dads sitting in the front seat together and the moms in the back. One of my favorite observations in the essay is "that when mothers and fathers are in the car together, the dad always drives" (178).

    By the end of the essay young Ryan has proposed to Ben, only to be told by his mother that this is not okay. This shatters everything he knows or thought he knew about love, and with it some of his hope is also lost. This, of course, deals with homosexuality and the acceptance of it, even within your own family. I think this essay really transcends that though. To me it's more about growing up and learning that what you think as a child may not actually be how the world works. I was just thinking about how as a child death would happen in stories, but I never gave much thought to it. Now I'm obsessed with death in children's stories and how children react to it. Beyond the message of this story, it is beautifully written. I can see everything happening with such precision, it reads like a dream. One great example is right after Ben and Ryan let go of hands and he says, "I close my fingers into a loose fist and rub my palm to feel, and keep feeling, how strange his skin has made mine" (179).

    This is by far my favorite essay I've read this year and if you'd like to read it you don't even need to get The Best American Essays 2009 (in fact, I'd probably skip it since I wasn't overly impressed by the collection as a whole, more on that later). You can check out this essay at The Gettysburg Review. It's very short, just three pages printed and I obviously think it's worth a read and reread. Ryan Van Meter also has an essay collection coming out April 2011 entitled If You Knew Then What I Know Now. I wait with baited breath.

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  • Awesome Essays: Tricycle

    Awesome Essays: Tricycle

    Rachel Kempf writes like she is my best friend. I say my specifically because in less than ten pages she talks about Belle and Sebastian, traveling, and the Missouri-Iowa border. Her essay Tricycle (which appears in the wonderful anthology Twentysomething Essays by Twentysomething Writers

    ) is about her fear of graduating and leaving the wonderful friendships she created in college behind. More specifically she is afraid to leave behind her two best friends, Christian and Eric. Simultaneously she realizes her relationship with Christian and Eric is potentially toxic because Christian and Eric and a couple and she is the third wheel. They assure her she is not a third wheel, but that the three of them create a tricycle. This is a nice thought, but she is drifting away from her psychologist boyfriend and thinking about becoming a couple with Christian and Eric, even though she knows this is a dangerous idea.

    The essay fits very well in the Twentysomething anthology because the thoughts are, well, very twentysomething. It's very concentrated on friendship, definitely a concern for young twentysomethings, but it's hard not to notice other people pairing off and becoming serious. Once people start pairing off it becomes clear that the friendships might not win out over the romance. College friendships are strange because you become close to the people you are with in college in a way that is so different from any other friendship. You are all going through the same changes and you see each other work towards adulthood. When college closes you realize you might never see these people you've become so close to ever again, and you're actually sad about it.

    Kempf's strength is dialogue and uninhibited honesty, two great traits for any nonfiction writer to have. I did feel the conclusion to the essay was a little sloppy, she throws in several ideas she could have added to the essay in a paragraph at the end, but I think she needed to build the relationship between her, Christian, and Eric before sharing those details because the reader needs to really understand the relationship to understand why the details are important. She says a lot with small details, something I admire a lot because I know how difficult it is to do.

    "On Tuesday it snows six inches, but by nighttime it's warm enough. We each pile on three layers of clothing and trek up to the quad at midnight for a snowball fight. An hour and a half later, we're walking back to my apartment for hot chocolate, and Eric stops on the sidewalk next to my building.

    'Sweet, it's still there,' he says to himself.

    I look down to where his feet are. ERIC <3's YOU is spelled out in footprints in the snow.

    'Hey, I wrote you a message!' he yells to Christian, who is a few feet behind us.

    Christian catches up, looks down at the ground. 'I love you, too.'

    He says it quickly, like he's not used to saying it really, so this must be a fairly recent development between them. I'd suspected it for a while, but hearing it now makes me realize there is an entire world between the two of them that I am not even tangentially involved with."

    I really like these scene because she manages to let you see the thoughts of all three characters in a very controlled way. I like how she sets the scene from a fun night with friends in the winter to a very specific realization.

    Have you ever had an incredibly close relationship with a friend that you feared losing? What would your twentysomething essay be about?

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  • Awesome Essays: Speaking American

    Awesome Essays: Speaking American

    We spent the entire week talking about AIDS in my essay film class and the first piece we read was Richard Rodriguez's essay Late Victorians in The Art of the Personal Essay: An Anthology from the Classical Era to the Present

    . This essay deals with AIDS, San Francisco, and the gay community. I'm not going to talk about that essay here though, because you can't read it online, but I highly advise all of you to read it in the anthology if you get the chance.

    Instead I'm going to talk about a short essay he wrote called Speaking American. This appeared on PBS Newshour in June 1998. California had just voted to end bilingual education in an effort to make Spanish speaking children in particular learn English. In the essay Rodriguez explores the meaning of our language and argues that we do not, in fact, speak English. We speak American-- a language comprised of all the immigrants who have landed here. We use German words, Spanish words, Yiddish words. We use it all. And he argues for a pride in this language, a pride in the fact that a language such as this can exist.

    I love Rodriguez's writing style. It's very simple, yet powerful. I had never read anything by him until this week and I was instantly hooked by his essay, Late Victorians, because it so clearly outlined a place. It reminded me of Joan Didion's writing in Slouching Towards Bethlehem, but then entirely different. What I love about both writers is that they tackle the present in such a way that they encapsulate a generation. Rodriguez writes from a completely different time and perspective than Didion, but I love him for a lot of the same reasons. Speaking American is very short, and you can read it at PBS.

    If you want to read more about my obsession with Joan Didion you can read the Awesome Essays post I did on her.

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  • Virginia is for Book Lovers Feature Author: Elizabeth Massie

    Virginia is for Book Lovers Feature Author: Elizabeth Massie

    I'm pleased to announce the first author to be featured is Elizabeth Massie. First, a bit of information on Elizabeth, taken from her website.

    Elizabeth Jane Spilman Massie was born and raised in Waynesboro, Virginia, a town in the beautiful Shenandoah Valley. Tended by a newspaperman/journalist father and watercolorist mother, she and her two sisters and one brother grew up surrounded by words, paintings, pets, open-minded attitudes, and wild senses of humor. She was a dreadful student; she rarely paid attention in class and frequently got bad marks on her report card for not "working to her potential." Little did the teachers know that the daydreaming, the goofy drawings, and the angst-ridden stories she was doing in class instead of the assigned science/social studies/math, would some day have some relevance.

    She taught in public schools in Augusta County, Virginia from 1975-1994. During those years she married Roger Massie, had two children (Erin, born in 1976 and Brian, born in 1979) and sold many of her wacky pen and ink/watercolor pictures at art shows around the state.

    This was also the time she began writing in earnest. Her first horror short story, "Whittler," was published in The Horror Show in the winter 1984 edition, along with the first published story by good friend and horror author, Brian Hodge. Many other story sales followed, in mags such as Deathrealm, Grue, Footsteps, Gauntlet, Iniquities, The Blood Review, After Hours, The Tome, and many more, as well as anthologies such as Borderlands, Borderlands III, Best New Horror 2, Dead End: City Limits, Women of Darkness, Best New Fantasy and Horror 4, Hottest Blood, New Masterpieces of Horror, Revelations, and many others. Beth's novella, Stephen (Borderlands) was awarded the Bram Stoker Award and was a World Fantasy award finalist.

    Elizabeth added horror novels to her repertoire in the early 1990's, and has since published the Bram Stoker-winning Sineater, Welcome Back to the Night, Wire Mesh Mothers, Dark Shadows: Dreams of the Dark (co-authored with Stephen Mark Rainey), Buffy the Vampire Slayer: Power of Persuasion, Twisted Branch (as Chris Blaine), and Homeplace. She has also had four story collections published: Southern Discomfort, Shadow Dreams, the extensive The Fear Report, and A Little Magenta Book of Mean Stories. Her bizarre poetry is included in the early 2004 anthology Devil's Wine, along with poems by Stephen King, Ray Bradbury, Peter Straub, and more. Presently, she is at work on a new novel about a haunted farm house and a bunch of new short fiction for various publications.

    In the mid-1990s, Beth was divorced. She also branched out with her fiction and began to write historical novels for young adults and middle grade readers. She has said, "There is a great deal of horror in history, so moving from one to the other wasn't that big a step for my creative thought processes. I love the idea of putting my mind back in time to experience what people years ago might have experienced. And damn, but some of that stuff was creepy!" Her works include the Young Founders series, the Daughters of Liberty trilogy, and The Great Chicago Fire: 1871.

    On the side, Elizabeth also writes supplementary materials for educational publishers (both fiction and nonfiction) and continues to wield her inky pen and watercolors to create the characters of Skeeryvilletown. In her free time, she likes hiking and camping in the Blue Ridge Mountains, digging through antique stores, traveling roads on which she’s never traveled. She is also an active member of Amnesty International, the human rights organization to which she’s belonged since 1985.

    Elizabeth still lives in the country in the Shenandoah Valley.

    Be sure to check out my review of Massie's Bram Stoker Award winning novel, Sineater.

    If you are a Virginia author, or know of one that would like to be featured, please contact me at jennsbookshelfATgmail.com or fill out my Contact Me form.

  • WG Wrap-up 2011-08: Short and Sweet

    To close the shortest month of the year, Wendy asked Weekly Geeks for a short post on short books, and offered several possible angles on the topic:

    • Do you prefer reading short books or chunky books? Why?
    • Do you enjoy novellas? Tell us about some of your favorites.
    • Are you a short story reader? Tell us about some of your favorite short story authors. Is there a favorite collection of short stories you've read and can recommend?
    • What makes a good short story?
    • Do you shy away from short stories? Why?
    • Review a book which is less than 200 pages long.
    • Go through your TBR stacks and come up with five short books you can't wait to read - tell us a little about them.
    • Write a unique post of your own ... as long as it in some way relates to short stories or short books.
    Gautami Tripathy tells us what appeals to her about short stories:

    A short story contains all the elements of a novel but in a compressed manner. A great story teller can mesmerize us and also tickle us with his short stories. I find short stories great for the in between reads as well as when there is short attention span.
    Melissa Pilakowski’s recent reading has been the opposite of short:

    In the past few months I’ve read The Instructions by Adam Levin, The Lay of the Land and Independence Day by Richard Ford, Anthology of an American Girl by Hilary Hamann Thayer, Tales of a Madman Underground by John Barnes, and Delirium by Lauren Oliver. All of them range from 400-1000 pages.

    While I’m not about to tell Pulitzer Prize Winner Richard Ford that he should edit down his writing, I think that over-writing is an issue in many of these long stories.
    Lifetime Reader noticed a common thread in some of her favorite short stories:

    Occasionally it occurs to me that these authors echo the voices of my family members when I was growing up in the South...As I write this post, I also see that these three stories are all about women who separate themselves from their home--either physically or culturally--and then have to grapple with their relationship to that home. The characters see themselves as superior, but in each case there is something in the stories that knocks them off that attitude.
    Lauren chose to review a book less than 200 pages long:

    As a kid, I was never one for survival or wilderness stories, which is why it has taken so long for me to get around to The Island of the Blue Dolphins by Scott O’Dell. But when I saw the beautiful new 50th Anniversary Gift Edition, complete with gorgeous watercolors by Ted Lewin, I knew it was finally time to read this classic children’s novel.

    My conclusion is this: O’Dell’s novel is a much, much better version of Daniel Defoe’s plodding stranded-on-a-desert-island novel.
    Thanks to all of this week’s Geeks for keeping it short and sweet!

  • Top Ten Tuesday: Favorite Book Quotes

    Top Ten Tuesday: Favorite Book Quotes

    This week's Top Ten Tuesday at The Broke and Bookish is favorite book quotes. Luckily I have a lot of these! In no particular order:

    1. "I had that terrible feeling you get when you realize that you're stuck with who you are, and there's nothing you can do about it. I mean, you can make characters up, like I did when I became like a Jane Austen-y person on New Year's Eve, and that gives you some time off. But it's impossible to keep it going for long." A Long Way Down by Nick Hornby
    2. "Sometimes, I look outside, and I think that a lot of other people have seen this snow before. Just like I think that a lot of other people have read those books before. And listened to those songs. I wonder how they feel tonight." The Perks of Being a Wallflower by Stephen Chbosky
    3. "I am no bird; and no net ensnares me; I am a free human being with an independent will, which I now exert to leave you." Jane Eyre by Charlotte Bronte
    4. "Sometimes I think that knowledge--when it's knowledge for knowledge's sake, anyway--is the worst of all. The least excusable certainly." Franny and Zooey by J.D. Salinger
    5. "It is simply wrong to love music halfway." Perfect From Now On by John Sellers (I love this book! I've never mentioned this on her before because I forgot but I really, really love this book!)
    6. "And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of American completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspoolls, back at the beginning..." Middlesex by Jeffrey Eugenides
    7. "Youth and death shed a halo through which it is difficult to see a real face--a face one might see today in the street or here in my studio." Moments of Being by Virginia Woolf
    8. "Everything she said was like a secret voice speaking straight out of my own bones." The Bell Jar by Sylvia Plath
    9. "If I broke down here, what would that mean/ Was I not as strong as my father had been?/ But I think I can fight this all on my own/ With a handful of happiness that never was shown/" The Doctor's Waiting Room by Joshua Partington, Part of the anthology Revolution on Canvas
    10. "Buy why think about that when all the golden land's ahead of you and all kinds of unforeseen events wait lurking to surprise you and make you glad you're alive to see?" On the Road by Jack Kerouac

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  • Awesome Essays: The Best of Times. Worst of Times

    Awesome Essays: The Best of Times. Worst of Times

    After spending a lot of time listening to panels about the future of books today I thought it was only fitting to talk about an essay I read (in an issue of Creative Nonfiction I got at the Twin Cities Book Festival) about what publishing will look like in 2025. In number 31 of the literary magazine Creative Nonfiction essayists wrote on the topic Writing and Publishing in 2015 and Beyond. Phillip Lopate, the man who edited the anthology The Art of the Personal Essay titled his predictions The Best of Times, Worst of Times. One of his most interesting ideas is bringing old authors back from the dead, and in doing this he predicts they'll produce nothing more than boring biographies full of their regrets. You can read a portion of this short essay on Creative Nonfiction's website.

    Lopate also predicts that the physical book will continue to exist, but that the industry will be full of experimentation. One example is the book-lozenge, "which dissolved novella-sized works on the tongue, not to mention the book-shot, devised for cultivated diabetics who requested a literary does with their daily injections." Can you imagine being given an entire book through candy? I think it might be fun to try every once in awhile, but I wouldn't want it to replace books. What does that say about our culture? That we'd rather be fed culture than experience it?

    I'm really interested to hear what other people think about Lopate's predictions and what all of you think might happen in the book industry by 2025. A more serious suggestion made by Jeff Kamin at the Twin Cities Book Festival today was offering paperback books with the hardcovers simply because people will probably buy the book sooner. I think this is a really good idea and a lot of us agreed on that today.

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  • Interview with Elizabeth C. Bunce + Giveaway!

    With us today we have the lovely Elizabeth C. Bunce, author of A Curse Dark as Gold, a fantastic retelling of Rumplestiltskin (set in the Industrial Revolution! Brilliant!) and the "Thief Errant" series, which is about Digger, a spy and thief who unwittingly finds herself at the center of a magical rebellion. The first book, StarCrossed, is out now, and the second, Liar's Moon, comes out in November!
    Make sure to stick around till the end of the interview for a chance to win your own copy of StarCrossed!
    Without further ado, I give you: Elizabeth C. Bunce!

    ~What inspired you to set the tale of Rumplestiltskin in the Industrial Revolution?
    A couple of things, actually. First, I wanted to set the novel in the time and place of fairy tales—that imaginary Fairy Tale Country—and thanks to classic artwork by Dulac, Dore, and others, for me that's the 18th century. Second, it was a natural extension of the decision to set the story in an ailing textile mill, because the social and economic changes of the Industrial Revolution presented an existing set of realistic obstacles and conflict for the plot. And, to be perfectly honest, I was in love with the clothes of the era, and just couldn't imagine Uncle Wheeler dressed any other way!

    ~What was the research process like for the story, both on the fairy tale front and the historical front?
    On the fairy tale front, I read as many traditional versions of Name of the Helper tales as I could—not just early "Rumpelstiltskins," but also pieces like England's "Tom Tit Tot" and Scotland's "Whuppity Stoorie." But my goal was always to focus on the story of the girl who bargains away her infant son, so I did stick pretty close to the "Rumpelstiltskin" framework. The rest of the research—oh, mercy! I dug into everything from everyday life in the 18th century, to traditional folk magic and ghost stories, and, of course, a huge amount of research (both book learnin' and the hands-on kind) into the woolen textile industry. I have monographs on wigmaking, esoteric economic histories of individual mill towns, even the journals of period woolworkers. For me, research uncovers not just the things you know you're looking for—but almost more importantly, the things you had no idea you needed.

    ~Will we ever see more stories set in Charlotte’s world?
    Yes! I have one published now, a ghost story called "In for a Penny" in the Scholastic anthology Bones, edited by Lois Metzger (July 2011). And I have a few more ideas—including more retellings—up my sleeve, as well.

    ~Why fairy tales? What is it that calls to you, personally,as a writer, and why do you think readers connect to them the way they do?
    As a reader, I'm even a bigger fan of retellings than I am of the original tales. I am fascinated by the ways authors expand and adapt the source material while keeping the stories fresh and accessible to today's readers. There's so much potential in the fairy tales, and I find it really comes to life in a brilliant retelling. I'm particularly drawn to the fairy tale landscape—the dark woods, the impenetrable briar hedge, the castles. But as a writer, I like the challenge of re-imagining those classic settings; expanding the borders of Fairy Tale Country, as it were!

    ~StarCrossed seems pretty different from Curse; did you feel it was a departure for you? How does StarCrossed’s Digger compare to Curse’s Charlotte?
    I like to say that Curse was written for my adult literary and fairy-tale scholar self, while StarCrossed and Liar's Moon were written for my inner 16-year-old fantasy fan. So in that way, I can't say the series is a departure, although it did feel very different to write Digger's story than Charlotte's. As characters, Digger is a complete 180 from Charlotte. Charlotte thinks over everything before she makes any move, and Digger is very much more a Shoot First, Ask Questions Later kind of girl. Oddly enough, their goals end up being the same (saving the people they care about), but their methods are a little different. I have a feeling Digger would have taken one look at Shearing and Stirwaters, said, "To hells with this," grabbed everyone, and lit out of there.

    ~StarCrossed is a series, so I know you’re in the middle of that, but are there any plans to tell more straightforward fairy tale retellings in the future?
    Definitely! The first novel I ever wrote was a retelling, I have a collection of short retellings that's been in the works for a while, and I've just started collecting research materials for a Victorian-era fairy tale project I'm excited about.

    ~What’s your favorite scene you’ve ever written?
    I don't know! What a great question. Since we're talking about Curse, let's narrow it down some. I still think that book has some great scenes (I especially love the conjuring of Jack Spinner, the introduction of Biddy Tom, the crossroads, and the denouement)... but today I'm feeling romantic, so I'm going to say Randall's gift of the watch. There's something magical about those rare moments where you can capture everything about a story in just a few lines, and I think this scene between Randall and Charlotte tells us so much about both characters.

    Lightning Round!

    ~Rapunzel is named after lettuce; what odd thing would you be named after if you were in a fairy tale?
    Hopefully I'd get a name! But it would probably be something like Donkeyskin or Aschenputtel. Maybe Doghair. Hundehaare. That sounds about right.

    ~ Using that name, give us 1 line from your life as a fairy tale:
    Hard by a great prairie, in a cottage surrounded by mud in all seasons, guarded by a pack of hounds, lived a woman known as Hundehaare, whose back was permanently bent from bending over her books, her fingers gnarled and pricked from the needle. But from her muddy cottage, Hundehaare crafted things of great wonder, and her work was sought by folk from distant lands.
    (Ok, that's two lines!)
    [The judges confer... Two lines is acceptable, since they are such good lines.:) ]

    ~Best fairy tale villain and why?
    Well, see, I tend to take a longer, more sympathetic view of my fairy tale villains, so it's difficult to come up with a list of inexcusable baddies. The thirteenth fairy in "Sleeping Beauty" is awfully petty, but, then, who hasn't felt wounded at being excluded from a party? And for mismatched dishes? But after giving this some deep thought, I'm going to have to go with The Pea.

    ~Favorite tale from childhood? Favorite tale as an adult? Least favorites?
    My favorite always was and will probably always be "Beauty and the Beast." The least favorite one is hard to answer; it used to be "Rumpelstiltskin," hands down—but I feel kind of bad about saying that now, since the story has actually been very good to me!

    ~If you could be any fairy tale character, or live through any fairy tale "happening," who/what would it be?
    Although it directly contradicts another answer below, I'm going to say I'd like to accompany the soldier as he follows the dancing princesses to Faerie.

    ~Would you rather:
    - — eat magic beans or golden eggs?
    Eggs

    - — live under a bridge with a troll, or all alone in a high tower?
    Tower

    - — be forced to spin straw into gold for hours on end, or dance every night until your shoes are worn through?
    Spin. Was there ever any doubt?

    Thanks so much for stopping by and chatting with us, Elizabeth! For those of you who haven't read A Curse Dark as Gold (was there ever a better title?), Misty and Ashley both highly recommend it! And if you haven't read StarCrossed, here's your chance!

    Misty's review of A Curse Dark as Gold | Ashley's review of StarCrossed ***GIVEAWAY*** Thanks to the awesome people at Scholastic, we have a beautiful finished hardcover copy of StarCrossed to give away to 1 winner!
    To enter, answer this question: If you were to retell a fairy tale, what would it be and where/when would you set it?
    Then, fill out this form.
    International
    Ends May 5th May 8th!

  • Best Books for English Majors

    As an English major you have to buy a lot of books, which I'm not complaining about. If your school is like mine you probably had to buy a certain assortment of books for an Intro to English class (which was just about the worst experience ever). So I thought today I would make a list of the books that I think all English major's actually need, and really any major that is writing a lot.

    1. MLA Handbook for Writers of Research Papers 7th Edition answers any question you will ever have about where to place a comma, or how to use semicolons. High school AP Composition did not really prepare me for the kind of writing I have to do in college and some things have always baffled me, ever since I learned how to read and write. If you're like me, you learned how to read and write fairly early so you could fake everything you didn't know because teachers would always help the people that really needed it. Most schools require MLA anymore so it really is a useful book; I've used it in any class I've had to write a paper.
    2. On Writing Well by William Zinsser is a classic. If you haven't heard about this book yet then you are truly missing out. I was introduced to this book in high school when my AP Composition teacher would read it out loud to us a couple times a week. Like the MLA Handbook, it will answer all of your questions, but these are different kinds of questions. It focuses more on voice and style than mechanics (although sometimes it does talk about mechanics).
    3. Bedford Glossary of Critical and Literary Terms. Okay, I LOVE this book. The other two I've mentioned thus far are important, but buy this book if only because you love English. I have used this book occasionally when a professor continuously uses a word I do not know (like synecdoche) and I have also used it when writing papers to describe what I'm writing about. This is so much better than a dictionary. For example, synecdoche is not even in my Merriam-Webster's Dictionary, but Bedford has half a page about it including a definition, comparisons to other words, and several examples of what is and is not synecdoche. So basically, this book is a must have.
    4. Norton Anthology of English Literature: The Major Authors, Volumes A&B was my first real English major required purchase, and it was a pricey one. I didn't sell back these books for two reasons. The first is that I liked a lot of the material in them, and figured it would be better to keep them for that than to sell them and have to buy lots of other books to get the same things. The second reason is that my teachers require me to print of poems, stories, and essays a lot. If I have the poem, story, or essay already, I do not have to do that. Volume A covers the Middle Ages through the 18th Century, Volume B covers the Romantic Period through the Twentieth Century and after. That is a lot of territory.
    5. The Holy Bible King James Version: King James Version Economy. No matter what your stance on religion is, you need a Bible if you are an English major. The bible is probably the most referenced thing in English literature (Shakespeare is close) and if you do not know the Bible by heart than you will need this. Even if you're not interested in Christianity the Bible can still be a good read, and you should read it because it will help you understand so much of what you're learning.

    I of course did not include a dictionary on here because I thought that was self explanatory. Are there any other books I missed?

  • Awesome Essays: In Bed

    Awesome Essays: In Bed

    When I'm stuck writing one of the first essaysists I look to for inspiration is Joan Didion. I reviewed her collection Slouching Towards Bethlehem recently, and while I only gave it a B I really loved it. As a collection I just thought it moved rather slowly. While reading that collection I found another essay by her called In Bed. The version I'm linking to is a little different from the version I read in The Art of the Personal Essay: An Anthology from the Classical Era to the Present

    , but you'll get the idea. It's very short-- just about four pages. I was drawn to this essay because I've been experiencing some medical issues recently that are outside of my control. I could really relate to Didion's story about migraine, an illness she has struggled with her entire life and has absolutely no control over.

    This essay is really more personal than most of Didion's other work-- The Year of Magical Thinking

    removed from that statement. She does very little "journalism" in this piece, although she does have a good paragraph of research about migraine and what causes them. Research is something I really admire about Joan Didion's writing, and it's something I wish I could incorporate into my writing more. Through research Didion is able to give us a whole new understanding of what a migraine is, and then when we have the scientific understanding of it that makes our understanding of her personal experience that much stronger. I also love that she includes others outside herself who experience migraine. She doesn't describe anyone directly, but lists off other kinds of people who are challenged by migraine, including "unfortunate children as young as two years old." She weaves herself into these people as well though; directly after the previous quotation she mentions her first migraine happened when she was eight.

    And of course this essay is about migraine-- but it's also about having no understand of something that effects you every day. It's a universal problem, and it transcends the "simple human experience" and moves to our experience as a nation. War effects some people every day, they cannot even begin to understand it or control it, but it comes. This is an extreme example, but when Didion says, "We do not escape heredity. I have tried in most of the available ways to escape my own migrainous heredity... but I still have migraine" --- I'm led to think that it's more than just medical history we try to escape, it's our connections with anything we'd rather not be a part of.

    This video is really interesting in regards to Joan Didion. She kind of describes her love of writing in this short interview.

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  • Sunday Salon: Spring Break Reading

    Sunday Salon: Spring Break Reading

    It is finally spring break! I'm not going anywhere this week because my parents are in London so I am watching their dog. I'm planning on spending a lot of time reading (as well as a lot of time at various medical institutions, trying to get all check-ups). I brought fifteen books home to read. I'm hoping to finish five this week.

    1. Nineteen Eighty-Four

    (I can't believe I still haven't read this!
    2. A Thread of Sky: A Novel

    for review.
    3. A Doll's House for a Year of Feminist Reading. This is actually a reread.
    4. Twentysomething Essays by Twentysomething Writers: The Best New Voices of 2006

    5. The Wild Things

    by Dave Eggers.
    6. The Art of the Personal Essay: An Anthology from the Classical Era to the Present

    . I brought this home to read E.B. White's essays per the recommendation of my friend Katherine.
    7. Michel de Montaigne - The Complete Essays for my Montaigne readalong.
    8. Blankets

    9. Any Human Heart

    . I start this before midterms and put it down once exams started. I'm about a third of the way in.
    10. I Is an Other for review. I started this before midterms as well and put it down.
    11. The Complete Essex County

    12. Animal, Vegetable, Miracle: A Year of Food Life. I just realized I might be reading this for Leif Reads later, so might not start it right now.
    13. The Control of Nature

    by John McPhee-- one of my favorite writers.
    14. Coop: A Family, a Farm, and the Pursuit of One Good Egg.
    15. Slow Death by Rubber Duck: The Secret Danger of Everyday Things

    , which I'm currently reading for Leif Reads. (Not pictured).

    Are there any books here I must read before spring break ends? What are you reading this week?

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