“A sort of ‘blue helmets of culture’ are needed, as there are blue helmets that intervene to protect in situations of war,” said Dario Franceschini told the Guardian, referring to the signature uniforms of UN peacekeeping troops.

“There should be an international rapid response force to defend monuments and archaeological sites in conflict zones,” he said.

Franceschini was speaking following the partial destruction of Iraq’s Hatra, an ancient fortress city that the Roman empire repeatedly failed to conquer. Local residents on 7 March reported hearing a large explosion, as Isis militants went on a destructive rampage through the city.

Such attacks were described by Unesco as “a turning point in the appalling strategy of cultural cleansing underway in Iraq,” coming just two days after the Islamist groups bulldozed their way through the 13th-century BC city of Nimrud.

Isis militants have also decimated collections at Mosul museum, which housed artefacts dating back 3,000 years, and set about razing the ancient city walls of nearby Dur-Sharrukin.

As the extremists continue their wanton destruction of Iraq’s prized heritage, Italy’s culture minister urged the international community to wake up to a new form of warfare.

“At one time great monuments were hit accidentally in wars, during bombing. Now they’re hit precisely because they are symbols of culture, symbols of a religion,” he said. Building a force specifically to protect heritage in crisis situations could not be left to an individual state, Franceschini said, and must be initiated by the international community.

The UN security council agreed measures last month to combat the trafficking of antiquities plundered from Iraq and Syria, but safeguarding culture has yet to be written into the mandate of peacekeeping operations.

As historians mourn the loss of Iraq’s cultural heritage, fears have been raised that the same destruction could be wrought on Libya. Amid growing instability, Isis has been gaining ground in Libya, where five sites have been awarded Unesco world heritage status.

Author: Rosie Scammell | Source: The Guardian [March 20, 2015]

Young Michael Jasik is killed in a car accident at the hands of his drug abusing friend, Brad Brennan. His mother, Jenny, a single mom, is destroyed by the news. When she learns that her son’s death was influenced by Brad’s drug addiction, she has to take action. She storms into the local police station and demands to be put on the undercover drug enforcement task force that she heard about on the news. Police Lieutenant Steve Morrity is leading the task force. While civilians aren’t typically involved in this type of police work, Morrity knows Jenny will take action on her own if she isn’t selected. So, after a grueling physical test, Jenny passes and becomes an undercover informant. She is forced to hide this from her two surviving children, Scott and Alicia. They notice a change in her behavior and contact their father, who has never really been a part of their lives. Jenny risks her life, and the custody of her children for this mission. I commend Jenny’s character for her strength, and the fearless acts she performed in an effort to bring down a big time drug pusher. ONE SMALL VICTORY is an amazing, heart pounding, emotional tale about one mother’s love of her children, and the steps she takes to protect them from harm.

Tuesdays at the Castle reaffirms why I simply love Jessica Day George. Like, seriously folks. This book was just so much the cuteness and I want to hug it. (Don't worry Misty from The Book Rat... I refrained from displays of affection with your book, but only just.)

Castle Glower likes to change. When it gets bored, it adds rooms, removes them, moves things around or just plain messes with your head. It's pretty clear about who it likes and who it doesn't, and the Castle chooses its own King.

Celie is 11 and she loves the Castle. She's decided to do what no one has previously done, and draw an atlas of it. She spends hours and hours exploring, making sure to note any changes, not matter how small and she treats the Castle like a person. Which, ends up being a really awesome benefit when her parents are missing, presumed dead (in an ambush) and nefarious things start happening, led by the people in the Castle. The three royal children at home — Celie, the youngest, Rolf, the 2nd son and heir to the throne (so decrees the Castle) and Lilah, the elder sister — are left to try and protect the Castle, preserve their family and save the kingdom. It's an awful lot to put on the shoulders of children, but they are extraordinary and rise to the challenge.

One of things that I loved about this book was the characters. All of them. They are just so, realistic. Celie is 11, but because of their situation, she has to do a lot of things that are much more grown up. But guess what guys — She still acts like a kid! She is as strong and mature as is possible for her to be, but she still wants to stick her tongue out at the bad guys, stomp her feet and say really witty and cutting stuff like — You are a poopoo face. And she also does stuff like stay up late setting up pranks on the bad folks and then being beyond exhausted and falling asleep pretty much mid-sentence.

Rolf has the most pressure of any of the other characters placed on him. As heir to the throne, when the King goes missing, the running of the country is left to him. But he is only 14, and as you can imagine — the aforementioned nefariots try to use this to their advantage and force him to do their bidding. He's a strong enough person, even at 14, that he recognizes this and does all he can to put a stop to it, but there really is only so much a 14 year old can do against a large group of adults, especially when you aren't completely certain they aren't going to try and kill you. Lilah is also under a lot of pressure, because she feels responsible for the well-being of her siblings, especially young Celie. There is a lot going on and Lilah knows she can't really protect her siblings, but she wants to and she does all she can to help them.

But, perhaps the best and most complex character in all the novel is the Castle itself. (Notice how I keep capitalizing Castle? Ya... That's intentional. I don't want it turn my room into a pigsty or something... : P) The Castle is able to know and to sense things. It knows who will make a great King, who wishes the King, Castle or country ill, and who is an ally. And it makes it obvious. If it likes you, the Castle will give you beautiful and comfortable rooms, but if it doesn't, you are lucky if your bed is big enough to hold your body. You might find it impossible to find your way through corridors, or suddenly in a room without a door. Or, the Castle finds good favor with you, things that you need might suddenly appear, or you find a new corridor that makes it quick and easy to get to the other side of the Castle. I loved watching Celie learn about the Castle and explore. And I loved that when the kids suddenly needed a lot of help, but didn't know who they could turn to, the Castle was there, totally prepared and ready to offer assistance to the children.

The only complaint that I had with this story is that the ending felt super rushed. I'm not horribly disappointed in it, because this seems to be the nature of a lot of MG books (and a lot of YA too) where the story is in the set up and the journey there and once you actually get there, it's just a real quick resolution to finish things off. But honestly, this resolution was so fast as to almost be a — You blink and you've missed it — type thing. In a 232 page book, the resolution to the main problem should take more than 8 pages and a few paragraphs of explanation.

Regardless, this is one of those books that will be read and absolutely loved by kids. What kid doesn't love the idea of being able to completely outsmart all the grown ups?! I know that 10 year old Ashley would have fervently believed in this book. And what better magical element could you possibly wish for than a Castle that is never the same twice, especially when you happen to be the Castle's especial favorite. But the book isn't only for kids, and I have a hard time believing that there will be anyone who isn't just swept away by the delightful cuteness of this book. I mean, seriously.

The Mermaid's Mirror by L. K. Madigan is the story of Lena, a 16 year old who feels the call of the sea. She been through a lot of changes in the last year or so, changes that come from growing up. Her best friend, Kai, has grown into something more, and she's trying to navigate the boyfriend-girlfriend thing without alienating their other best friend, Pem. She's also desperate to begin surfing, but because of a horrific accident when Lena was young, her father refuses not only to return to the water himself, but also refuses to let Lena learn to surf. But the sea is calling to Lena, stronger than ever and she finds herself unable to resist its call.

And then she sees the mermaid. After that, nothing will ever be the same.

Although not a direct retelling of The Little Mermaid, The Mermaid's Mirror definitely contains elements that feel very like a fairy tale and the story moves in much the same rhythm and pattern as a retelling. There are mysteries to uncover, secrets to keep, and unbelievable challenges to face.

Lena is fairly close to her family. Her mother died when she was young and her father remarried when she was nine. This is the mother she remembers and they have a relationship that is closer than many biological families share. She doesn't always understand her father or the decisions he makes, but she loves him and they too are close, although that relationship gets a little strained as she realizes just how many secrets are really being kept. But it is with her half-brother, Cole, that Lena has the strongest relationship. About ten years younger than Lena, he worships her in that special way reserved only for young children. And she is a wonderful older sister, doing what she can to make sure Cole always feels loved and welcome by her.

Her relationship with her friends was also handled very well. Lena is still a little unsure about what it really means to be Kai's girlfriend and you can tell that he is more into her and their relationship than she is. She cares about him, but you can kind of tell that something is missing. But the three of them, Lena, Kai and Pem are close and it is obvious that they all truly care about one another.

As Lena searches for truths about the mermaid in the water and the mother she never really knew, she begins to unravel the secrets that her father was not ready for her to learn. When she finally gets the full story, she is left with an unimaginably tough choice. She is taken, by the mermaid in the waves, to live beneath the surface, in the village of the merfolk. Wrapped in the enchanted seal cloak, she is able to breath the water and survive in the water. Below the surface, she learns about different kinds of love and her whole world is opened up to new possibilities. Her thoughts of her previous life are murky and seem to drift away almost as soon as she has them. It is eventually that strong connection to her family, specifically Cole that will eventually force her to make a choice between the world she has always known, or the world she is just discovering.

I think that the real strength of Madigan's writing with this story is her characters. They are so complex, so developed and so real that I cannot help but feel drawn to them. I feel Lena's pain and her confusion. The anguish of her father is palpable when he realizes his daughter is lost to him. Although the story was delightful and the writing well crafted and beautiful, it was the characters that truly made this story. They are what carry it, what the story rests its weight upon.

I was thrilled with how much I enjoyed this book. Madigan does not take the easy way out here. She does not give you a pretty package to wrap your story in and make the world perfect. But she does give you a real story, one that is beautifully told and one that will linger with me for a while. I imagine that this is a tale that will make sudden appearances in my mind, reminding me of the enchanting world beneath the waves and the bittersweet relationships all tied together by Lena. It was much different than I had expected, but it is, nonetheless, a story that I truly enjoyed and one I imagine I will be reading again in the future.

Awesome essays has returned with a truly awesome essay called Solipsism. I first read this essay in The Best American Essays 2008 edited by Adam Gopnik and it was just a struck of luck that a week earlier I had listened to an episode of Bookworm with Michael Silverblatt that had Ander Monson (author of Solipsism) on it. I was intrigued by Ander Monson's thoughts on nonfiction and memoir, and I think Solipsism is a great entry to these thoughts. The essay poses questions that are bouncing in the nonfiction world these days. Like does nonfiction have to be memoir, and does it have to be about me? Here is a paragraph to get you started:

That is, the 768 instances of "Me." above—and don't forget the single space after each period. which means another keystroke for each instance*—would have meant more in 1895 than it does today. Physically speaking, the work required to generate the 768 instances above on a manual typewriter, where you'd have to press each key hard enough to get the system of levers moving the type bar through an inked ribbon to hit the paper, was far greater than the work it required (work is equal to force times distance, remember) to generate this page on a computer. One reason people get carpal tunnel now is because the physical act of typing (itself lessened by about 95% in electric typewriters as compared to manuals) doesn't require as much work now as it did then, so it's easier for the hands to become lazy and just rest, and not for us to arch our fingers enough etc. It would have taken me, in eighth grade, when I typed 54 words per minute in our class just recently rechristened keyboarding instead of the older typing, approximately 14.2 minutes to generate that page, possibly longer when you think about the fatigue that sets in typing the same letters over and over—no variety of motion at all, just simple repetition—and of course this was on an electric typewriter, not even one of the old manual machines. For me it took less than thirty seconds. I typed "Me. Me. Me." on my Titanium 15" Powerbook keyboard, which isn't all that comfortable, really, though I've gotten used to it because of the ease it otherwise affords, and then highlighted in Dreamweaver, copy-and-pasted a few times until I had a few lines, then copy-and-pasted that a few times, and came up with a good solid page of text, all text about me with a capital M in front. It's almost nothing. I didn't have to think about it much. It's easy to do. You try it.

The format in the online is a bit different from the way it is published in Best American Essays, and honestly I think I preferred the Best American Essays way of relaying footnotes but I think it's still worth it for you to read the essay online. Which you can! Because Ander Monson has it published on his website. This essay really stuck a chord with me because in the very first nonfiction writing class I took in college I think everyone thought that nonfiction has to be about me. But it doesn't. John McPhee is a wonderful example of this, he is one of the most well known nonfiction writers/essayists in the world and he never writes about himself. He picks a subject and intensely researches it to deliver a fascinating narrative. This isn't to say that memoirs or writing about me are bad things, it's just that nonfiction goes beyond that. The essay goes beyond that. I think this essay will really get you thinking about these things, and it's just fun to read. So go check out Solipsism!

In a unification — force!

“Symbolising idea of accessible knowledge, a building openly city”, — is spoken Thom Mayne, by the author of the concept.
“The visual transparency of public zones connects institute to a physical, social and cultural component of a city”.

VIA «Interior on service at knowledge»

When August Wilte learns his wife is pregnant, he's terrified. His own father, London, was less than perfect. To make things worse, his mother died when he was very young, so he's never been exposed to "good" parenting.

August confronts his father, demanding an explanation for his failures. Instead, London suggests that meet once a month for a round of golf. Both men get what they want: London gets the chance to reintroduce his son to the game of golf, and August receives tidbits of memories of his mother on golf score cards that London used as a sort of diary.

August soon learns that his father's motive isn't just golf. Each golf lesson is actually a life lesson. By the time his wife has reached the end of her pregnancy, August has received nine lessons in life from his father.

I'll have to admit, I was apprehensive about reading THE NINE LESSONS when I read the description. However, I enjoyed Milne's other book THE PAPER BAG CHRISTMAS I thought I'd give him another chance. I'm glad I did. Milne's characters are genuine and experience emotions we've all experienced. The messages relayed in THE NINE LESSONS are messages that we can all take to heart.

Here is just a sampling of some of the wisdom London passes on to August:

"Some days we play the game of life in the bloody rain. Not all days can be sunny skies and fair weather. But sooner or later the dark clouds dissipate...and the light shines through."

"If your child happens to wonder out of bounds, stick by his side, let him know you're there to help, and encourage him to get back on the fairway as quickly as possible."

"Mind your own score...get rid of the mental tallies of who is doing what, and just work as a team to get everything done that needs to be done."

"You've got to follow through. Even if it seems hard, you've got to force your body to do it."

THE NINE LESSONS would be the perfect gift for a father-to-be, or any person attempting to overcome a obstacle or challenge in life. Don't discount the book because on the surface it appears to be about golf, because after all, Golf IS life!

P.A.B.D. has plagued me on and off for my entire life. I know many bookworms who are faced with the same problem. Please read on to see if you have PABD and see how you can help yourself or others suffering from this disorder.

So what is P.A.B.D.?

Post Amazing Book Depression - The over-whelming sad feeling one gets after finishing a great book.

Signs of P.A.B.D.

• missing characters

• constant rereading of the same book

• stalking of the author

• lack of interest in other books

How to live with P.A.B.P.

• Find other books by the same author.

• Search for books with similar themes.

• Have a rebound book.

• Force a friend to read the book

Books Known to Cause PABD

* Harry Potter by J. K. Rowling
* Twilight by Stephenie Meyer
* The Time Traveler's Wife by Audrey Niffenegger
* Sookie Stackhouse/Southern Vampire Series by Charlaine Harris
* The Hunger Games by Suzanne Collins

Have you had PABD?
What book caused it? How did you deal with it?

* For more information on PABD or to steal a warning banner to use in your reviews head over to www.25hourbooks.com

Thou Shalt Not Road Trip by Antony John is one of the books I was most looking forward to in 2012. So when I invited Antony to take part in Just Contemporary and he sent me an ARC, to say I was ecstatic is an understatement.

I am going to warn you in advance that this review is all over the place and it's long. Although my feeling are overall positive, they range from surprised to shocked to disappointed to confused to annoyed to thrilled to amazed to Seriously? to pleased and pretty much everywhere in between. So.

To be perfectly honest, a part of me is devastated that I didn't love this book the way that I absolutely adored Five Flavors of Dumb. This doesn't mean I didn't like it, but this book lacked a certain authenticity in everything except the religion talk. Which makes that a great place to start.

I was surprised when I started reading this book to realize just how much religion plays a part in the story. I don't know how I missed it, because the title includes the words 'thou' and 'shalt' and the main character is on a book tour for the book he wrote called Hallelujah. So, I was instantly wary. Because, for a lot of reasons, that I'm pretty sure I don't need to numerate, books with really strong religious themes are not always my favorite and, in my experience, they aren't always done very well. But for me, this was actually the best part of the book. Rather than being a book about RELIGION it is more a book about a boy who happens to be religious. He believes in God, says his prayers, wants to see other people happy and he also questions his faith and beliefs. As someone who has been religious my whole life, this was incredibly refreshing to me. Here we have a mostly normal teenage boy, who is religious and it isn't this huge thing or problem or issue or whatever. It just was.

And Antony gets the full Ashley stamp of brilliance, because he managed to talk about religion a lot (Luke is on a book tour through Christian book stores) but he never, not once, came across as preachy to me. There were morals to the story, and life lessons learned but none of them were strictly brought about because of a religious lesson. They were normal. And it was amazing. Here is a book with religion in the summary that didn't turn into either an excuse to hate on religion and demonstrate its utter evil OR a 300+page Sunday School lesson. There are a lot of people and a lot of teens who go to church every Sunday. It an important but normal part of their lives. It's nice to have a book that gives us a religious character and handles it well. So, serious awesome points to Antony for that. Seriously.

However, I had a really hard time with just about every character in this story. Luke is supposed to be on tour for his book and his older brother, Matt, is brought along to act as his chauffeur. But Matt decides to bring along his girlfriend, Alex, and her little sister, Fran, who happens to be Luke's ex-best friend and major crush. Awkward. Fran has changed physically a lot in the past year, and Luke interprets this to mean that everything he knows about Fran has changed. And since she is a large part of the reason he's questioning a lot of his decisions (including his faith) and feeling disconnected from his life. So the author of this inspirational best-selling Christian self-help novel finds himself feeling... less than charitable as their road trip advances.

I found myself really frustrated with these characters. Luke's disinterest in his own life, his naivete and his complete and total self-centeredness were incredibly frustrating to read. Not that he didn't grow as a character, because he did and by the end of the book I was absolutely rooting for him. But it was a struggle getting me there. Fran has made some drastic physical changes — outrageous hair, piercings, tattoos, drinking etc. All things that usually signal a cry for help. But all Luke can see is that his best friend is suddenly different and he feels so wounded. When he talks to her, even when he thinks he is being so magnanimous and gracious, he's judgmental and feels as if her problems are all about him. Again, he grows as a character but it's a bit rocky in the beginning.

Matt was probably my least favorite character (although undeveloped Alex isn't far behind.) He is supposed to be in charge of organizing Luke's schedule and getting him places on time. Instead, he regularly took long detours, made decisions about where they would stop without saying anything about it to Luke and there were a few times he outrighted lied to him. While it's very true that Luke needed to lighten up a bit, Matt's behavior drove me nuts. He ignored phone calls from Luke's publicist, used the emergency credit card too often and ignored Luke's distress without even trying to alleviate it. Pretty much every time he did anything, Matt frustrated me. You understand him and his motivations better by the end of the book too, but he still never really grew on me.

Fran was an interesting character and probably my favorite of the bunch. Aside from Luke, she has the most depth and personality and meaning, but even then, I felt her main purpose in the story was to bring balance and understanding to Luke and give him the motivation, reason and environment necessary to invite growth and change. Luke has some depth as a character (for good or bad) without Fran, but Fran had very little without Luke. She was the next best developed character overall, and I felt for her, I really did, but not enough.

The book also include excerpts from Hallelujah, Luke's books, and they are seriously laugh out loud funny. Written as Bible passages, full of 'and he spake' and 'thus sayeth' and 'art thou' they are basically stories of inspiration and hope and insight. Some are funny, some are motivating, and some are a little more tinged with despair, but each were placed perfectly throughout the book to build and move the story forward. These were a fabulous addition, one that added a lot of depth and feeling to the story that would have otherwise been missing.

I do have one other confession about this book, lest you think I was totally disappointed. I have been in a bit of a reading slump lately. And when I'm in this kind of mood, I read very slow, I start and stop books frequently, and I have to kind of force whatever book I'm reading. This has absolutely nothing to do with the book I'm reading, and everything to do with my personal mood. And even though I really and truly did enjoy this book, I am 99% positive that if I had read it when I was more in the mood to read, I would have really loved the book. It's definitely one that I'm going to reread. Maybe I'll even reread it soon, so that if my feelings change drastically, like I think they could, I can rereview the book closer to its April release date. Who knows.

What I do know, is that even not being as enamored of this book as I was of Dumb, it is definitely a book worth reading and it's one that I've already been talking about and recommending. I think this book has a lot to offer and Antony John is going to be firmly stuck on my favorite authors list for a long time. It's a story about life and love and second chances, about friendship, looking beyond the surface and being true to yourself. It's a story that makes you laugh, but one that also makes you think. And while it's not necessarily a story for everyone, it is a story that I believe is important. It's a book that is going to stick with me and even though they weren't my favorite, I have a feeling these characters aren't going to get out of my head for a long time

Hello all and welcome to the first Award Winning Wednesday. Jacinda and I decided that throughout the duration of the challenge, each Wednesday we will both post a review of a book that fits the criteria of the challenge. Also, at the bottom of this post is a linky (the same one that can be found on Jacinda's blog!) Feel free to link up any reviews you write throughout the month for the challenge! And remember, each review you write, on any site, provides you will an extra entry in the giveaways!:)

I spent a while trying to decide which book to review for my first Award Winning Wednesday, but finally settled on Fat Kid Rules the World by K.L. Going. Why did I pick this one? Because I read it on Monday. It's my first completed challenge book! A copy of this will also be one of the prizes given away at the end!:)

This book is about Troy. As you might have guessed from the title, Troy is fat. He knows it, he knows the world knows it, he knows the world sees nothing but it, but he doesn't know what to do about it. He spends so much of his time and attention being terrified that everyone is staring at him and his bulk, that every comment, every laugh, smirk or snicker, every look is directed at him that he is paralyzed much of the time in public. His kid brother doesn't help the situation either. After the death of their mother, Troy ate and ate and ate, burying his emotions and pain in food. But Dayle focused his attentions on working out, eating well, and becoming amazingly good at sports. He's embarrassed by Troy and he doesn't even try to hide it. In fact, the story starts with Troy standing on the Subway platform, trying to decide if he really should just jump in front of the F train. Dayle told him to Please, go for it, and at this point, all that's stopping Troy is the fear that people are going to laugh again. He should at least be given some dignity in his suicide.

But, his almost attempted suicide is stopped by an incredibly skinny, incredibly dirty and smelly kid sleeping in the station. Turns out this homeless kid is really Curt MacCrae, a musical legend in his school. And for some reason, Curt not only wants to talk to Troy, but he also wants Troy to be his new drummer. Starstruck and dumbstruck, Troy agrees. Only problem? Troy can't play the drums. That doesn't stop Curt though, and he just barrels through, doing this as he does everything. He wants Troy as his drummer, so he is determined to make it happed. For Curt, the music is the most important thing, possibly the only important thing. Music remains an important element throughout the story. It's through music that Troy finally begins to feel like he is, and could remain, a part of something. But his revelations and experiences are not those of the standard music-themed YA novels.

Watching the developing friendship between these two boys was such an interesting experience for me. Both were such unusual characters. Curt is always starving, always dirty, not totally reliable and completely unpredictable. Troy is such a sad character. He cannot get over his insecurities about his weight, and it consumes his thoughts. Always. But, as he starts spending more time with Curt, he starts to view himself in a new light. Curt helps him realize that everyone isn't staring at him all the time. That his weight might him additional strength and leverage that he could use to defend. That he has worth. That there there are pieces to his personality, to what makes him who he is that are incredible strengths.

I hurt for Troy every time he mentally degraded himself. I was angry every time his brother blew him off, mocked him, or made him feel small. I was frustrated with his dad, who couldn't find the time or the words to reach out to his son, or look and realize that he was hurting. I felt my heart start to life as his dad did start to make more of an effort. I smiled as Curt upended their small, orderly (and miserable) world and started to force the family to view things and themselves in a new light.

This is not a perfect story with a perfectly happy ending. Troy doesn't magically lose 150 pounds, or end up with a stunningly hot girl who sees him for who he is on the inside and starts to prepare for their 3 bedroom house, white picket fence and 2.5 children. His brother doesn't suddenly turn around and say just kidding, you are beyond the coolest person I know. His dad doesn't turn into Wonder-Dad over night, and Curt, who has his own serious set of problems doesn't suddenly end up with the perfect sitcom family, enough to eat and no drug habit. This isn't a story that wraps up the story and ties it up with a pretty little bow. This is a story that is too honest for that, too real. It's a story that contains elements of the happy ending, without cheapening the struggle the characters took to get there. You cheer for the characters at the end, but you do it with the understanding that there is more out there for them to learn. After all, there is always more to learn.

Review Link Up here! Review you Printz and Newbery reviews for extra entries in the giveaways and some extra comment love! Link to your blog, goodreads, or any where else you post reviews!

The handover marked the latest case of U.S. authorities helping Italy and other countries reclaim what they see as cultural patrimony.

"For decades, two significant pieces of Italian heritage have been on the run," FBI Assistant Director Diego Rodriguez said as he and Manhattan Deputy U.S. Attorney Richard Zabel gave the artworks to Warrant Officer Angelo Ragusa of the Carabinieri Tutela Patrimonio Culturale, an art-crimes police force.

The painting, called "The Holy Trinity Appearing to Saint Clement," is attributed to the renowned artist Giovanni Battista Tiepolo, also called Giambattista Tiepolo. It was taken from a house in Turin in 1982, prosecutors said.

The Etruscan bronze statuette of the Greek mythological hero Herakles - also known as Heracles or, to the Romans, Hercules - dates to the sixth or fifth century B.C. It vanished from the Oliveriano Archaeological Museum in Pesaro in 1964.

The works eventually ended up with an art dealer and an art-investment firm, which consigned them for sale in recent years. They relinquished the items after learning of the thefts and aren't accused of involvement.

Italy has campaigned in the last decade to get back cultural items including ancient Roman, Greek and Etruscan artifacts the government says were looted or stolen.

New York prosecutors have been involved in the effort before. Federal prosecutors in Manhattan announced in 2011 that a Renaissance painting and a Roman sculpture from about the first century were being returned to Italy after popping up at New York auction houses.

And the Manhattan district attorney's office prosecuted a prominent coin collector who pleaded guilty in 2012 to trying to sell what he believed were ancient coins found in Italy after 1909, when it became illegal to remove antiquities from the country. Some of the coins proved to be forgeries, but five authentic coins from his collection were returned to the Greek government this summer.

Other countries also have taken action in recent years to reclaim antiquities, sometimes with help from U.S. authorities. In one example, fossilized remains of more than 18 dinosaurs were turned over to Mongolia's government last year after U.S. Immigration and Customs Enforcement agents discovered that mislabeled dinosaur bones were illegally being shipped into the U.S.

Author: Jennifer Peliz | Source: Associated Press [February 28, 2015]

Kara, Lost by Susan Niz is the story of 16 year old Kara, who feels that things are so bad at home she is left with no choice but to run away. Leaving in the middle of February, she heads to her sister's house, hoping that her sister, who left home a while ago will give her a place to stay. After Ian, her sister's roommate, refuses to allow Kara to stay more than a night (harboring a runaway is illegal) Kara is fairly bitter and knows, from this one encounter that Ian is just as manipulative and controlling as their father.

Kara starts to realize that perhaps she was a bit impulsive in walking out of her parent's house, and that she is going to be in serious trouble if she can't find a place to stay. She spends one night in a mall, one night in a squat with a strange and creepy guy from McDonalds (who is very possibly high) before going home with one of the counselors from a day clinic that helps troubled teens on their own. It provides means, therapy and a safe place to spend the day, but does not offer anywhere to sleep. Gwen takes Kara home, even though it is very against the rules and because Gwen has sad eyes and seems proud of her boyfriend, Kara just knows that she is still a wounded child on the inside, not quite over her childhood trauma and therefore feels that it is her mission to protect all other kids.

Kara spends the entire book making these strange assumptions, using these grandiose jumps in logic. She just knows that Ian is really her sister's boyfriend, even though they claim to be only roommates and that he is insanely controlling of her sister. But she decides this after having met him once. And I don't blame him for not wanting her to stay. It's illegal for her to stay there. It's not hard for me to believe someone would be uncomfortable with this. She made similar assumptions about Gwen, the therapist, and later on in the novel as well.

This isn't the only flaw I felt the book had. Kara was never a believable character. The book felt as if it were told in a clinical rather than emotional manner, and I'm sorry, but if you want me to be really draw into your book about a 16 year old runaway, I need to care about your main character. I need to believe that running away was the only option she had left. But I never got that. We hear — my mom is distant and my dad is incredibly controlling and they want to force me to take an anti-depressant. We hear a lot of, I know how bad home is, I've heard how awful your home life was, but nothing is ever shown, nothing is ever expounded upon. And this is true of pretty much every character and every interaction. Some characters have a complete and total personality shift, but no one ever bothers to explain how or why it happened and I find myself unable to actually believe it.

To me, the whole story felt as if it were told with a high level of detachment. It felt as if the narrator of the story was disinterested in details and the story, which of course means that I, as a reader am more detached and therefore disinterested in the story. Even the parts of the book that should have had my pulse pounding, my breathing speeding up, my heart racing, even they left me flat and a little bored.

I will say that my favorite scene in the entire book is when Kara is sitting in McDonalds and an undercover cop shows up trying to track down the same kid she is looking for (but, umm... obviously for different reasons). The way that she detaches herself from him is brilliant and seriously made my day.

Kara, Lost isn't really a bad book. The story has potential and maybe if it had been a little tighter, a little smoother, I would have liked it more. As it is, I felt that Kara was childish, selfish, naive, impulsive and none too bright. She also has an incredible level of self-superiority and there were times when it really rubbed me the wrong way. She looked down on certain characters that had given her absolutely no reason to assume superiority. What I think might have been part of the problem is an attempt by the author to foreshadow what was going to be happening later — like Kara knowing Ian is so terrible after one encounter. Then, when Ian does start to display some more controlling tendencies, we are going to just think, Oh! Well, she was right, so I can ignore the leap of logic... It just didn't work for me.

I feel bad that most of what I've had to say is negative, because Kara, Lost really isn't a bad book. But it isn't really one I'd consider good, either. It's just kind of... there. I do know that the author, Susan Niz, went through some of the same things as Kara, having been a teen runaway herself and I feel like there really might be a great story tied up in there. I just don't really feel like this was it. But, feel free to read it for yourself and be the judge. It's possible that someone else out there will simply love it.

*Disclaimer — I received a copy of this for review in exchange for a fair and honest review.

"I condemn this mad, destructive act that accentuates the horror of the situation," UNESCO head Irina Bokova said in a statement.

The Islamic State group on Saturday circulated an undated video showing militants equipped with sledgehammers and power tools breaking artefacts before rigging the site with large barrels of powder.

The subsequent footage shows a massive explosion and its aftermath, suggesting the ruins of Nimrud-- which lie on the Tigris about 30 kilometres (18 miles) southeast of IS-held Mosul -- were largely levelled.

Nimrud, founded in the 13th century BC, is one of the most famous archaeological sites in a country often described as the cradle of civilisation.

"With their hammers and explosives they are also obliterating the site itself, clearly determined to wipe out all traces of the history of Iraq’s people," Bokova said.

Iraqi government reports of Nimrud's destruction emerged in early March, when the UNESCO chief branded the IS's violence against the ancient the site as a "war crime".

Bokova repeated the charge on Monday, after the full extent of the crime became known.

"We will do everything possible to fight against this and document it, to ensure that those responsible are identified and brought to justice," she said.

Nimrud was on UNESCO's tentative list of world heritage sites.

Most of the city's priceless artefacts were moved long ago to museums but giant "lamassu" statues -- winged bulls with human heads -- and reliefs were still on site.

The IS tries to justify the destruction of antiquities by saying they are idolatrous, but experts say the group traffics in them to fund its self-proclaimed "caliphate" and destroys only those pieces that are too bulky to be smuggled.

The UN Security Council in February adopted a resolution aimed at choking off financing for IS from antiquities trafficking as well as oil smuggling and ransom payments.

A ban on looted antiquities in Iraq was already in force, and was expanded to Syria under the resolution.

Source: AFP [April 13, 2015]

What a hard list to make! I feel like I haven't been that interested in bookish couples to keep up with who I like. So here goes.

1. Jane Eyre and Rochester. I find them less romantic every time I read the book, but as a senior in high school I thought Jane hearing Rochester calling her name at a great distance was the most romantic thing ever.
2. Diana and Henry from The Luxe. Their kind of not exactly a couple all the time, but I get so into their storyline every time I pick up the books.
3. Dick and Anna Moss from High Fidelity. Best movie couple, best book couple, just best couple ever. Killer taste in music and just too cute together. If you don't believe me go watch this video. They appear thirty seconds in and are just too great.
4. Katniss and Peeta from The Hunger Games. I suppose I was always kind of rooting for Peeta.
5. Rob and Laura from High Fidelity. Apparently High Fidelity is just the winning couples book for me.

I just can't think of other couples I love as much as Dick and Anna and Rob and Laura, so instead of listing off five more couples I'm going to force you to watch this video so you can see why they're so great.

Join in at The Broke and the Bookish!

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The golden funerary mask, seen Friday by AFP at the Egyptian Museum, showed the sticky aftermath of what appears to have been overzealous use of glue to fix the mask's beard in place.

A museum official, who spoke anonymously to avoid repercussions, told AFP the beard had fallen of accidentally when the mask was removed from its case last year to repair the lighting.

Museum head Mahmoud al-Helwagy denied that conservation workers had damaged the mask

"This is illogical and inconceivable," he told AFP. "These are conservation workers, not carpenters."

Antiquities Minister Mahmud al-Damaty also denied that the 3,000-year-old relic was treated carelessly.

"The job was done correctly," he told AFP, without explaining why curators needed to fix the mask.

Monica Hanna, an Egyptologist who inspected the mask, said what she saw had so shocked her that her group was taking the matter to the public prosecutor.

"We are presenting a complaint on mismanagement to the prosecutor tomorrow," said Hanna, from Egypt's Heritage Task Force, which has long battled mismanagement and looting of Egypt's legendary ancient artefacts.

According to the museum official, "there seems to have been a lapse in concentration and the mask hit the case and almost fell" when it was removed from its case.

"So (the curator) grabbed it in his arms to break the fall, and the beard separated," he said.

The long braided beard fit into the mask with a peg, and had been separated before, the official said.

"This mistake can happen. But what caused it to get worse? The curator was scared and he fixed it hastily."

The epoxy glue dried very quickly, said the official.

"You should use material (that dries slowly) and then support it, maybe over several hours or 24 hours, so you can fix mistakes," he said.

"Renovation work needs an adhesive that is easy to remove in case there is any damage, without leaving any traces."

Museum director Helwagy told the official MENA news agency that epoxy glue is used internationally to fix artefacts.

The death mask of the enigmatic boy king is one of the crown jewels of the museum, which also houses the mummy of Pharaoh Ramses II.

The museum used to attract millions of tourists before a 2011 revolt -- centred in nearby Tahrir Square -- brought down president Hosni Mubarak and unleashed four years of tumult.

Author: Mohamed El-Shahed | Source: AFP [January 23, 2015]

Keturah and Lord Death by Martine Leavitt is one of the most unique and beautiful stories I have ever read. While not a direct fairy tale retelling, falling more into the category of fairy tale-esque, the book reads like a fairy tale, and elements from different tales and lore find their way into Keturah's story.

Keturah is the storyteller in her small village. She tells tales around the common fire each night, enthralling the townsfolk. There is a hart that haunts the forests around the town, a hart which the Lord of the realm, a renowned hunter himself, has long hunted, but never captured. This hart often finds its way into Keturah's tales, and it is ultimately what leads Keturah into trouble. She sees the hart watching her from the woods one evening and decides to follow it, just a little ways into the wood. As is often in the case with seemingly enchanted harts, Keturah finds herself following the hart deeper and deeper into the wood, unable to stop. When she finally regains her senses, she realizes that she is hopelessly lost in the forest.

After three days of being lost in the woods, Keturah is out of strength, and knows she is going to die. Sure enough, Death comes for her. She is surprised by him, because he appears as a handsome and aloof Lord, and he tells her it is time to go. She begs and pleads for her life, and those of us near death are wont to do, and Death takes pity on the beautiful young girl. He tells Keturah that she may live if she chooses one other from her village to die in her place. But Keturah loves all the people in her village and cannot allow them to die, not even if it means that she might live.

Instead, she asks Death if she might tell him a story. He agrees and she tells him a beautiful and magical story, about life and love, one that sounds familiar, but incomplete. When he demands the ending from Keturah, she refuses to tell it, unless he allows her to live. And so, she makes a deal with Death, returning to her village for three days on a mission to find her true love. If she can find her love in three days, Death will allow her to live. And if not, she must go with him to die.

This is one of my very favorite stories. I love the air of magic within the story, even though there is no magic beyond the meetings with Lord Death. I first read this book a few years ago, and fell completely in love with the characters. Keturah is reckless, fierce, and loyal. Her two best friends are filled with goodness and love. John, the Lord's son is another fascinating character, and you watch him as he desires to fit in among the people and learn to rule them well now that he might be a wise and just ruler when his father rules no more. Even Lord Death is a fascinating character. He is the most powerful force and he knows it. Nothing can stop death, everything must eventually fall to him and yet Keturah tries to defy him. She begs and pleads and offers her stories in exchange for mercy, for life and for time.

I knew that I wanted Keturah and her story to be a part of fairy tale fortnight, because it is simply beautiful and everyone should have a chance to read it. So I decided to reread it before the event, to make sure I did the story justice in my review, and the first thought that came to mine was to Sigh and think, Oh, how I've missed you. This is a story that feels like coming home. It is a tale that perfectly fills those wanting places inside when searching for those magical tales, and it is a story that will never leave you. I think about this book all the time, and I recommend it regularly.

The writing is effortless and vivid. It begins with a prologue that sets the story up with a fairy tale feel, right from the beginning, giving you everything but that actual 'once upon a time' and when the story itself starts, you are already enchanted by her words. You are in Keturah's world, you are living in that village, watching, waiting with bated breath to discover what the future holds for Keturah. Everything feels so very real and you can feel Keturah's pain and panic as her agreement with deal draws to an end and she knows she must soon complete her task or go to her death. She is fighting death for everything she loves or may come to love and it's not always an easy struggle to watch.

This is a story of love, of hope and of almost magic, the kind of magic that we can almost find if we search for it long enough. It is a story of understanding, of personal redemption and finding happiness with what you have. The risks Keturah takes for those she loves are huge and you love her all the more for what she is willing to risk to protect others.

The Economic Moon

Financial crisis — not a hindrance for scale building of the landscape park Zabil. «The new Moon» becomes the central construction of the project. The construction in the form of a half moon — a symbol of force and energy of the countries of the East — will tell about today's prosperity of the United Arab Emirates.

The New Moon in Dubai

Monument interiors contain 5 floors. Everyone symbolizes one of five postulates of Islam: belief, a pray, mercy, mutual aid and pilgrimage. The design contains in itself a conference hall, cafe, children library and an information desk.

The New Moon Monument

The external part of a building decorated by the Arabian inscriptions represents a steel skeleton with emptiness. Such decision will give the chance to supervise illumination and air temperature on all platforms of the New Moon, will protect an interior from a direct sunlight and will provide free circulation of air streams. Inside there will be a special microclimate which will unload the central systems of safety. The project completely corresponds to ecological building standards. Solar batteries will be built in a building covering, and it considerably will lower energy consumption.

VIA «Rising of the New Moon»

Conservationists have reintroduced the gibbons as part of an ambitious project for the "re-wilding" of Angkor Wat, a vast "temple city" that was once surrounded by forests teeming with deer, monkeys, birds and big cats before the arrival of commercial hunters with guns, traps and an appetite for money.

The re-wilding is being led by Nick Marx, a conservationist who believes the project could become a model for other parts of Southeast Asia hit by the trade in endangered wildlife.

Angkor Wat, the largest religious monument on earth, was made a World Heritage Site to protect its sprawling network of temples. Now conservationists want to restore the surrounding forests of Angkor Archaeological Park to their former glory, Marx said.

"The area of forest is beautiful and mature. It's a unique site but it's devoid of wildlife now," he said. "We want to introduce different species that would be appropriate, such as a cross-selection of small carnivores, herbivores, primates and deer, to try to get a build-up of wildlife populations with sufficient genetic diversity."

Cambodia, like many countries in southeast Asia, has suffered from the illegal trade in wildlife. Large numbers of animals have been shot, trapped, butchered and skinned, or sold alive in one of the many Cambodian food markets.

Spiralling demand for traditional Chinese "medicine" has driven the trade to new heights.

"China has done a pretty good job of decimating its own wildlife and now it is moving into other countries," he said. "There is a certain amount of consumption within Cambodia, but most of the valuable items that can bring a high price such as pangolins and cat skins would be going out either to Vietnam or to China," he said. "With the opening of borders and trade, things are getting worse globally. That means we have to work harder to stop it."

Marx is director of a wildlife rescue service funded by Wildlife Alliance, a New York-based non-governmental organisation that specialises in protecting forests and wildlife. He runs Cambodia's Wildlife Rapid Rescue Team which tackles animal trafficking with undercover operations, armed raids on restaurants and markets, and a network of paid informants willing to provide tip-offs on illegal shipments of live animals and body parts.

"We are known throughout Cambodia. We are feared by wildlife traders. It would be foolish to say there is no risk. We're pissing people off and we are rescuing things like cobras, which often have their mouths stitched up and we have to unstitch them," he said.

Why cobras? "They cut their throats to drink their blood with wine and then eat the flesh. People eat everything, from spiders and grasshoppers up."

Many recovered animals are alive and the aim is to return them to the wild if possible.

"Almost everything we confiscate, about 90 per cent of it - provided it is in recent captivity and is fit and healthy, and of an age it can look after itself - is released back into a safe habitat," Marx said. "If they cannot take care of themselves, we look after them at a rescue centre."

Having established Cambodia's official task force to tackle wildlife crime, Marx said it was time to think about reintroducing species to areas where they once thrived such as Angkor Wat. "We were given permission to release animals back into Angkor last year and we released the first pair of pileated gibbons into this forest last December. This has gone really well. The pair had a baby in September. We've taken up another pair of gibbons and a trio of silver langurs, which are a kind of leaf-eating monkey, which we hope to release later."

Author: Steve Connor | Source: Independent via The New Zealand Herald [December 29, 2014]

VIA «The stadium has not sustained loading»

For my film and essay class we had to read the introduction to The Art of the Personal Essay edited by Phillip Lopate. The introduction made reference to several essays that are in the book, most of which I had never read before. Until I came across one, The Crack-Up by F. Scott Fitzgerald. When Lopate made reference to that essay I exclaimed, "This book has The Crack-Up in it?!?!?!" You can ask my boyfriend, this is a true story. I was thrilled because The Crack-Up was one of the first essays I read and loved, way back in high school, and it was also one of the first times that I realized that essays were the genre I was reading and writing so much. So The Crack-Up holds a very special place in my heart, and I think you all will enjoy it as well.

The essay is basically about hitting rock bottom and what comes with that. Like a growing hatred for everything. I would also say the essay is a bit about being so much part of the time you grew-up in or the time you loved in your life (for Fitzgerald this would probably be the 1920's) and then trying to adjust to time when you are still the person you were during that important time of your life. This is something my mom has talked about before. She grew-up mostly during the 1960's and she often talks about how she can't really understand the world she lives in now because it is so different from the one she grew-up in. This isn't an overt part of the essay and it might not even be something Fitzgerald intended us to see, but it's something that I have taken from the essay. So here is a bit:

As the twenties passed, with my own twenties marching a little ahead of them, my two juvenile regrets- at not being big enough (or good enough) to play football in college, and at not getting overseas during the war- resolved themselves into childish waking dreams of imaginary heroism that were good enough to go to sleep on in restless nights. The big problems of life seemed to solve themselves, and if the business of fixing them was difficult, it made one too tired to think of more general problems.

Life, ten years ago, was largely as personal matter. I must hold in balance the sense of the futility of effort and the sense of the necessity to struggle; the conviction of the inevitability of failure and still the determination to "succeed"- and, more than these, the contradiction between the dead hand of the past and the high intentions of the future. If I could do this through the common ills- domestic, professional and personal- then the ego would continue as an arrow shot from nothingness to nothingness with such force that only gravity would bring it to earth at last.

For seventeen years, with a year of deliberate loafing and resting out in the center- things went on like that, with a new chore only a nice prospect for the next day. I was living hard, too but: "Up to forty-nine it'll be all right," I said."I can count on that. For a man who's lived as I have, that's all you could ask."

-And then, ten years this side of forty-nine, I suddenly realized that I had prematurely cracked.

You can read this essay on Esquire's website, where the essay was originally published. It's about ten pages long in print.

I would also like to share this short film essay, it's only five minutes long. It's an interview between a 14-year-old Beatles fan and John Lennon in Toronto, 1969. A few years ago John Raskin and the boy in the interview, Jerry Levitan, worked with two illustrators to create this really interesting visual representation of the interview.