As BGNES news outlet reported on Tuesday, police have found 19 marble and stone slabs and sculptures as well as ancient coins and moulds for production of fake coins at the homes of the suspects.

A Turkish national permanently residing in Bulgaria has been detained after ancient coins and a fragment of a stone statue were found at his home. Police suspect the artefacts were being prepared for sale in EU countries.

The marble and stone slabs and parts of statues were discovered at the home of a 56-year old Bulgarian national in Shumen.

Some 9,000 ancient coins, presumably dating back to the times of the Roman Empire, and moulds for casting fake coins were found at the home of a a 52-year old Bulgarian national in the nearby town of Novi Pazar, some 30 km from Shumen.

Antique metal artefacts and some 80 coins were found at the home of a third Bulgarian national in the village of Ivanovo.

The three Bulgarians had been arrested on 11 March and charged with possession of unregistered cultural heritage items. They face prison terms of one to six years and fines in the range of BGN 1,000 to 20,000 if convicted.

Source: Novinite [March 24, 2015]

The Inspired Shop

The new interior for Parisian shop L'Eclaireur was issued Arne Quinze, by the artist from Belgium.

For furnish of internal territory of a fashion it was required two tons of wooden boards, and also it is a lot of others vintage elements. Into walls it's integrated 147 screens showing various animated plots.

The Vintage Interior

“This place inspires us. We each time try to be beyond easier luxury. This research, search, surprise… Various possibilities for display of necessary expressiveness of data, the actual moment.
It not simply stop, is experience. The project has united in itself dreams, emotions, history and memoirs. It's imagination in which each person will find itself.”

VIA «New Vintage Interior of Parisian Shop»

BASE in Belgium

Belgian design bureau Creneau International has finished creation of an interior of the central shop of the largest supplier of mobile phones in Belgium, companies BASE.

Designers have suggested to install unusual furniture and mobile show-windows in a shop interior.

The Mobile Installations

Sedentary places are scattered on all interior in the form of huge letters from which the brand name gathers: BASE.

VIA «Mobile Interior by Creneau International»

French fashionable house Hermès has co-operated with a command of distributors of cars Como and has developed design of an interior for ten cars Smart.

VIA «Fashionable brand Hermès has created design for Smart»

Luxury yacht by Norman Foster

VIA «Design yacht»

In a unification — force!

“Symbolising idea of accessible knowledge, a building openly city”, — is spoken Thom Mayne, by the author of the concept.
“The visual transparency of public zones connects institute to a physical, social and cultural component of a city”.

VIA «Interior on service at knowledge»

VIA «The house of the Italian photographer»

Luxury Bar in Las Vegas

Bar in Las Vegas, work of the Japanese studio “Design Spirits Co., Ltd” became one of winners of competition The Great Indoors Awards. The Chinese restaurant is in one building with very large casino and hotel on 3,300 apartments.

Luxury Relax & Consume

The project has won a nomination “Relax and Consume”. Walls and a ceiling are covered by a white openwork pattern from a steel.

Habitual registration of an interior — division into various zones by means of various "samples". In the given premise there is one magnificent feature — an absolute openness, absence of columns. Designers have decided to use this fact and have issued all interior in uniform style. The space has turned out unique and picturesque.

VIA «The Bar Interiors»

VIA «The German Interior»

So much so that battle plans would be drawn up to specifically give the castle at Zhangjiakou, in China's northern Hebei province, a wide berth.

Now archaeologists have begun a daunting project to restore the once-mighty site to something approaching it previous glory, in particular the dilapidated outer wall that repelled every attack which invading Mongolian armies could throw at it.

The restoration of the fortress - which was given the coveted title of 'Wucheng' or 'Martial City' after its construction in 1393 - will see building work completed in the original Ming Dynasty style of architecture, Cinese sources report.

The project will see the restoration of the Ming and Qing era commercial districts, the Great Wall Martial Museum, the Golden Harvest Academy and performance theatres as well as the opening of the Red Tourist Route, with all work planned to be complete in 2016. The restoration work will also include the ongoing protection of surviving structures.

The castle in Wanquan county - known in China as a 'living fossil of the Ming military system' - was built in 1393 but is relatively well-preserved, especially the interior city area which includes the residences of generals and wealthy merchants.

The fortress has huge historical, cultural and military significance and has key cultural relic status in China.

Author: Edward Chow | Source: Daily Mail Online [April 07, 2015]

In cooperation with Fraunhofer IAO from Stuttgart, architects from bureau LAVA have created design of a room of hotel of the future which became a part of the research project.

Applying methods of parametrical design and semi-automatic technologies, architects from LAVA have created realistic design the concept of the house of the future.

VIA «Hotel for visitors from the future»

I always read the books my parents gave me for Christmas and my birthday. Some of it was because I was genuinely interested in the book and really wanted to read it. Other times it was because I didn't want to hurt their feelings. And still other times it was because I was so bored and so without books to read that I was willing to read whatever was sitting on my shelf.

I used to watch the Winnie-the-Pooh TV show when I was up and it was on, partly because I liked it, but also because it was on. Tigger was my absolute, hands down favorite. I liked some of the other characters, and really didn't like others, but Tigger was my favorite. Because I really liked Tigger, my parents decided that this meant I love all things Tigger...

Because I enjoyed the show, my parents decided to get me The Complete Tales of Winnie the Pooh. I was thrilled! (A book! A big book!) And then, I saw the illustrations. I was so confused! I told my mom they had done it wrong. So I had my first conversation about changes being made to an original work to draw in new audiences and attract new reader (or watcher) ship. I was disappointed. As you can see from the cover, each of the animals in the story look different from what most of us (at least those around my age are used to). While disappointed at first, I did get used to it and now I love them just as much.

And I loved the book! I read the whole thing and would use it to read stories to my little brothers at night. Because of this, my parents decided that Tigger should be a theme. And for the next several years, every Christmas and most birthdays had some sort of Tigger themed... something. Sometimes it wasn't too bad, or weird — I got stuffed animals and The Tigger Movie . But other gifts were strange. Like the hook rug kit with Tigger's face on it. Nothing about me has ever suggested that I would enjoy making a hook and eye — latch/hoop square, even if it had Tigger's face on it. Or the completely impractical backpack with an interior about the size of my fist (but it's TIGGER!!)

It lasted for a long time too, long after I had outgrown Winnie the Pooh.

But even with that, I still love Tigger, and I still loved reading stories to my little brothers from the complete tales. It makes me want to go dig out my copy of the book from storage so that I can start reading it to my nephews too.

I know this Memory Monday ended up being more about the aftermath than about the book itself, and I'm being a little silly with it, but that doesn't change how much I really, genuinely, did love this story. Winnie the Pooh is one of those timeless, classic stories that never gets old, that should never be forgotten, and should always be loved. (Although, I am fully willing to forget the existence of some of those terrible new TV versions. *shudder*)

Elite a citadel of gentlemen

VIA «Winter garden in the Northern club»

In coordination with the American Research Center in Egypt, the ministry will attempt to save the temple, which is located in Sohag, Upper Egypt.

The project will work on preserving the heart of the temple and the cemetery of Osiris by diverting the groundwater into vertical wells and linking them to water channels in order to get rid of the water, said director general of Luxor antiquities Sultan Eid on Sunday.

Cleaning the temple and restoring the inscriptions, drawings and colors inside the temple will also be part of the project, Eid added.

Abydos is one of the most important archaeological sites in both Egypt and the world due to its religious and historical significance in ancient Egypt. It contains the tombs of some of the early kings of Egypt during the reign of the first and second dynasty, as well as artifacts belonging to the 19th dynasty.

It is the only temple which retains its ceiling, based on 36 pillars of granite. It contains the list of famous kings of Egypt, from King Menes until King Seti the First.

Source: Egypt Independent [March 30, 2015]

Niyang River Visitor Center

VIA «The centre for visitors on the bank of the mountain river»

At first glance, the site looks like an empty hill on the city's east side -- a bald spot surrounded by a slum, a new university and a shopping mall scheduled to open soon.

But then, a low structure becomes visible -- Puruchuco, an Incan palace with a 16th-century burial ground, and untold numbers of priceless artifacts buried within.

Just 10 percent of the 75-hectare (190-acre) complex has been explored, but that small slice held more than 2,000 mummies and some 100 artifacts in gold, silver and copper.

"The entire Puruchuco hill has monuments, cemeteries, pre-Hispanic mausoleums that have never been explored because of a lack of funding," said archaeologist Clide Valladolid, the director of a small museum at the site.

The problem is that as the Peruvian economy has boomed in recent years -- registering average annual GDP growth of 6.4 percent in the decade to 2013 -- Lima, a city of more than nine million people, has expanded voraciously, with rich and poor alike snapping up real estate.

Puruchuco sits right in the growing capital's path.

Authorities want to extend Javier Prado Avenue, one of the city's main arteries, to link it up with Carretera Central, the highway to the Andean region and the main route to the capital for food and other products from the country's interior.

Originally, the idea was to split Puruchuco in two and build the road straight through it -- a plan that initially got a green light from authorities.

But then the culture ministry intervened, asking for construction to be halted.

With a little creative engineering, planners came up with a system of two three-lane tunnels, each 45 meters (150 feet) long, that will pass through the narrowest part of the hill.

Work on the $8.9 million project began last August using non-disruptive digging techniques and no explosives, and is due to be completed in June.

"It was the engineering equivalent of heart surgery to avoid one of the cemeteries on the upper part of the hill," said engineer Onerio Robles, who designed the project.

"When we had defined the route and begun excavating, we found a mummy a meter away from the tunnel's path and had to recalculate everything."

An archaeologist at the Universidad Mayor de San Marcos had warned in 2010 that there was a pre-Inca palace hidden in that part of the hill.

Puruchuco means "feather helmet" in the Quechua language.

The complex is named for a headpiece on display at the site museum. Crowned with brightly colored feathers, it was worn by the curaca, or ruler, who lived in the palace.

More than five centuries ago, Puruchuco was an important administrative and religious center where the curaca led rituals.

Today, the palace has been painstakingly reconstructed and is open for visits.

Authorities have promised to expand the site museum, opening the largest collection of mummies in the country and a laboratory to study them.

Valladolid, the museum's director, wants to bring back 2,000 mummies that were discovered at Puruchuco in 2000 during a separate construction project -- a road through a slum that had sprung up atop the largest burial ground.

Some of the mummies' bones had been broken with sharp swords in combat -- apparently an early battle with the Spanish conquistadors, who descended on the area in 1532 and made Lima the capital of the Viceroyalty of Peru.

One of the mummies' skulls was pierced by a musket ball -- it is believed to be the first person killed by gunfire in the Americas.

Many more discoveries are likely lurking in the hill, said Valladolid.

"In the lower part of Puruchuco, called Huaquerones, there are three pyramids with ramps and cemeteries. We need to fence them off to stop squatters from moving in," she said.

Author: Roberto Cortijo | Source: AFP [March 21, 2015]

Bristol architect Angus Meek has won competition on restoration of landing stage Weston-super-Mare which have suffered in a fire in July of this year, having bypassed architects of five firms, including Grimshaw. Colourful and the shone 18 metre design which will cost not less than 10 million pounds sterling, has been chosen by owners of a mooring and 59% from 20,000 respondents voting for the project.

Exact data about voting are coded, but on hearings, company Grimshaw, the prize-winner of award Ferguson Mann has received less than 10% of voices, and the others of 31% were divided between AWW and Ray Hole Architects. The won project which consists of four similarity of a column and sidewalk round a building, is considered the most suitable to shape of the pier constructed in 1904.

Angus Meek — the director of company Roger Ellams — has told: “We scooped inspiration from quay elements — waves, beach huts, and also from radical architecture art-deco”. Kerry Michael, one of owners of a mooring, along with sister Michel, has declared, that “they aspired to find modern design which would be entered in historical surroundings of a pier”. This design with four pontoons — the best decision. Owners of a pier finance the project from the money resources private and received under the insurance. Building is planned to finish by 2010.

VIA «Landing Stage by Angus Meek»

The BBC has been investigating the trade, and the routes from Syria through Turkey and Lebanon to Europe.

The Smuggler

It has taken many calls and a lot of coaxing to get a man we are calling "Mohammed" to meet us. He is originally from Damascus but now plies his trade in the Bekaa valley on the border between Syria and Lebanon. He's 21 but looks much younger in his T-shirt, skinny jeans and black suede shoes. As we sit in an apartment in central Beirut I have to lean forward to hear the softly spoken young man describe how he began smuggling looted antiquities from Syria. "There's three friends in Aleppo we deal with, these people move from Aleppo all the way to the border here and pay a taxi driver to sneak it in." He specialised in smaller items which would be easier to move on - but he says even that has become too risky. "We tried our best to get the items which had most value, earrings, rings, small statues, stone heads," he says.

He made a good profit but bigger players with better connections "sold pieces worth $500,000, some for $1m", he says. When I ask who's making the money and controlling the trade in Syria his gentle voice takes on a flinty tone: "IS are the main people doing it. They are the ones in control of this business, they stole from the museums especially in Aleppo," he says. "I know for a fact these militants had connections overseas and they talked ahead of time and they shipped overseas using their connections abroad." Mohammed is still involved in cross-border trade, but no longer in antiquities. "Anyone caught with it gets severe punishment," he says. "They accuse you of being IS."

The Go-between

To sell looted antiquities you need a middle-man, like "Ahmed". Originally from eastern Syria, he is based in a town in southern Turkey - he doesn't want me to specify which one as he doesn't want the police to know. As a Turkish-speaker he is popular with Syrian smugglers, who ask if he can move goods on to local dealers. When I speak to him via Skype he shows me a blanket next to him filled with artefacts - statues of animals and human figures, glasses, vases and coins. They were dug up in the last few months. "They come from the east of Syria, from Raqqa, all the areas controlled by ISIS (Islamic State)," he says. Islamic State plays an active part in controlling the trade, he tells me. Anyone wanting to excavate has to get permission from IS inspectors, who monitor the finds and destroy any human figures, which are seen as idolatrous (those Ahmed is showing me have slipped through the net). IS takes 20% as tax. "They tax everything," he says.

The main trade is in stoneworks, statues and gold, and it can be extremely lucrative. "I have seen one piece sold for $1.1m," he says. "It was a piece from the year 8500BC." He gently handles each artefact as he brings it closer to the webcam to give me a better view. He has had to pay a sizeable bond to the smugglers to get this material and he doesn't want to lose any of it. The final destination is Western Europe, he says. "Turkish merchants sell it to dealers in Europe. They call them, send pictures... people from Europe come to check the goods and take them away." Ahmed will have to return the looted artefacts to his Syrian contacts, as I am clearly not buying them, but he won't be returning to his homeland. "If I went back I'd be killed," he says.

The Dealer

It's an unremarkable tourist shop in the centre of Beirut. Inside the glass cases are ancient oil lamps, rings and glassware but the shop owner, a laconic man in his late 40s, has an unusual selling tactic - he says much of it is fake. However, he assures me he does have genuine pieces from the Hellenic and Byzantine periods, around 1,000 years old. I'm interested what other items he can get, mosaics for example? I had been advised by archaeologists that mosaics would almost certainly be looted - at the moment, that would mean most likely from Syria. He asks which kind I want. Faces, animals, geometric designs? "If you're serious we can have a serious negotiation... there is always a way," he promises. When I ask if it's legal he smiles as he tells me the only way to legally ship these items is with official documentation from a museum saying they have been cleared for export.

If it was only a small mosaic I wanted, I could take the chance and try to smuggle it out myself but he warns it's a serious decision, as I could get caught. For a fee he can have them shipped to the UK but it will cost me many thousands of pounds. We shake hands as I leave and he gives me his business card. It has only taken 10 minutes to be offered illicit antiquities. Arthur Brand, an investigator who helps recover stolen antiquities isn't surprised, it chimes with his experience in Lebanon. "I've been there several times and at times and it really is amazing," he tells me from his base in Amsterdam. "The illicit trade is run as a professional business with offices and business cards and you can buy antiquities from Lebanon, but also from countries like Syria, Iraq." The link between smugglers and dealers is the dirty secret the art world doesn't want to admit to, he says.

The Cop

He could easily pass for the star of an Arabic cop show but Lt Col Nicholas Saad is a real policeman, head of Lebanon's bureau of international theft. In his office, filled with certificates from the FBI and Scotland Yard, he shows me photos of huge Roman busts seized in a recent raid in Lebanon. We go up to the roof of his police station, where out to the east, beyond the mountains, is the border with Syria. This is where refugees pour into the country and are exploited by the smuggling gangs.

"The refugees come in big numbers and the gangs put things between the belongings of the refugees," he explains. Since the conflict in Syria he has noticed a significant increase in the smuggling of looted artefacts, "especially from the Islamic parts, Raqqa (the base) of the Islamic State", he adds. His team has seized hundreds of Syrian artefacts. "We have the archaeology expert that said they're very valuable from the Roman period, from the Greek period, years before Christ," he says. But there isn't a market for them in Lebanon. "Lebanon is a transit station, it's one of the the doors that goes to Europe. The real money is made in Europe."

The Treasure

Inside the Beirut National museum are treasures from the cradle of civilisation - Hellenic, Roman and Byzantine statues, busts and sarcophagi 3,000 years old. Hidden away from the public in a store room below the main galleries, seized looted antiquities wait to be returned to Syria. My guide is Dr Assaad Seif, an archaeologist and head of excavations at the directorate general of antiquities in Beirut. He rings a bell and a wrought iron door is unlocked. Inside are scores of items - pottery, stonework - but the most valuable items are sealed away in a warehouse. "We have huge funeral sculptures, representing men and women used to seal the tombs, from Palmyra," he says.

Most of the seized items are from excavations rather than thefts from museums. The looters target warehouses at ancient sites like Palmyra, a Unesco world heritage site. "The warehouses at archaeological sites have objects they know are not listed or catalogued yet, and they think it could be easier to sell them," he says. "The Palmyra objects had value for people in Syria... it gives a kind of identity," he says. Although reluctant to put a price on any of the bigger items, after some coaxing he relents. "We have a dozen objects that would sell for $1m each on the open market." I understand why they keep them out of sight of curious foreign visitors.

The Destination 

It has taken days to get through to Dr Maamoun Abdulkarim, the archaeologist in charge of Syria's dept of antiquities in Damascus. When I do reach him, he's angry. "The sites under the control of ISIS, in these areas we have a disaster, a lot of problems. IS attack all things just for the money," he says. "It is our memory, our identity, for the government, the opposition, for all Syria." It's impossible to stop the looting but he is adamant more could be done to crack down on the trade. "We are sure through all the sources a lot of objects go from Syria to Europe, in Switzerland, in Germany, in UK - and Gulf countries like Dubai and Qatar," he says.

It was a common refrain. Everyone from the Lebanese police to Mohammed the smuggler and Ahmed the go-between said the main market was Europe. In the UK there have been no prosecutions or arrests for selling looted Syrian artefacts but Vernon Rapley, who ran the Metropolitan Police's art and antiquities squad for almost a decade, says too much shouldn't be read into this. "I'm quite confident that there have been seizures of material like this," he confidently states, as we stroll around his new workplace, the Victoria and Albert museum, where he is director of security.

Rapley still liaises closely with his former police unit and he is certain that artefacts from Syria are being sold here. He wants the trade in these antiquities to become "socially repugnant and unacceptable" so that in the future, he says, "we don't have interior decorators looking for these things to decorate people's houses".

Author: Simon Cox | Source: BBC News Website [February 17, 2015]

Luxury Restaurant in Sydney

Sean Kitchen — the project of studio BEE Design opened in September, 2008 in Sydney.
The head cook and owner Sean Connelly (the Winner of popular competition head cook Sydney Morning Herald in 2007) supervises over this dynamical restaurant.

Sean Kitchen by Sean Connelly

The restaurant consists of the several zones named “contact points”. In each of such zones various variants of a delicatessen and a decor that gives possibility to diversify the menu in the same institution, at invariable quality of service. Zones are named: Tapas Bar, Ocean Shelf, Patio Bar and Lounge.

Restaurant in Sydney (Australia)

The restaurant on 300 places, with the Mediterranean interiors perfectly combines in the interior earthy shades red and brown with sharp illumination.
However the most intriguing aspect of a premise is the openness of area for cooking of the dishes, allowing to observe skillful masters of culinary arts in work and all movement of the kitchen personnel.

VIA «Sean's Kitchen Restaurant»

The Economic Moon

Financial crisis — not a hindrance for scale building of the landscape park Zabil. «The new Moon» becomes the central construction of the project. The construction in the form of a half moon — a symbol of force and energy of the countries of the East — will tell about today's prosperity of the United Arab Emirates.

The New Moon in Dubai

Monument interiors contain 5 floors. Everyone symbolizes one of five postulates of Islam: belief, a pray, mercy, mutual aid and pilgrimage. The design contains in itself a conference hall, cafe, children library and an information desk.

The New Moon Monument

The external part of a building decorated by the Arabian inscriptions represents a steel skeleton with emptiness. Such decision will give the chance to supervise illumination and air temperature on all platforms of the New Moon, will protect an interior from a direct sunlight and will provide free circulation of air streams. Inside there will be a special microclimate which will unload the central systems of safety. The project completely corresponds to ecological building standards. Solar batteries will be built in a building covering, and it considerably will lower energy consumption.

VIA «Rising of the New Moon»