Copyright by Bite | Photography Matin Zad | Hair & Makeup Carmelle Da Roza | Models Greg B & Stephanie at Elite
BITE MAGAZINE
THOMAS// COLLECTION
VIA Steel/Powder
Copyright by Bite | Photography Matin Zad | Hair & Makeup Carmelle Da Roza | Models Greg B & Stephanie at Elite
BITE MAGAZINE
THOMAS// COLLECTION
VIA Steel/Powder
The fortification, a World Heritage Site, is being targeted by illegal digging, which has seen unregulated users of metal detectors cause damage to priceless archaeology.
English Heritage, the National Trust, Northumberland National Park Authority and police are now working together to identify perpetrators, fearing the “heritage crime” could cause untold and irreversible damage to one of Britain’s prime areas of archaeological importance.
The damage is understood to be caused by “nighthawking”; the illegal use of metal detectors by either unwitting amateurs bumbling through digs or unscrupulous thieves.
It is thought that a rise in so-called heritage crime has been fuelled in part by an increase in amateur detectorists, who believe they could find a treasure trove of gold or coins after seeing significant hauls such as the Staffordshire Hoard publicised.
The unregulated digs are now being investigated by experts, who say they cannot tolerate anything that “harms the appreciation of our collective heritage”.
They have already found turf pulled from the ground at Steel Rigg and Peel Crags at Hadrian's Wall in Northumberland, as would-be treasure hunters rake through the dirt to steal items which could have lain hidden since the Roman era.
Mark Harrison, English Heritage national crime advisor, said such incidents were caused by a “tiny minority” of detectorists, as he implored members of the public to come forward with information.
If the damage was a “genuine error” made by an amateur, he said, it would be “dealt with appropriately”.
"The practice of nighthawking, particularly from such important sites as Hadrian's Wall, is an issue that we take very seriously,” he said.
"We recognise that the majority of the metal detecting community comply with the laws and regulations relating to the discovery and recovery of objects from the land, but just as it is against the law to break into someone's house and steal their possessions, so it is illegal to damage land and steal valuable historical artefacts.
"The objects they are stealing belong to the landowner, in this case the National Trust, and the history they are stealing belongs to all of us."
Eric Wilton, National Trust countryside manager for Hadrian's Wall Country Group, which looks after over six miles and more than 700 archaeological features along the wall, said: "This is extremely damaging and it is a heritage crime.
“It is disappointing at a time when archaeologists and legitimate metal detectorists are working together more closely that this incident has occurred.
“The National Trust wants the public to enjoy its many and varied sites, such as these, but cannot tolerate illegal metal detecting that harms the appreciation of our collective heritage."
"We want people to be aware of what has happened and to contact us if they see anything suspicious."
Chris Jones, historic environment officer for Northumberland National Park, added: "The illegal removal of archaeological material is a serious offence. Such criminality has a damaging effect on people's ability to understand and enjoy the cultural heritage of the national park.”
The sites near to Hadrian’s Wall are legally protected as scheduled ancient monuments, and it is a criminal offence to use a metal detecting equipment without authorisation from English Heritage.
Patricia Birley, director of the Vindolanda Trust, which helps run organised excavations at a Roman fort nearby,said the “destructive activity” only served to “cheat ordinary interested people” by stripping away archaeological value.
Anyone with information is now urged to contact Northumbria Police.
Author: Hannah Furness | Source: Telegraph [February 11, 2015]
I was so excited to see Carl from Stainless Steel Droppings had posted about his famous RIP (R.eaders I.mbibing P.eril) Challenge, September 1-October 31! I've wanted to participate for some time, but this is the first I've been able to. I always try to read a lot of great horror and thriller during the Halloween season, and this challenge gives me another excuse!
RIP challenges you to pick books from the following categories:
Mystery.
Suspense.
Thriller.
Dark Fantasy.
Gothic.
Horror.
Supernatural.
There are also certain levels (perils) to this challenge. I will be participating in:
Peril the First states that I must read four books of any length, from any subgenre of scary stories.
Now, since my favorite genre is horror, I have a huge bookshelf that is literally packed (I'm talking at least 200 books) full of horror fiction. So, I have a great pool of books to choose from.
Following is my tentative list. I will be adding to this list, I'm certain, depending on the mood I'm in!
Any suggestions for other books I should add to my pool?
Financial crisis — not a hindrance for scale building of the landscape park Zabil. «The new Moon» becomes the central construction of the project. The construction in the form of a half moon — a symbol of force and energy of the countries of the East — will tell about today's prosperity of the United Arab Emirates.
Monument interiors contain 5 floors. Everyone symbolizes one of five postulates of Islam: belief, a pray, mercy, mutual aid and pilgrimage. The design contains in itself a conference hall, cafe, children library and an information desk.
The external part of a building decorated by the Arabian inscriptions represents a steel skeleton with emptiness. Such decision will give the chance to supervise illumination and air temperature on all platforms of the New Moon, will protect an interior from a direct sunlight and will provide free circulation of air streams. Inside there will be a special microclimate which will unload the central systems of safety. The project completely corresponds to ecological building standards. Solar batteries will be built in a building covering, and it considerably will lower energy consumption.
VIA «Rising of the New Moon»
“Small rest in road is necessary to All travellers. To researchers, wise men, dandies, businessmen, adventurers and dreamers. They are independent and individual, but they are united by one — aspiration to travel positively. For all mobile citizens of the world. CitizenM”
Bar in Las Vegas, work of the Japanese studio “Design Spirits Co., Ltd” became one of winners of competition The Great Indoors Awards. The Chinese restaurant is in one building with very large casino and hotel on 3,300 apartments.
The project has won a nomination “Relax and Consume”. Walls and a ceiling are covered by a white openwork pattern from a steel.
Habitual registration of an interior — division into various zones by means of various "samples". In the given premise there is one magnificent feature — an absolute openness, absence of columns. Designers have decided to use this fact and have issued all interior in uniform style. The space has turned out unique and picturesque.
VIA «The Bar Interiors»
Welcome to Robinson Wells today, author of Variant who is here to share with us some memories of the teenage years.:)
So, I’m not sure if I understand this correctly: If I was selling all of this stuff at a garage sale, that would mean that I don’t like it, right? If there was something I was selling as a teenager, then it wouldn’t matter much, so I’m going to change the rules: this isn’t a teenage garage sale; it’s a museum of my teenage years.
A collection of Supertramp CDs: No I’m not old enough that I was into Supertramp when they first came out (in the seventies), but for whatever reason I latched onto them as a teenager. I think it first was because of the kitsch of it—I mean, they have an album called “Breakfast In America”—but they started growing on me to the point where I owned all their albums and listened to them constantly. (I’m mostly over them now. Mostly.)
A fishing tackle box full of oil paints: Long before I ever thought about writing, my creative outlet was in the visual arts. My mom signed me up for an oil painting class when I was about eleven, and I really fell in love with it. (I don’t mean to brag, but I once took fourth place in the Utah State Fair. I’m kind of a big deal.) Sadly, writing has taken all my painting time away, and I haven’t done anything in years.
A road sign: In typical teenage fashion, my friends and I went through a phase when we would try to acquire (steal) the best signs we could find. We made a rule that we’d never do anything unsafe—no stealing STOP signs, or anything like that—but we got a lot of awesome ones. And, fortunately, one of our friends had a bus stop in front of his house, and we’d re-hang our stolen signs in front of his place: my favorite was a sign from the cemetery directing hearses toward the correct entrance. As you can imagine, my friend’s dad was not happy about this kind of thing.
A drafting table: In addition to painting, I briefly worked as a teenager drawing houses for real estate advertisements. I’m not great at drawing other things, but I can draw the heck out of a tract home.
My student government sweater: I think I ran for office every single year of junior high and high school, and never won, and then my senior year came around and I ran and lost AGAIN. But then they created a new position, held a special election, and I finally won! I was the Assembly Coordinator, which was a horrible job that I never would have taken had I not so desperately wanted to be in student government.
A 1972 Chevy Impala: This was my first car (and, since you don’t know how old I am, it was more than twenty years old when I had it). My dad bought it from someone for $300, and it ran about as well as you’d expect for a $300 car. The main benefit of the car was that it was indestructible—it was made of solid steel. More than once, as I was backing into the driveway, I hit the concrete side stairs and heard horrible scraping only to jump out and see the car was completely unscathed—not even a scratch in the paint.
Playbills from numerous shows: I came from a singing and dancing family, and we (all of us, Mom and Dad included) ended up heavily involved in community theater. Although I did my share of acting and singing (I could NEVER figure out how to dance), I ended up falling in love with the backstage stuff, and eventually worked for years doing set design.
How fun! I come from a theater family too! I love that you guys all got involved together. I can't tell you how many times I get that look when family members ask me why I'm not involved with a show.: P Thanks so much for stopping by today!!
The building for company T Bailey Inc is made as factory expansion on manufacture of steel pipes. The architect of the project — Tom Kundig from studio Olson Sundberg Kundig Allen Architects — used huge pipes as a design element.
Total area of office of 1,100 sq. m. For construction of office architects used directly that product which is made by the customer. Visitors will get to a building on huge pipes. In a huge vertical pipe the large fan which will condition air at the main office is placed. The conditioner will be charged by energy of the sun.
The interior corresponds to stylistics. The concrete floor, open structure, a covering minimum. The roof inclination will direct streams of rain water to a garden, for watering of trees growing there.
So, I'm going to break one of my personal review rules/no-nos/pet peeves here for Peter Nimble and His Fantastic Eyes by Jonathan Auxier and I'm going to compare it to another book. (Gasp, I know... Also, insert appropriate apology here). The story itself is pretty unique and charming, but I was reminded from the very beginning of A Series of Unfortunate Events by Lemony Snicket. The stories are not anything alike, but the writing felt very similar to me. It's told in that same third party narrative where the narrator will interject at times with 'clarifications' and comments. And it also had that same impossibility of character (like the baby biting through steel in ASoUE).
And I don't like it.
I did not enjoy the SoUE. I read most of the books and finally gave up because the story just wasn't enough to get me over my dislike of the narration and other... things. But I will say that although the narration was, at times, quite jarring to me, overall, I actually really enjoyed this book.
Once I got past the beginning, where the infant is left to fend for itself by the town elders and survives, I found myself really drawn into the happenings of the story. But it was a struggle and initially, I was really disappointed in the story, because I need my fantasy to be believable and realistic, which means I need to believe in my characters. Once Peter has gotten past his unbelievable childhood, the story really picks up for me. I found that I really liked Peter and I wanted so badly for him to succeed. There was so much at stake for him, and he had so little happiness in his young life that I so wanted things to work well for him.
The story was quite charming, and again, once past the beginning, this unknown/unseen narrator really does keep his comments and opinions to a minimum, allowing me to get farther into the story. I loved watching Peter learn about his surroundings, learn about himself and realize that he can teach and help others. He worries that his past as a thief makes him unworthy and he often sometimes confidence in himself, which is not surprising considering he's spent the last several years being told he's practically worthless. But Peter is strong and he is made of greater things than he knows, and there is much he needs to do in order to complete the quest given him by the mysterious professor.
His traveling companion, Sir Tode was also a rather enjoyable character. The victim of a Hag's curse (one that I think you definitely need to discover on your own) Sir Tode is an unlikely companion, but is really willing to be there for Peter, to be his eyes and his friend.
I'm so glad that I stuck with this book, that I didn't allow myself to get too discouraged when I started the book. It's a beautifully charming story, even with the narration being what it is. Peter is strong and brave, and although not perfect (for reasons I won't specify to avoid spoilers) Peter's struggles with being blind are raw and real. Peter understands that his skills as a thief are only what they are because of his blindness. He can hear and smell better, and his fingers are far more sensitive. He recognizes this. He knows these things. But he still longs for the ability to see. But he also doesn't dwell on it. It's one of those things, it is what it is, and he makes the best of what he has. I love little Peter.
The fantastic eyes were also such an enjoyable part of the story. I wasn't sure going into it, but after reading, I can (fairly confidently) say that this is a stand alone story. I had originally thought that perhaps it would be a trilogy, with one book dedicated, primarily, to one set of eyes, but I am happy to say that this story stands alone. All three eyes are used (and umm, pretty brilliant, if I may say so!) and the story resolves itself completely, in that way of all middle grade (ok, most MG).
I think this is a charming and delightful book, and I think it's one that will be enjoyed by many, many people. If you are a fan of Lemony Snicket's writing style, I think you will just love this one. And if you are not, give it a try anyway. It just might surprise you.
Oh! Also — I loved the small illustrations that started each chapter. They were fabulous additions to the story and they made me all happy inside.:)
*Disclaimer: I received an ARC of this from the publisher in exchange for a fair and honest review.
Today's Fairy Tale Fortnight post is an excerpt from author Beth Barany's novel, Henrietta, The Dragon Slayer. And, there's a giveaway!
I love dragons! And a female dragon slayer? Sounds totally awesome, right?! If you would like to win a copy — Simply comment on this post. Leave a meaningful comment about the excerpt and/or why you want to read this book! The winner will have their choice between an e-copy or a physical copy. And, because there is an e-copy, this does mean that this giveaway is international!!
Make sure you have filled out the giveaway form on Misty's blog!
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The project of brand new railway station with a huge peak from a steel and glass was developed by Spanish architect Santiago Calatrava.
The project connects two parts of a city till now divided by tracks. The peak covers five platforms and lasts on 145 meters at length.
The underground floor with a series of foot bridges and paths which connect various parts of a complex is created. The station provides a high-speed railway system of Belgium with a new complex of services.