The Best American 2009 series just came out this month, so in honor of that I thought I would say a bit about The Best American Travel Writing 2009 and in contrast The Best Travel Writing 2009. It's getting a bit cold in Iowa so I have travel on the brain right now anyway, although I do like the cold weather.

The Best American Travel Writing 2009
Edited by Simon Winchester

This is one of the better essay collections I have read. The transitions between the essays are quite good, I never felt like anything was out of place. There is a negative said that though, sometimes a few essays seemed like one really long boring essay just because I was disinterested. The best thing about essay collections though: you can pick and choose what you want to read.

My top three favorite pieces from this book were:
1. The Mecca of the Mouse by Seth Stevenson. The narrator traps himself on Disney property for five days and analyzes everything from Disney to American culture to architecture. It is quite funny, especially in regards to animatronics. "I'm sure 'audio-animatronic' creatures were nifty when Disney pioneered them in the 1960s."
2. A Mind Dismembered by Frank Bures. The piece takes place in Africa and is all about penis snatching. For those of you who don't know what that is (I sure didn't before I read this), there is an epidemic in Nigeria and other parts of Africa where men believe that people on the street, witches of some kind, steal their penises, but then when they go to the doctor the penis is still there. It's a really fascinating example of regional illness.
3. Who is America? by Chuck Klosterman. I am probably choosing this one out of bias, but this is generally the type of essay that I like. I am fairly certain that I would like this piece even if I hadn't know it was written by Klosterman (who I saw speak at my campus last year, he is even funnier in person). Klosterman was teaching a seminar on U.S. consumer culture in Germany. To get into the class he required the students to write about the most interesting 20th Century American. I won't give away who was chosen, but if you've read Klosterman before you know exactly how this is essay if functioning. (And if you haven't read him before, I suggest Killing Yourself to Live)

The Best Travel Writing 2009
Eidited by James O'Reilly, Larry Habegger, and Sean O'Reilly

While it is a less popular series I will admit that I enjoyed this essay collection more than The Best American one. These essays are less research essays and more travel narratives which was more enjoyable. If you're only going to read one of these books, I would suggest The Best Travel Writing.

My top three favorite pieces from this book were:
1. The Bamenda Syndrome by David Torrey Peters. This essay is a really fascinating account about psychological syndromes that travelers get. It questions if we can really trust what we see when we are traveling. Two such syndromes are the Florence Syndrome and The Jerusalem Syndrome. To find out more about the three syndromes mentioned in the piece, you should read the piece.
2. Officially a Woman by Stephanie Elizondo Griest. This takes place in Mexico and is a really honest account of quinceaneras, or a sort of coming of age party. My favorite part is when the daughter who is having the party is getting her nails done even though she has to take an exam the next day. "Yet her new nails are so unwieldy, she can barely grasp a pencil. No one seems to fret about this except me. What is an exam compared to womanhood?"
3. A Vast Difference by Deborah Fryer. The subtitle to his essay is, "Summer Camp is the first adventure for many a traveler" which kind of turned me off at first. Believe me, after you read the first paragraph you will not be able to stop. Deborah's summer camp experience is like no other, she is at a Jewish summer camp and her camp counselor has the children perform a pretend burial. If that isn't a hook, I don't know what is.

In general I'm a big fan of The Best American Series and the new one's for 2010 just came out. I bought The Best American Essays

and The Best American Travel Writing

since they are my two favorite collections. I flipped through the table of contents, skimming for essayists I know and love, and new ones I'm interested to read, when I saw that The Best American Travel Writing and The Best American Essays both have an essay by David Sedaris in them. It's the same essay! Guy Walks into a Bar Car, which originally appeared in The New Yorker and can be read online. David Sedaris is known for being funny, so if you're looking for some giggles this is a great essay.

I wasn't vastly impressed by this piece but I think it's worth mentioning since it was chosen by Bill Buford and Christopher Hitchens this year. The essay is about Sedaris' trip on a train. In the bar car he meets a man who he is possibly attracted to, and he gets to talking and drinking with him. The guy is a total wreck, an alcoholic, screwed up family, and unemployed. Later in the essay he talks about a Lebanese man he met on a train some years before (he was 24), he felt an instant connection with this man, and the man invites him to come stay at his college with him, but Sedaris refuses. He later regrets this decision because, well, I think we've all been in that situation before. The essay looks at the train and travel as a kind of hopeful, romantic, new beginning, but then acknowledges that this is often not the case. And even when it is the case, we are often afraid of being truly romantic.

I love the way the essays starts: "In the golden age of American travel, the platforms of train stations were knee-deep in what looked like fog. You see it all the time in black-and-white movies, these low-lying eddies of silver. I always thought it was steams from the engines, but now I wonder if it didn't from cigarettes." This is a great set up for the rest of the essay. Sedaris gives us a well known image, beautiful, foggy, romantic train platforms that are full of mystery and elegance, but then he turns around and says something he has always though as beautiful and enticing might actually just be something gross or unimportant. And this is something I think happens a lot in travel. You dream up a place to be exactly what you want, but once you arrive it isn't anything like you expected. I experienced this when I went to Rome. I thought it would be this beautiful, romantic place, and I ended up thinking it was kind of disgusting.

He further ties this into age. He meets the Lebanese man at 24, but he meets the drunk more recently as an older man. "When you're young, it's easy to believe that such an opportunity will come again, maybe even a better one. Instead of a Lebanese guy in Italy, it might be a Nigerian one in Belgium, or maybe a Pole in Turkey. You tell yourself that if you traveled alone to Europe this summer you could surely do the same thing next year and the year after that. Of course, you don't, though, and the next thing you know you're an aging, unemployed elf, so desperate for love that you spend your evening mooning over a straight alcoholic." So in some ways life is a lot like travel. We enter with expectations, but as time goes on we realize they might not be exactly what we thought.

You can read this essay at The New Yorker, and if you do please come back to tell me what you thought of it!

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Thomas Kohnstamm's travel book Do Travel Writers Go to Hell?: A Swashbuckling Tale of High Adventures, Questionable Ethics, and Professional Hedonism

was published in 2008 and raised some questions about the ethics of Lonely Planet guidebooks and some questions about Kohnstamm himself. You can read more about that here because honestly I'm not going to waste a lot of time on this book.

Kohnstamm quit his life, his girlfriend, his office job, all because of an author to write a Lonely Planet guide to Brazil. On his way there he realized that the advance he had from Lonely Planet was not nearly enough money to get around all of Brazil. He also realized that there was no time to write and travel. He meets several colorful characters along the way, most of which are women, drunk, drug addled, or all three. He stays in a hotel where the rooms are separated by a shelving unit which allows him to hear every fart of his neighbor. Basically, let me sum the book up for you: He goes to Brazil, has lots of sex with trashy women, drinks a lot, worries about how much money he has, and cuts corners writing his guidebook. Do travel writers go to hell? Most likely yes.

I didn't hate this book, well, not exactly. If you decide to read this here are some tips:

1. Skip the first 72 pages. Here is the summary: Thomas is sad at his job in New York City and his girlfriend is mean to him. He decides he is going to leave. He has a fist fight with his best friend who he calls the Doctor. They have been drinking a lot. Thomas likes to drink.
   
2. Do not believe anything Thomas says to be 100 percent true because it's probably not.
3. Be prepared for several sexual encounters and lots of whining about how women are mean to him.
   

Pub. Date: April 2008
Publisher: Crown Publishing Group
Format: Paperback, 288pp

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I got some wanderlust from my dad and I took a travel writing class last year, so I was really intrigued by Tales of a Female Nomad: Living at Large in the World

, one of the few full length travel narratives I've seen written by a female. To add to my interest, one of my good friends from high school really liked the book so I knew it had to be pretty good. Rita Golden Gelman has reached a turning point in her life. She is living with her husband in California, but they no longer love each other and she hates their modern lifestyle. Her children are on their way to college and she doesn't feel like they need her anymore. Her career, a children's book author, doesn't require her to stay at home. When she and her husband decide to take a break she goes south of the border to Mexico for an intensive Spanish class and finds that she loves traveling. After that trip she changes her life and has no permanent address, she lives on a small amount of money, travels, and meets new people.

The bulk of this book takes place in Indonesia and in my opinion it could have only taken place in Indonesia. Her time in Mexico shows us where her nomadic journey began, but her random trips in the United States and Canada could have been much shorter. Indonesia was really the only place where Rita got to know the people around her and really participated in the culture. I really liked the places Rita went to in the book, but she didn't get to know hardly anyone so it was basically just a book about everywhere she went in this time span and everything she did.

I wanted to like this book a lot. I love the idea of just packing up your stuff, taking off, and seeing the world in your own way. Rita's voice got in the way though. The book is written in the present tense, which lends itself to "I did this, I see this, I hear this" writing. She spends so much time talking about what she did that you don't ever get a good feeling of what the culture is like. She spends at least 100 pages in Indonesia but I didn't come away from the book with any different perspective on it. And that's not totally necessary for me to enjoy a travel narrative. The Moon, Come to Earth didn't change my perspective on Portugal, but it did make me think about travel in a way that I wouldn't have without the book. That was not the case with Tales of a Female Nomad. Honestly, I thought Rita was a little self-centered and while I enjoyed reading about a few of the amazing things she did, there was always this nagging feeling in my head that the way she was telling them just wasn't right. This book could have been awesome, but it ended up just being okay.

I give this book a C.

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I'm a little early with this post but I just arrived in Iowa City from Des Moines before I go out to lunch so I thought I'd give you all an update and do some mini-challenges. So far I still haven't gotten quite as much reading done as I would like but after I eat some lunch I should be set to read for quite awhile.

The Adventures of an Intrepid Reader is hosting a mini-challenge about armchair traveling. As someone who reads a lot of travel books I get quite a bit of armchair travel in through that, but there is really nothing like a good historical fiction novel to take you to someplace you've never been before. I began reading The Luxe series at the beginning of this year and after I read the first book my family went to New York City for a vacation. Through The Luxe series I learned that today's Manhattan used to be called New Amsterdam because it was settled by the Dutch. The Luxe series talks about the wealthy Dutch people who lived there. This is really interesting for me because my family is Dutch and some of the names in the book are similar to names in my family or people I know. Going to Manhattan was really interesting for me because I saw it in a way I never would have if I didn't know that information from the books. Through the Luxe series I've also gotten to travel to California, Florida, and Cuba all in the early 1900's. Very exciting!

*I'll come back later to update my stats!

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To be a lover of nonfiction is a dangerous and confusing thing. I have become aware of a major difference in the way readers who primarily love nonfiction shop over the way readers who primarily love fiction shop. When you go to the bookstore and you look for a fiction book, there is generally one place you're searching. Maybe two if you like YA or three if you like romance or western. If you love nonfiction there are an unlimited number of places you might find your books. This can be dangerous and frustrating.

For example, after a recent trip to Half-Price Books I purchased seven books and they were each in a completely different section.

• The first place I always look is in Essays and Memoirs, which is generally only one or two shelves of a bookcase (in a normal store there might be one whole bookcase). In this section I found Coop, which is a memoir, I suppose, of Michael Perry's life as a farmer and parent.
• I moved to the Sports section where I found The Lost Art of Walking, a history and discussion of walking.
• Nearby was travel, where in the further category of Iowa travel I found Postville: A Clash of Cultures in Heartland America

  

  , a profile of a town in Iowa.

• I went to graphic novels and found the graphic memoir Blankets

  

  .

• I caught up with Jason in the Science section where I found The Compassionate Carnivore: Or, How to Keep Animals Happy, Save Old MacDonald's Farm, Reduce Your Hoofprint, and Still Eat Meat

  

  on the one shelf of sustainable agriculture books.

• From sustainable agriculture I moved towards nature writing where I picked up The Control of Nature

  

  , a book of essays by John McPhee.

• I ended by trip in the close-by section of Green Living, which had a really neat copy of Barbara Kingsolver's Animal, Vegetable, Miracle: A Year of Food Life.

Seven books. Seven sections.

Can you see why loving nonfiction is a dangerous and frustrating process? Dangerous because, as you've just seen, it's very easy to hop around the whole store and find something you're interested in in every section. It's too easy, especially in a store like Half-Price Books, which organizes its categories down into smaller categories.

It's frustrating, however, because if you are looking for a specific book there can be at least three places it will be located. Is it in essays and memoirs? Is it in environmentalism? Is it in cookbooks? I've found Animal, Vegetable, Miracle in every place. Even from the books I purchased you can probably see some overlap. The Compassionate Carnivore, The Control of Nature, Animal, Vegetable, Miracle, and Coop could have easily been found in the same section, but for some reason Half-Price Books distinguishes them. The distinguishing factor might be something as arbitrary as what type of writer wrote the book. Was it a journalist? A farmer? A scientist?

Part of this is just that the majority of the books in a bookstore are nonfiction, and bookstores do distinguish all the nonfiction by subject because that is how most people look for it. But when you're a general lover of all types of nonfiction it gets frustrating when there isn't just a single section titled Essays that contains all the books of essays. Since nonfiction is a constantly evolving genre (I'm not saying fiction is not, I'm saying literary fiction has a more established, concrete history) it's difficult for a lot of readers to make the distinction between literary nonfiction and what I would consider "How to" nonfiction. How to travel in Mexico. How to become a Buddhist. How to farm sustainably. Versus. My travels in Mexico. My experience as a Buddhist. My experience as a sustainable farmer.

Do you read nonfiction? Do you find yourself running around the store looking for a book? If you are a fiction reader, how many sections do you generally look in?

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This weekend I'm joining over one hundred blogs in the Got Books? event where we are all giving away some books to our lovely readers, new and old. This is really my first book giveaway and I put a lot of thought into the books I wanted to give away. One of them is a book I continuously talk about even though I've never reviewed it here and the other is a book I read when I first started blogging and it's one of my favorite books I've read since I started blogging. So what books am I talking about?

The first book is Notes From No Man's Land by Eula Biss. This is the book I haven't reviewed on here since I read it over a year ago before I even had a blog. I have talked about one of Eula Biss's essays though, The Pain Scale. This is a fantastic book of essays that I think a lot of you would enjoy. It deals with race, gender, human differences, and America. I mean, I read it over a year ago and I'm still talking about it, so that has to tell you it's pretty good right?

The second book I'm giving away is another work of nonfiction, The Moon, Come to Earth by Philip Graham. This is a book that came out of Graham's McSweeney's dispatches from Lisbon, Portugal. It's a travel narrative, but different from a lot of travel narratives I've read because it's about Graham's experience traveling with his family. The story actually really comes away from being a simple travel narrative and becomes more about the experience of being a parent. I posted a review back in November when I was still trying to figure out this whole blogging business. It was the tenth review I ever wrote on here! How crazy is that. Anyway, I also posted about a reading of his, which I attended.

If you'd like to enter (and I really hope you do!) just fill out the form below. You can enter for one book or both. The contest is open until Sunday, July 25 at MIDNIGHT Central Time. You can earn extra entries by being a follower or by tweeting, but you don't need to be a follower to enter the contest. This is only open to U.S./Canada.

This giveaway is closed! Thanks for entering!

This giveaway is closed! Thanks for entering!

Jan Morris' Trieste and the Meaning of Nowhere

is a travelog of the city Trieste. Trieste is a place for those who are exiled and Morris is fascinated by the "nowhereness" of the place. It has had many famous inhabitants, including James Joyce, Sigmund Freud, and Richard Burton. It is on the far northeast side of Italy, and as Morris points out, very few people in Italy actually know Trieste is there. The travelog weaves between Morris' own experience and Trieste and the ancient history of the city, as well as stories from the famous people who have lived there.

I was set up to dislike Trieste for two reasons, the first is that I hate Italy, the second is that I hate travel writing that moves away from the narrator's experience. I didn't hate Trieste, but I wouldn't say it is my favorite book I have read. Some parts are beautiful. Morris has been to Trieste several times and has a keen eye for small parts of life. She is also willing to admit she messed up when she judges something wrong, while some authors wouldn't include it she does and I admire her for that. What I didn't like about this book is that on page it will be present day and the next page it will be 1382. Perhaps I wasn't reading carefully enough, but I really struggled with the movement back and forth.

It's a quick read if you're interested in Italy or travel writing in general. It is the first travelog I have read that talked more about how everything is different within the city rather than how everything is different from where they came from. Demographically, Trieste is very unique because it is so close to Slovenia. The population is made up of Italians, Croations, Slovenes, Romanians, and people that have fled their country. It truly does have a fascinating history so read the book if you can keep up with the constant changes in time.

Pub. Date: August 2002
Publisher: Da Capo
Format: Paperback, 212pp

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I bet a lot of you thought I gave up on blogging. Well psych! Midterms are over and I am back. I actually got quite a bit of reading done during my blogging hiatus, three books to be exact. You can expect upcoming review of Dawn of the Dreadfuls, Aurora Floyd, and Emma Volume Three. I'm part of the Creation of Eve TLC Book Tour this week though, so I will have a review of that up on Thursday. I need to read Creation of Eve right now and I'm really looking forward to it, but the evil, evil Books on the Nightstand (not really evil, love them!) has got me all interested in The Lighting Thief. From what I've heard about it, it seems like the new Harry Potter. I got the first book today and it is all I can do from tearing it open right now.

What makes not reading The Lightning Thief even more difficult is that I am leaving for New York tomorrow. Which means lots of time in the airport and lots of time on planes. One of my favorite things to do while I travel is read, which I gather is not the case for everyone. My parents always return to the story about our trip to Hawaii in which I spent the majority of the trip deeply involved with Harry Potter and the Goblet of Fire. My favorite Harry Potter book in case you were wondering. For me, vacations are one of the few times I can really relax while I read. I don't have to think about what else I should be doing because I shouldn't really be doing anything except relaxing and enjoying the new place. For me the book or books I read on a trip is an integral part of the experience.

I love to travel and experience different cultures, but I also look at trips as a chance for me to do things I don't normally get to do. Like really lose myself in a book. Sometimes it doesn't work out and I get zero reading done on vacation, but usually I at least try to make an attempt. So how about you? Do you enjoy reading on trips, or is that one of the times you don't read? What are some of your all time favorite trip reads?

The Montaigne Readalong is a year long project in which I try to read over 1,000 pages of Montaigne's essays. Every Monday I write about the essays I read for the week. You can share your thoughts or join the readalong if you'd like, just check the Montaigne Readalong schedule. You can read several of these essays for free on Google Books or subscribe to Montaigne's essays on Daily Lit.

Essays Read this Week:
1. On moderation
2. On the Cannibals

Favorite Quotations:
"True victory lies in your role in the conflict, not in coming through safely: it consists in the honour of battling bravely battling through." (On the Cannibals)

"I wish everyone would write only what he knows--not in this matter only but in all others. A man may well have detailed knowledge or experience of the nature of one particular river or stream, yet about all the others he knows only what everyone else does; but in order to trot out his little scrap of knowledge he will write a book on the whole physics! From this vice many inconveniences arise." (On the Cannibals)

General Thoughts:
On the Cannibals is frequently taught in nonfiction writing classes, or at least it is at Iowa, which is why it makes me think not so much about the essay itself as nonfiction writing. That last quote in my favorite quotations about writing what you know, I think that is my biggest takeaway from this essay. Montaigne is really interested in judgement and the the human tendency to think there is only one way to do something. Your way. Culture to culture we all do things a little differently and it's easy to think of the world only in your terms. I think part of what essays do is help the writer recognize the way he or she does something while still pushing their boundaries and looking at how others might do it.

So then how do you write about your experience in another culture and still acknowledge that you are not an expert on that culture? This seems to be a huge problem in travel writing. The best travel writing, I usually feel, is either completely inward or completely social. In the inward variety the author really doesn't experience much but rather writes about the displacement of being in another culture and ruminates on that. The more social kind involves the writer talking to people of that culture but acknowledging his or her outsider status and understanding.

I am struggling with this quote a little bit because it doesn't acknowledge the writer's ability to go seek out first hand knowledge from an expert. Maybe I'm struggling because I become annoyed by people who do very little research and try to pass themselves off as experts. Part of the reason I love John McPhee is he always acknowledges how stupid he is on a given topic, even if he knows more than the average person. This seems like an extremely important aspect of essay writing--no wonder I'm pulling it from Montaigne.

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Luxury yacht by Norman Foster

VIA «Design yacht»

At first, di Lernia and many of his colleagues were optimistic about the future of archaeology in Libya after years of neglect under dictator Moammar Gadhafi. But today, di Lernia has trouble imagining what fieldwork will look like in the war-torn country.

Years after the conflict began, Libya is still unstable. The United Nations was holding talks in Geneva this week to attempt to unify the two rival governments in control of Libya since Gadhafi's dramatic downfall. Meanwhile, ISIS extremists have taken power in parts of the country, such as Derna, a city in the east, where the group Human Rights Watch has documented violent forms of abuse, including executions and floggings.

Alongside reports of human atrocities, there has been a steady stream of reports detailing the threats to Libya's cultural resources, from ideological destruction to unchecked development. In 2013, for example, there was construction equipment sitting at the Hellenic city of Cyrene, one of five UNESCO World Heritage Sites in Libya, ready to clear the way for houses. Another World Heritage Site, Ghadamès — a city sometimes called "the pearl of the desert" that was once home to the Romans and the Berbers — suffered rocket attacks in 2012. The same year, ultraconservative Islamists reportedly destroyed Sufi shrines and graves in Tripoli that don't conform to their beliefs. In 2011, robbers pulled off one of the biggest archaeological heists, stealing a hoard of nearly 8,000 ancient coins from a bank vault in Benghazi.

"I'm afraid if nothing happens, this will be a disaster for generations of Libyan archaeologists — and for universal heritage," di Lernia told Live Science. Today (Jan. 28), he published a commentary in the journal Nature to try to raise awareness about the situation within the scientific community. "It's very difficult to keep the light on Libya in this moment," di Lernia said.

Over the last four years, di Lernia, who is a professor at the Sapienza University of Rome, and his colleagues have been able to publish new research based on the wealth of material they collected in past field seasons. They've shown that dairy farms existed in a once-green Sahara. They have also analyzed Stone Age burials in the desert region.

Though access to the southeastern part of Libya has been restricted since 2011, di Lernia used to be able to travel to Tripoli. But as the fighting between Libya's two governments worsened over the past year, di Lernia wasn't able to get to Libya at all. From afar, it's difficult for international observers to assess the damages in the country.

"From time to time, I succeed in talking to my friends there, and they say that all sites are in danger, all sites are at risk," di Lernia said. "We don't know what's going on in many places. We don't know what's going on in the museums."

In other conflict zones, such as Syria, archaeologists have turned to satellite imagery to assess damage to cultural heritage sites. Those images show that places like Apamea, a Roman city and once-thriving tourist attraction for Syria, has been turned into a moonscape because of the holes gouged out by looters. But the same approach might not work in Libya, di Lernia said, as satellites can't detect more subtle damages, such as graffiti that's been reportedly painted over rock art in the Tadrart Acacus mountains, near the Messak plateau.

Di Lernia used to spend months at a time at the Messak plateau, but he can’t imagine long archaeological field seasons resuming in Libya anytime soon. In Nature, he put forth a host of recommendations to rekindle research, calling for more support for museum, university and lab-based research. Di Lernia said he'd like to see more museum collections go online, and a Web-based library for rock art sites. He also wants to see international universities provide support and funding for Libyan students and scientists to train and work overseas.

"The only way to keep Libyan archaeology alive is to do lab research, desk research, working on the Internet and working on the digitization of cultural heritage in Libya," di Lernia said. "The situation in Libya is a part of a wider picture, I'm afraid. Probably we have to rethink our capacity to do research within this political framework."

Author: Megan Gannon | Source: LiveScience ]January 28, 2015]

Leif Reads is a monthly feature I work on with Aths of Reading on a Rainy Day. Each month we choose a book that covers an environmental topic and discuss these topics and the book.

I've really enjoyed reading Coop this month because it's fitting in nicely with a long term comic I'm working on about sustainable agriculture. If you haven't noticed I've been thinking a lot about the disconnect that has happened between Americans and their food. While it's great that Michael Perry is able to live on his family's farm and teach his children about how food is grown and made I'm starting to realize that most people have never even set foot on a farm. A couple of weekends ago I went to an organic farm to do some volunteer work through an Iowa City organization called Local Foods Connection. Even though I grew up on a farm and around agriculture this farm was in a completely different league. I was amazed by the variety of produce they grew and the methods they used. The farm I visited started everything in a greenhouse and then moved it to a field.

If you have the ability to visit a farm or do some work with a farmer I would encourage you to do so. Next time you're at a farmer's market talk to the farmers there and find out what methods they use to grow their produce. It saddens me when I hear people talk about how lettuce comes from the bag. They don't realize that the lettuce in their bag was grown in Mexico and shipped to a plant where it was bagged and then shipped to their grocery store. They don't realize that the food they're putting in their mouths has gone through miles and miles of travel to reach them. They have no idea who is on the other side of that lettuce.

Even if you're not into gardening, visiting farms or farmer's markets, you might find it fruitful to grow a little something. I don't have my own yard but we're working on growing some things on our patio. Even if you don't have the option to do that, if you live in an apartment with one window you too can grow something. Jason and I are growing coneflowers, sunflowers, basil, and a few other things on our kitchen counter. It's set by a window and we water it every once in awhile. We planted all of these things just a few weeks ago and as you can see they are growing like crazy. If nothing else it's an exercise in understanding. Children often grow something small as part of their science classes in elementary school, but adults can learn from growing a flower in their kitchen to. It will help you understand that everything starts somewhere, even the book I'm reading came from a tree.

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The princesses, fifth and sixth in line to the throne, will be given protection only when they attend official events on behalf of the Royal Family.
Safe: The Princesses are driven away from Prince William and Kate Middleton's wedding reception by a protection officer
Prince Andrew had fought ferociously for the protection officers to stay. He argued his daughters should be treated differently from other minor royals because they enjoy HRH status.
But his argument failed because their cousin Zara Phillips, the daughter of Princess Anne, has no protection – even though she has a higher public profile.
Furious: Prince Andrew is said to have fought to keep the protection officers as he feels they are different to other minor Royals because of their HRH status
The cost of guarding Eugenie, 21, in her first year at Newcastle University has been estimated at £250,000 a year. It includes salaries, accommodation and living and travel expenses of two full-time bodyguards.
Beatrice, 22, studying at the University of London, enjoys the same level of protection.
Prince Andrew insisted his daughters have full-time protection despite private police assessments that they were low-risk targets.
No protection: The Duchess of Gloucester will no longer have security unless on official business, while Zara Philips has no cover despite her high profile
The Home Office is determined to prune the estimated £50million security bill for the Royal Family.
Other minor royals such as the Duchess of Gloucester who, unlike princesses Eugenie and Beatrice, performs official engagements, will also have their protection withdrawn when not on official duty.
source: dailymail

VIA Beatrice and Eugenie are stripped of their 24-hour protection after row over £50,000 annual cost

Everyone, help me welcome Sierra to the blog today! She has an absolutely wonderful memory to share with everyone today! Help me make her feel welcome!

My name is Sierra, and I blog on Yearning_To_Read. I've been blogging for almost a year now; I started Yearning To Read back in June 2010. It has been an amazing experience, and I feel so priveleged to be a part of a project like this. My blog first started out as a way to review good books (okay, and some bad, too) and have fun with it. Now it has turned into much more: I write about vintage books that I buy, poems, and quotes that I love; and in January I added something new: giveaways, so far my favorite aspect of blogging. I love giving books: What a great way to do it!

About me: I'm a 17-year-old senior in highschool and I've been homeschooled since preschool. I LOVE it. LOVE LOVE LOVE. It has allowed me to study everything that I would study in a public school, but it also gives me a greater freedom to focus on what I love: literature, writing, foreign language, and Photography. It has been a journey, full of adventures. AND... my mom is the best teacher.:) I live in San Diego, CA, which is one of the best places to live. Someday I hope to travel to new ends of the world, but I want to always have a home to come back to in San Diego. I've beed a reading maniac since I was 7, and I've been writing novels (yes, novels) since I was 8. Not that they were any good, of course, but it's the thought that counts, right? I still write all the time... the stories come and come and come relentlessly. I hope to someday be a published author. It's been my goal for 9 years and counting — I'd say that's pretty promising!

And now, for my memory.

It was Easter Sunday, 2008, after church. It's funny, how some days start as one thing, with you having a goal for the day, an idea of what it's going to look like. And then, it all changes. Drastically. Funny what books can do to you in a day.

The day before, I had picked up Inkheart. I'd bought it a while before, with its published companion Inkspell. I'd heard it was good from a friend; the movie was coming out; I had a giftcard. How could I lose?
But anyway, back to the story:

I remember lunch at our house, with our friends. I brought Inkheart to the table with me and had it under my leg. (This is the first time I remember doing this.) Between bites, I'd reach down and feel the cover, the grooves and bumps on it which were (and still are) Meggie's fingers, the gold coins from Treasure Island, the lizzard from the desert, the castle from the fairytales. I wanted to read it; I wanted to be captured in the story and transported.
After lunch, I helped clean up a bit, but I was itching. Itching for the story beyond the covers. The second I was free, I ran upstairs and into my room, where I stayed. I opened the book. And read.

For 6 hours.

Now, let's get something straight here: I'm not a fast reader. I got a total of about 250 pages done in those six hours. I took two breaks. But the rest of the time, I was hooked. I remember it vividly, the first time I read that journey and was immersed. I remember starting by sitting on my bed; that soon got stuffy and uncomfortable, after so much food. Then I sat between my desk and my footboard, legs up, book on my knees. That, too, eventually became uncomfortable. My legs cramped and it was getting hot in the room. (Or was that Dustfinger's fire, leaping out of the pages to catch me?) Then I went outside to the patio, where I read some more. I sat on a reclining chair and my body soaked up the spring sunshine and fresh air — and all the while my mind was soaking up the intense story that isInkheart. My mind was lost in a fantastic world that becomes a part of the reader.

I finished Inkheart two days later. Then, I started Inkspell.

In no way was I prepared for what lay on those pages, in that ink. I'd experienced a ride with Inkheart — but with Inkspell... I don't know. Something was different. Mentally, emotionally. It played with my emotions like Dustfinger plays with his fire, like Mo plays with his words.
In the end... let's just say that not very many other books make me sob. (I am a usual crier, yes, but not a usual sobber.) If a book gets me so emotionally that I cry really hard, it usually ends up on my favorites shelf. It means more to me than most books because it moved me more. It was just so when I finished Inkspell. I was sitting on the couch (I think it was the Thursday after Easter Sunday) and my sister was sitting across from me, reading one of the Madeleine L'Engle books. And as I lay there, reading the last few chapters, sniffling and wiping tears away and burying my head in my arms, she kept staring at me strangely, wondering what the heck could have changed my emotions so drastically.

(Are you wanting to know as well? I advise you read the book. 'Twill be worth it, I promise.)

And that is my memory. My vivid, lovely memory. I remember all the emotions, the sights and smells. In fact, the smell of the Inkbooks are still some of my favorites to date. Oh, and did I read Inkdeath ? Yes, yes I did. I remember longing for it, and when it came in the mail I was proud to know that I was one of the first people to ever hold it in my hands. And I LOVED the book.

This memory is particularly special to me, for a few reasons. Not only were these some of the very first books that I became emotionally attached to, but they were also some of the first fantasy books I'd ever read. They got me hooked on the genre, and they are still an example of what great fantasy is. Since that week I've read Inkheart 3 times total, Inkspell twice total (and the end several times — it makes me cry every single time), and Inkdeath once. Each time I read the first two, those memories come back, swiftly and vividly. It's strange — the books that talk about books catching memories between their pages are the books that have caught the most memories for me.

And they are memories I will always cherish and will never forget.

Thank you so much Sierra, for sharing your memories with us! This sounds like an incredibly important read for you. I remember these life changing reading experiences in my own life, and am so happy that you shared yours with us!

Readers, remember that if you would like to be a Memory Monday guest, in my blog for more information!

I do like a nice book cover, but I don't give them nearly as much thought as Jana at the Broke and Bookish so my list won't be as in-depth or interesting as hers. Mine aren't in any order either because I'm just putting them in as I think of them basically.

There were times when I was reading The Swan Thieves by Elizabeth Kostova where I just couldn't help but stop reading and look at the cover. This is truly one of the most beautiful covers I've ever seen. I love the darkness of the background and how the image changes for you as you read the book and find out more about the story. The text is great as well, kind of a mix between old and new, which is something the book plays with a lot. Also, I know this isn't part of the cover and I don't know what the books that have been released look like, but on my ARC the binding is gold and looks quite nice on my shelf.

One of the most effective ways to sell books is probably to have them cover out instead of binding out. If it wasn't for that, I never would have seen The Impostor's Daughter by Laurie Sandell this weekend. I was attracted to this cover because of the bright colors, fun font style, and the mystery about why she's covering her face with a picture of her dad. I picked up the book and read the back cover, thought it looked interesting so I opened it up to find it was a graphic novel! I was really excited to find a graphic novel in memoir form because I loved Persepolis so I bought it right away.

This cover is really simple and white, with a great brightly covered image that totally sums up the message of this book. It looks comicy, but still empowering. This Book is Overdue! How Librarians and Cybrarians Can Save Us All by Marilyn Johnson is probably one of my favorite covers from books I've read this summer. Every time I see the librarian with her cape I smile and I realized something a little different about the picture every time I look at it. For instance, it took me awhile to realize that those were books she was flying out of.

I think part of the reason I read Sunflowers by Sheramy Bundrick was that every time I looked at it I said "Pretty!" I love Sunflowers and Vincent Van Gogh's art and I think it was really effective to do a close up of one painting rather than try to fill the cover with an entire painting. The white text allows the image to speak for itself, and those who know Van Gogh will be immediately attracted just by recognition. Plus I just love green and yellow.

I buy children's books all the time even though I have no children and I'm not a teacher nor do I want to be one. Part of it started when I was a reading tutor and it's just kind of carried on since then. One day I'll have kids to share some of these beautiful children's books with and one I can't wait to share is The Curious Garden by Peter Brown. This was a staff pick at a store once and the artwork is just beautiful. I was attracted by the little red haired boy who sticks out amongst the green and blue of the natural scene behind him.

I still haven't read Eating the Dinosaur by Chuck Klosterman but every time I walk by the cover I get the urge to start it. It is so simple, most of his covers are, but it just looks interesting. The image reminds of a children's reference book about dinosaurs with all of the labels on it. I love dinosaurs so I'm attracted to that. And I like how the author's name and the title are the same size and sandwich the image.

I just had to add one more children's book to this list. Boris and Bella, authored by Carolyn Crimi and illustrated but Gris Grimly is just a great cover. It's Tim Burton-esque and creepy. Normally when you see a male and female name on a book you assume they are in love, but this is not the case with Boris and Bella. We can tell from the image that these ghouls obviously do not like each other. I also like the purple and black for a creepier story like this one, plus the text fits perfectly.

I haven't read Summer at Tiffany by Marjorie Hart yet, but I intend to soon because the book sounds great to me. I love this cover because it combines and simple colorless photograph with a tiffany blue colored box for text, and then the box is topped with a bow like one from Tiffany would be. I just think that was a really cute idea and I love the simple color scheme of this book.

I read this book a week ago and I think it has a pretty neat cover. This cover of Tales of a Female Nomad by Rita Golden Gelman really embodies Rita's personality. The orange and green are bright and fun, which is just like her attitude. I also like the map at the top of the cover that shows all the different places she goes to and how she's constantly traveling back and forth. Plus I like that they used a photograph for a travel narrative because it let's you feel like you're in on their trip a little bit.

My last cover is the 50th Anniversary edition of To Kill a Mockingbird by Harper Lee. It's beautiful. The color scheme is really unique, you don't see that deep, wine red on books very often, and it let's the green of the tree really pop. I have the older lavender version right now and I have been lusting after this book ever since I saw it. I also love the text they use on this cover, a slanted print that looks almost like a child's handwriting.

I actually learned a lot about myself by doing this, I appears that I'm really attracted to colors or white covers with a single image on them. Who knew! What are you attracted to in covers?

It won't be officially summer in the northern hemisphere for another nine days, but some Geekers are getting into the spirit early.

Trish offers a summer reading list for kids, and activities to go along with the books, while Gautami has a list of fun activities for the adult who's a kid at heart.

Care has been so excited about the boat she and her husband bought, and she plans on spending the summer there with her sweetie and the adorable Oscar (cute dog picture alert!).

Gavin tells us about a well-loved book-themed inn on the Oregon Coast--if you ever plan a vacation to Oregon, the Sylvia Beach Hotel is definitely worth looking into.

Lou tells the story of how she traveled from Denmark to the U.S. to meet members of her online bookclub, and Michelle also shares some favorite summer travel memories.

Do pay a visit to these posts and the others, if you haven't had a chance to. It's a great way to get into the spirit of summer (or, er, winter, if you're in the bottom half of the globe).

“You can see green grass just 50 meters away from it,” Gamal said, explaining that the limestone of which the sphinx is made has a high percentage of calcium in it.

“Add to that the sewage problem that officials are not addressing."

Gamal said birds enjoy calcium, which is why many of them are seen perched on the sphinx. “Their waste eats away at the body of the sphinx,” he said. “It will be a serious problem when the perforations [on the body of the sphinx caused by the acidic waste] widen with time.”

Source: Egypt Indepedent [February 03, 2015]

I was a very bad reader last week. Lots of things are to blame, it was the week before Thanksgiving break and I just wanted to relax. I did finish Philip Graham's The Moon, Come to Earth. I also attended his reading at Prairie Lights. Graham is very gregarious, I enjoyed his reading. He read three dispatches from the book though, which took quite a long time. I'm always more interested in hearing authors talk about their books than read from them.

The book that has taken up most of my time is George Eliot's Middlemarch, which I plan to finish tomorrow. If I haven't mentioned it before, I will mention it again: Middlemarch is a beast. It's a multi-plot novel with what seems like one thousand characters. It takes me a long time to read, but thanks to a couple 4-8 AM shifts at work I am almost finished with it. I'm really enjoying it too, but that doesn't surprise me. Eliot is a genius.

Today I plan on finishing The Secret Diaries of Charlotte Bronte by Syrie James. I wasn't sure what to expect with this one, I am obsessed with Charlotte Bronte and I'm always iffy on books that make the authors the characters. I am happy to say that I have not been able to put it down. James has really done a great job researching all the Brontes and I like how she documents her research in the back of the book. There are footnotes in this, which I know have put some people off, but I kind of like them. Some are unnecessary to me because I know enough about the 19th century, but some of them are helpful and interesting. The character that has interested me most is Branwell. I knew that he was a drunkard but James creates a fully developed character out of a man that has always baffled me.

Next week I plan on reading A LOT because I will just be sitting at home anyway. Books I plan to read are The Last Great Dance on Earth by Sandra Gulland, Northanger Abbey by Jane Austen, The White Garden by Stephanie Barron, and Do Travel Writers Go to Hell? by Thomas Kohnstamm.

Since I forgot about doing a What I'm Reading Monday post yesterday I figured I'd make up for it today.

Finished
Lady Audley's Secret

is a Victorian sensation novel. I posted a review yesterday which you can read here.

Still Reading
Sense and Sensibility and Sea Monsters

is a Quirk Classic edition of Jane Austen's Sense and Sensibility. I should finish it in the next couple days.

Started
Trieste and the Meaning of Nowhere

by Jan Morris is a travel novel about the city of Trieste. Trieste is in Italy, but it has the cultures of many countries in it because it has kind of been passed between surrounding countries. Morris mostly discusses the "nowhereness" of the place.

A Little Princess (Unabridged Classics)

by Frances Hodgson Burnett is my first read for Shelf Discovery.

And Then There Were None by Agatha Christie is a mystery I'm reading for Barnes and Noble's Literature By Women Book Club.