The castles are the Tavolese manor near Florence and Sapia castle near Siena. From northern to southern Italy, dozens of private castles are on the market, according to a statement by Lionard Luxury Estate.

Prices range from 1,200 to 8,500 euros per square meter for mansions of great charm and prestige, perfectly maintained, some of which have already been fitted as hotels or farms.

''On our website alone we have 37 castles on sale, but there are over 70 across Italy in the portfolio'', said the CEO of Lionard Luxury Real Estate, Dimitri Corti.

High maintenance costs and growing fiscal pressure on real estate have convinced many owners, in many cases for many generations, to consider selling to foreign buyers, at the moment the only ones interested in investing in this type of property.

The most advantageous properties are currently located in Piedmont: one of the most stunning castles in Monferrato, located in a park with secular trees, a manor of 5,962 square metres in perfect condition, with a 16th century guesthouse, is on sale for 7 million euros, just over 1,000 euro per square meter. Similar occasions can be found in Umbria, Emilia Romagna, Lazio, Liguria and Tuscany, one of the most sought after for this type of property.

It is the case of the 19th century Castello di Acquabella, in the splendid natural reserve of Vallombrosa, near the abbey by the same name, which has been perfectly renovated, for a total of 5,000 square meters inside.

On the coast between Livorno and Castiglioncello, a castle dating back to the beginning of the 1900s with splendid sea views is on sale - 700 square metres on four floors with two towers. The park includes palm trees, secular pines and exotic plants.

The castle of Sapia - from the name of Sapia Salviati - near Monteriggioni, just 7 km from Siena, is also on sale. Set in a splendid landscape, the hotel needs a full renovation and is on sale for 2.5 million euros.

More expensive are stunning castles in the Chianti countryside near Siena and Florence, like the imposing Castello di Tavolese, which belonged to the house of Farinata degli Uberti, the family of Petrarca's mother: 7,676 covered square meters and 67 hectares of park, which includes buildings such as a church and farms.

Source: ANSAmed [December 15, 2014]

Egypt's Antiquities Ministry stated Sunday it was monitored and suspended the sale of 10 ancient Egyptian artifacts that were listed for sale in an Australian auction house.

The artifacts, spanning several periods of ancient Egyptian history, were spotted on the website of the auction house a few weeks ago, Antiquities Minister Mamdouh al-Damaty said.

“As soon as the artifacts were monitored, the ministry’s Restored Artifacts Department (RAD) in cooperation with Egypt’s embassy in Australia initiated the required legal procedures to retrieve the artifacts after their authenticity was confirmed by experts,” head of the RAD Aly Ahmed said.

After the experts were deeply skeptical about some of the artifacts, the department pursued the diplomatic path and contacted officials at the Australian government and at the auction house to verify and present the artifacts’ provenances, said Ahmed.

“The Australian authorities responded and seized the artifacts and will send them back to Egypt during the coming few weeks,” said Ahmed, who confirmed the artifacts are the outcome of illicit digging activities that occurred in several archaeological sites across the country in the aftermath of the January 25 Revolution and its consequent security lapse.

Keeping track of registered artifacts that have been stolen from archaeological sites, museums and storerooms of the antiquities ministry, “is definitely the easiest part of our job, while the process of detecting and repatriating unregistered ones is like searching for a needle in a haystack,” Ahmed previously told The Cairo Post.

We can monitor what is being sold in public but we cannot monitor what is being sold in secret. There is no record of how many artifacts have gone missing so far as many were taken from illicit digging, and there is no way to know that they even exist, ” Ahmed said.

During the past four years, Egypt has recovered over 1,600 artifacts and is currently working on other cases in many European countries, he said.

Author: Rany Mostafa | Source: The Cairo Post [January 04, 2015]

Qais Hussein Rashid of Iraq's Tourism and Antiquities Ministry, speaking at the Baghdad conference on the effects of IS on the country's antiquities, said that some sales of Iraqi artifacts on the international black market have been stopped. He added some artifacts of the country's Assyrian era, which can date back to 1900 B.C., have been sold, and 1,500 ancient manuscripts were burned.

He added that two important sites in Mosul, the shrines of Ibn Al-Atheer and the Prophet Yunus, were completely demolished by IS militants.

The mission of IS includes the destruction of religious artifacts pertinent to pre-Muslim times.

Tourism and Antiquities Minister Adel Shershab said archeological sites through Iraq have been destroyed, and asked "friendly countries to take a genuine stand to restore the stolen antiquities."

While the destruction has outraged the world, it can be regarded as a diversion from the sale of antiquities, which is helping fund IS activities, an American archaeologist suggested.

"There are people in the world who know what this stuff is worth, and it is very clear that at least part of the destruction of the Iraqi museum in 2003, that part of that, was induced by people on the outside getting dealers on the inside to go in and try to get specific things," said McGuire Gibson of the Oriental Institute at the University of Chicago. "There's archaeological work going on right now in Iraq, in places where it's relatively secure, work is going on. Whether or not it will be secure next week, we don't know, but we try to work when and where we can."

Edward Planch of the United Nations' UNESCO noted his organization is working with border agencies to recover artifacts seized at border checkpoints adjacent to Iraq and Syria.

"The objective is to have these surrounding countries with us, aware of the traffics, of the kinds of objects going out, able to seize the pieces and keep them in a safe place," Planch told the Voice of America, which noted many of the artifacts in the vandalized Mosul museum were catalogued digitally, a factor which could aid in their recovery.

Author: Ed Adamczyk | Source: UPI [March 13, 2015]

The advert describes "a first degree archaeological site, facing the Bird Heaven Lake near Bogazici village, with full sea and lake view". Prospective buyers will need deep pockets - it's on the market for 22m Turkish liras ($9.6m; £6.3m). But those willing to splash out could find all sorts of treasures beneath the unexcavated ground. It's thought the site includes the remains of an amphitheatre, temple and Byzantine-era necropolis.

Archaeologists want the site and others like it to be bought by the government, to ensure they're properly looked after, but say the funding isn't available.

"Private ownership of those sites is obstructing archaeological work," says Binnur Celebi from the Archaeologists Association.

"However, the person or persons who acquire those sites can absolutely not conduct any construction activities."

The site even comes with a bit of Greek mythology. It's said that the mythical hero Bellerophon named it after his friend Bargylos, who died after being kicked by the winged horse Pegasus.

Source: BBC News Website [January 14, 2015]

Welcome to Robinson Wells today, author of Variant who is here to share with us some memories of the teenage years.:)

So, I’m not sure if I understand this correctly: If I was selling all of this stuff at a garage sale, that would mean that I don’t like it, right? If there was something I was selling as a teenager, then it wouldn’t matter much, so I’m going to change the rules: this isn’t a teenage garage sale; it’s a museum of my teenage years.

A collection of Supertramp CDs: No I’m not old enough that I was into Supertramp when they first came out (in the seventies), but for whatever reason I latched onto them as a teenager. I think it first was because of the kitsch of it—I mean, they have an album called “Breakfast In America”—but they started growing on me to the point where I owned all their albums and listened to them constantly. (I’m mostly over them now. Mostly.)

A fishing tackle box full of oil paints: Long before I ever thought about writing, my creative outlet was in the visual arts. My mom signed me up for an oil painting class when I was about eleven, and I really fell in love with it. (I don’t mean to brag, but I once took fourth place in the Utah State Fair. I’m kind of a big deal.) Sadly, writing has taken all my painting time away, and I haven’t done anything in years.

A road sign: In typical teenage fashion, my friends and I went through a phase when we would try to acquire (steal) the best signs we could find. We made a rule that we’d never do anything unsafe—no stealing STOP signs, or anything like that—but we got a lot of awesome ones. And, fortunately, one of our friends had a bus stop in front of his house, and we’d re-hang our stolen signs in front of his place: my favorite was a sign from the cemetery directing hearses toward the correct entrance. As you can imagine, my friend’s dad was not happy about this kind of thing.

A drafting table: In addition to painting, I briefly worked as a teenager drawing houses for real estate advertisements. I’m not great at drawing other things, but I can draw the heck out of a tract home.

My student government sweater: I think I ran for office every single year of junior high and high school, and never won, and then my senior year came around and I ran and lost AGAIN. But then they created a new position, held a special election, and I finally won! I was the Assembly Coordinator, which was a horrible job that I never would have taken had I not so desperately wanted to be in student government.

A 1972 Chevy Impala: This was my first car (and, since you don’t know how old I am, it was more than twenty years old when I had it). My dad bought it from someone for $300, and it ran about as well as you’d expect for a $300 car. The main benefit of the car was that it was indestructible—it was made of solid steel. More than once, as I was backing into the driveway, I hit the concrete side stairs and heard horrible scraping only to jump out and see the car was completely unscathed—not even a scratch in the paint.

Playbills from numerous shows: I came from a singing and dancing family, and we (all of us, Mom and Dad included) ended up heavily involved in community theater. Although I did my share of acting and singing (I could NEVER figure out how to dance), I ended up falling in love with the backstage stuff, and eventually worked for years doing set design.

How fun! I come from a theater family too! I love that you guys all got involved together. I can't tell you how many times I get that look when family members ask me why I'm not involved with a show.: P Thanks so much for stopping by today!!

Eight rare antiquities have been pulled from auction by Christie’s over the past six months after a University of Glasgow academic uncovered images of them in archives seized from Italian art dealers convicted of trafficking offences.

The latest tranche of treasures were due to be sold at auction in London tomorrow, but after Dr Christos Tsirogiannis notified Interpol and Italian authorities, they were removed. Last night, the auction house vowed to work with Scotland Yard to scrutinise the items’ provenance.

Dr Tsirogiannis, a research assistant at the university’s Scottish Centre for Crime and Justice Research, discovered the four lots catalogued in the confiscated archives of Giancomo Medici and Gianfranco Becchina, and warned Christie’s was failing to carry out “due diligence”.

Medici was sentenced to ten years in prison in 2004 by a Rome court after he was found guilty of conspiracy to traffic in antiquities. Becchina, a Sicilian antiquities dealer, was convicted in Rome four years ago of trafficking in plundered artefacts.

Dr Tsirogiannis, a forensic archaeologist, has access to their photos and documents via Greek police and prosecutors.

The items accepted for tomorrow’s antiquities sale date back to 540BC. They include an Attic black-figured amphora and an Etruscan terracotta antefix. Cumulatively, they are worth close to £100,000.

It is the second time in six months Dr Tsirogiannis has highlighted the dubiety of items being sold through Christie’s. The value of the eight withdrawn lots exceeds £1.2 million.

Dr Tsirogiannis, a member of Trafficking Culture, a Glasgow-based research programme which compiles evidence of the contemporary global trade in looted cultural objects, said: “Christie’s continues to include in its sales antiquities depicted in confiscated archives of convicted art dealers. Sometimes they sell the lots but nearly every time they withdraw them.

“I don’t understand why they can’t do due diligence beforehand. Clearly, it’s not taking place. Christie’s say they don’t have access to these archives which is not true. Every auction house, dealer and museum should refer to Italian and Greek authorities, who would check for free before the sales.” Dr Donna Yates, of Trafficking Culture, added: “Do they contact antiquities trafficking experts before their auctions? No, never. Do they make public whatever provenance documents they have for a particular piece? No, never. I can only conclude that they don’t take this particularly seriously.”

A spokeswoman for Christie’s said: “We have withdrawn four lots from our upcoming antiquities sale as it was brought to our attention that there is a question mark over their provenance, namely, that they are similar to items recorded in the Medici and Becchina archives.

“We will now work with Scotland Yard’s art and antiques unit to discover whether or not there is a basis for concerns expressed over the provenance.”

She said Christie’s would never sell any item it has reason to believe was stolen and called on those with access to the Medici and Becchina archives to make them “freely available.”

Author: Martyn McLaughlin | Source: The Scotsman [April 13, 2015]

The magnificent formula

VIA «Shampoo-conditioner for care UGG»

The throne, made of rosewood and inlaid with gold and a floral pattern, was owned by philanthropist Li Chunping.

It took him three years to buy the throne from a descendant of a royal highness of the Qing Dynasty in Tianjin.

Li said the final price was lower than he expected and that the throne will have a higher value after two or three years.

A buyer from Beijing bought the throne after three rounds of bidding.

Source: China Org [January 13, 2015]

A rectangular scrap measuring about 4.five inches by 1.five inches and featuring 15 partial lines of Homer's epic poem The Iliad in the elegant hand of a 4th Century Egyptian scribe was just [DEC] picked up by an unidentified European purchaser for £16,000 right after a feverish Net auction battle.

That value was way above the posted estimated but is standard of the sums that collectors will now devote to lay their hands on these fingerprints from the previous. Indeed, it is not just modern day art that has been setting jaw-dropping records at auction lately - so have ancient scrolls.

When a fragmentary parchment sheet from the 3rd century AD featuring portions of Paul's epistle to the Romans was bought at Sotheby's for £301,000 auctioneers and antiquity authorities alike have been stunned.

But even though there is no suggestion of any impropriety in these unique sales, scholars are alarmed by the burgeoning online trade as some unscrupulous sellers also cash in. They portray a no cost-ranging trade, particularly on the on line auction giant eBay, exactly where precious documents are carved up for sale, potentially stolen goods are trafficked and forgers can flourish.

Brice Jones, a papyrologist and lecturer in New Testament and Early Christianity at Concordia University in Montreal, has turn into an on the web scrolls sleuth, scouring auction web-sites for manuscripts that are usually incorrectly labeled or their provenance unclear.

A couple of pieces are straightforward forgeries. Most famously, the papyrus fragment called the Gospel of Jesus's Wife created headlines for apparently overturning almost two millennia of theological teaching that Jesus was unmarried, but is now widely viewed as a forgery.

Considerably a lot more distressingly, some sellers are dismembering papyrus books to sell things page-by-page, a financially lucrative endeavor that amounts to small extra than vandalism of ancient works.

A single eBay papyrus seller turned out to be two sisters who ran an online beauty supplies store. They had inherited a Book of Revelation from which they cut person pages to sell on an ad hoc basis to fund the wedding costs for one.

But Mr Jones has also identified a proliferation of scrolls becoming sold of which the origin and ownership is unknown or unclear. A fragment of papyrus with neatly penned Greek script of Homers Iliad, 565-580, 4th Century AD. Ex Hamdy Sakr collection, London, formed in the 1960's. There had been only two serious bidders on the piece and it probably went a lot greater than either of them had anticipated.

Papyrus itself is a tall, fibrous reed plant that grew along the shallow banks of the Nile River in Egypt. 'Papyrus' is the Latin type of the Greek word papuros, from which the English word 'paper' is derived.

The papyri - mostly written in ancient Greek and Coptic - variety from items such as rare biblical texts or the lines of the Iliad to hum-drum but fascinating each day records of book-maintaining accounts or letters amongst loved ones members. All exert an incredible lure for collectors, historians, archaeologists and theologians.

But under American and Egyptian law, only antiquities that can be verified currently to have been in private hands ahead of the early 1970s can be traded. Those guidelines are intended to avoid looting and end the export of papyrus that is generally still identified by Bedouin tribesmen, preserved by the arid desert situations. But critics say that lots of sellers skirt or ignore the guidelines on Internet internet sites that are difficult to monitor and regulate.

The disapproving tone from academia also reflects a deep philosophical objection by many scholars to how manuscripts flow by means of private hands, fearing that priceless scripts will disappear forever amid the frenzy of trading.

"The study of ancient papyri is a fascinating field of historical inquiry, simply because these artefacts are the fingerprints of true men and women from a bygone era," Mr Jones told The Telegraph.

"Each time I study a new papyrus, it is as if I am peeking over the shoulders of the scribe who wrote it, eavesdropping on a conversation that in several cases was meant to be private: an argument in between a husband and wife, a divorce contract, an invitation to dinner, a letter in between a father and son.

"But when private collectors acquire papyri for private enjoyment and restrict scholarly access to them, the instant consequence is that we drop worthwhile historical info that would otherwise advance our understanding about ancient people."

Nonetheless, the owner of a little specialist World-wide-web auction corporation, who asked not to be named due to the fact of the sensitivity of the situation, pushed back against these criticisms.

"We are scrupulous about producing certain of ownership despite the fact that not everybody is so fussy and it's accurate that there are some people today who know practically nothing who are out attempting to make a buck in the wild West of the Web," he mentioned.

"But some of these archaeologists and purists simply hate the reality that that any private person would personal, invest in or sell antiquities.

"They ignore the reality that things like this have always been collected. Indeed, some of these scripts have been commissioned by the private collectors of that time.

"Collectors play a crucial function in preserving these items with their interest. A lot of these items would stay hidden, forgotten, fading away, unknown to the scholars, if there was not a industry for them."

Amongst specialists in the research of early Christianity, there is specific concern about the emergence of eBay as a absolutely free-wheeling marketplace for antiquities, with low opening bids and normally exaggerated language to lure in possible purchasers.

An eBay spokesman, however, stated that its150 million buyers and sellers "must make certain listings comply with our clear policy on artefacts. We operate with regulators, law enforcement and other parties which includes the Egyptian Embassy to apply this policy, and if a listing of concern is identified we will need proof that it was legally exported and take away any listing exactly where this proof is not supplied."

As a specialist who spends his life studying such scrolls, Mr Jones also has concerns for the preservation and conservation of sensitive centuries-old documents when they are handled by traders.

He cited then instance of the well-known papyrus codex of the Gospel of Judas, which published in 2006. It was stored by one particular of its owners in a protected-deposit box on Long Island for sixteen years, and then placed in a freezer by a possible purchaser who thought that was the ideal way to preserve it.

"The benefits of these choices have been horrifying: the codex crumbled into quite a few hundreds of tiny pieces and what was after a practically total codex was now badly deteriorated and tricky to restore," he stated.

The booming trade has clearly revealed to scholars how numerous papyri have survived down the centuries.

"This prompts the question: just how quite a few ancient manuscripts are sitting in the basements, match boxes, drawers, safes, or shelves of private collectors about the globe?" Mr Jones asked lately.

"It is nearly certain that numerous ancient manuscripts or fragments thereof are just sitting in the dark closets of their collectors, decaying and crumbling to pieces. The public demands to be conscious of the importance of the preservation of antiquities, for the reason that when they are gone, they are gone forever."

Author: Philip Sherwell | Source: The Telegraph [December 28, 2014]

Earlier today, Shanyn posted an awesome interview with Elizabeth Scott. I almost had a review up for today, but didn't manage to finish the book in time, so you'll just have to wait for it. (But I'm sure it's coming soon.:) ) BUT — I definitely think you should go check out Shanyn's interview — Go ahead. This post isn't going any where.

But I also wanted to 'say a few words' about Elizabeth Scott.

Normally, I am a huge fan of those really tough issue books. That is where I generally gravitate and I'll be honest and admit that I'm rarely drawn to the... lighter, more romantic Contemporary fare. But, I kept hearing Scott's name come up as a must read every time someone asked for an awesome & cute & romantic Contemporary recommendation. I saw Something, Maybe and The Unwritten Rule on sale so I snagged them — and Sigh. Something, Maybe was just such an incredibly fun and cute book. Ashley is full of love!! And The Unwritten Rule seriously surprised me too! I didn't expect to like either book so much (although both for different reasons) and I was pleasantly surprised to find myself hugging the book and thinking — Love! when I finished. (If you want to know more about why I love them, the above links take you to my reviews). I haven't read all of Scott's books yet but I own a copy of them all and I plan to read every one of them (hopefully in the near future)

If you haven't given Elizabeth Scott a try yet, I strongly suggest that you do! AND — to make it easy for you, I am also hosting a giveaway for 5 copies of Between Here and Forever. (Note — This is a separate giveaway from the one Shanyn is hosting, so really there are 10 copies available between the two of us.:) )

These books have been donated by Elizabeth Scott (because she is made of awesome) and she is shipping them out herself. Because of this, it is US Only. The giveaway will run through the entire month of November, ending on December 10th. Enter below:)

Alright guys — Seriously. Today's Memory Monday blogger is one of my favorite people to chat with. Shannon blogs at Books Devoured and I love reading her posts. She's made of win. Like, for realz folks. If you don't already talk to her or follow her, you should (link to her Twitter) . She has an awesome post today!

Bio:

I read and I blog about it. My Life motto... What would Jackie O do?

My name is Shannon and I am the one to blame for Books Devoured. I am a pretty eclectic reader but I have been reading a lot of YA lately. I'm 32 & a Home Schooling Mom to 2 children.
Post:

I was excited to be asked to guest post for Memory Monday. There is only one problem, my memory is awful! I had an idea to change it up a bit so I hope you will indulge me.

I had a great childhood mostly because I had an amazing Mom. She indulged my love of reading with tons of books! I do at least remember having tons of Babysitters club books! They were my favorite. Besides buying me books, I remember seeing my mother read throughout my childhood. It was always ingrained in me that reading was important. Now that I am a mother, I do whatever I can to form those book memories for my children. I make sure that they see me reading. Not only that but they see that I make it my free time priority. I don't just read by myself though, I read to them and with them as well.

When each of my children were really little, their favorite book was But Not the Hippopotamus by Sandra Boynton. I read that book so many times that I can still recite it. I never minded because I knew at the end of the book when I got to their favorite part (But, YES the hippopotamus! But not the Armadillo) I would be rewarded with their laughter. There is no sweeter sound to a Mother than her child's laughter. The more we read that story the more of it they remembered and before long they could recite it too. Their favorite book series for me to read to them now is Skippyjon Jones by Jufy Schachner. Though I have a suspicion they only like it because I do my best to use lots of funny accents when I read them!

I value the time that I get to read to them because I know that soon they will be able to do it on their own. I try to find books that I can read to them that they will both enjoy. Sometimes that means that I might not be as much of a fan of it as they are. There has been one book that I liked more than the others and I think it made an impression on them as well. It is The Bake Shop Ghost by Jacqueline K. Ogburn. I picked that book up because it was on sale, I knew nothing about it. I might have had it in the house for a while before I even ended up choosing to read it to them. The first time I read them that book was incredibly memorable for me. It started out a bit funny, a ghost who was not leaving her bake shop and causing chaos for anyone who tried to take her place. By the end of that story I was in tears and not the funny kind; the sad, surprised, heartbreaking and sweet kind. It was probably the first time that my children had seen me cry over a book. I am truly grateful for this experience. It opened up a dialogue with my children that was priceless, both about the themes of the book and about why a book could make mommy cry. If you have children I can not recommend this book highly enough. I do suggest reading it first just to make sure your children are ready for it's contents though.

I have tried to make sure that they always have books that they like to read more than worry about what they should be reading. I homeschool them so I have complete control over their reading lives. I learned early that forcing my son to read something he does not like is not helpful. I hated seeing a book he wasn't into take away his joy of reading. Once he gets a little older that might change some but if he is not ready for The Giver by Lois Lowry then we will put it away for now and read James Patterson's The Gift Instead! My daughter picked up reading very quickly so I do hope that she loves it as much as I do. One thing is for sure, she will inherit quite a collection of books from her mother if she does!

Thank you SO much for sharing with us Shannon! I LOVE that you are so involved in reading with your kids! I think it's awesome! I'm definitely going to be looking up those two favorites of your kids!

The handover marked the latest case of U.S. authorities helping Italy and other countries reclaim what they see as cultural patrimony.

"For decades, two significant pieces of Italian heritage have been on the run," FBI Assistant Director Diego Rodriguez said as he and Manhattan Deputy U.S. Attorney Richard Zabel gave the artworks to Warrant Officer Angelo Ragusa of the Carabinieri Tutela Patrimonio Culturale, an art-crimes police force.

The painting, called "The Holy Trinity Appearing to Saint Clement," is attributed to the renowned artist Giovanni Battista Tiepolo, also called Giambattista Tiepolo. It was taken from a house in Turin in 1982, prosecutors said.

The Etruscan bronze statuette of the Greek mythological hero Herakles - also known as Heracles or, to the Romans, Hercules - dates to the sixth or fifth century B.C. It vanished from the Oliveriano Archaeological Museum in Pesaro in 1964.

The works eventually ended up with an art dealer and an art-investment firm, which consigned them for sale in recent years. They relinquished the items after learning of the thefts and aren't accused of involvement.

Italy has campaigned in the last decade to get back cultural items including ancient Roman, Greek and Etruscan artifacts the government says were looted or stolen.

New York prosecutors have been involved in the effort before. Federal prosecutors in Manhattan announced in 2011 that a Renaissance painting and a Roman sculpture from about the first century were being returned to Italy after popping up at New York auction houses.

And the Manhattan district attorney's office prosecuted a prominent coin collector who pleaded guilty in 2012 to trying to sell what he believed were ancient coins found in Italy after 1909, when it became illegal to remove antiquities from the country. Some of the coins proved to be forgeries, but five authentic coins from his collection were returned to the Greek government this summer.

Other countries also have taken action in recent years to reclaim antiquities, sometimes with help from U.S. authorities. In one example, fossilized remains of more than 18 dinosaurs were turned over to Mongolia's government last year after U.S. Immigration and Customs Enforcement agents discovered that mislabeled dinosaur bones were illegally being shipped into the U.S.

Author: Jennifer Peliz | Source: Associated Press [February 28, 2015]

As BGNES news outlet reported on Tuesday, police have found 19 marble and stone slabs and sculptures as well as ancient coins and moulds for production of fake coins at the homes of the suspects.

A Turkish national permanently residing in Bulgaria has been detained after ancient coins and a fragment of a stone statue were found at his home. Police suspect the artefacts were being prepared for sale in EU countries.

The marble and stone slabs and parts of statues were discovered at the home of a 56-year old Bulgarian national in Shumen.

Some 9,000 ancient coins, presumably dating back to the times of the Roman Empire, and moulds for casting fake coins were found at the home of a a 52-year old Bulgarian national in the nearby town of Novi Pazar, some 30 km from Shumen.

Antique metal artefacts and some 80 coins were found at the home of a third Bulgarian national in the village of Ivanovo.

The three Bulgarians had been arrested on 11 March and charged with possession of unregistered cultural heritage items. They face prison terms of one to six years and fines in the range of BGN 1,000 to 20,000 if convicted.

Source: Novinite [March 24, 2015]

I attended the National Book Festival last Saturday. It was amazing to see all of the people that showed up! I was excited to see so many children there as well.

I didn't end up getting any of my books signed. However, I did manage to get pictures of Salman Rushdie as he was hurriedly rushed away after he spoke at the Fiction Pavilion; Katharine Paterson, author of Bridge to Terabithia, among many others, as the staff attempted to pull her away from a flock of young children, begging for authographs; and finally, Dionne Warwick, who spoke to at the Children's pavillion about her book, Say a Little Prayer (Running Press, September 2008), a picture book that encourages kids to find their best talent in life and embrace it. I just missed seeing Geraldine Brooks and Philippa Gregory.

Want to know why I didn't get my books signed? Well, I thought ahead and brought copies of the books with me. However, the book signing lines were forever and a day long! Each author signed for an hour, and I don't think many of them even made a dent in the lines of people waiting. And let's not even talk about the lines in the book sale pavilion. I don't know why people stood in line so long to buy books that they can get at their local book store. Perhaps they wanted to get them signed...but after standing line to buy the book, and then stand in another line to (maybe) get the book signed by the author is just not worth it to me. Granted, I'm cheap, almost never buy books at full price and have no problem writing my favorite authors for their autographs.

Overall, it was a wonderful experience. We got copies of official 2008 National Book Festival posters. I may (hint hint) be giving one away. My friend Jackie and I decided to make it an annual tradition to to to the National Book Festival together.

So, have you ever met one of your favorite authors? Share the details!

Side note: I'll be posting the pictures I took as soon as I figure out what I did with my camera!

This week the geeks were asked to assess their hoarding behavior - specifically:

Share with us your habits, tendencies or obsessions when it comes to hoarding behavior.

• Post a photo (or two or three) of your books to-be-read
• Share your buying or book accumulating habits - how bad of a problem do YOU have?!?!?
• Do you keep all the books you've read, or do you give them away or sell them?
• Can you walk past a bookstore and not go in? If you go in, do you impulsively purchase?

Bart from Bart's Bookshelf did a photo montage of his TBR books and 'fessed up that he buys about two books for every one he reads. He also laughed at the idea of walking past a bookstore without entering!

Trisha from Eclectic Eccentric showed us an amazing collection of books in her library. She admits she is obsessive (she apparently came home with more than 100 books from the BEA!), but she is working on it - giving away books to her library and getting ready to sell some in a garage sale. Trisha's TBR pile numbers around 535 - whew, I feel better already!

Kerrie from Mysteries in Paradise created an awesome graphic for her Mount TBR (which would provide her with great reading for about 10 years). Kerrie has a great attitude towards her hoarding behavior - she refuses to feel guilty!

Molly from the Restless Reader doesn't limit her hoarding behavior to just books - she collects magazines too. But living in a small apartment in NYC helps her keep things under control!

Zee from Notes from the North stores her books all over the world! She seems to have inherited her hoarding behavior from her parents who apparently have a library in the thousands...

Iris from Iris on Books writes:

My dream, ever since I was a little girl, has been to have a huge library of books when I grew up. And since I started living on my own, I seem to have made an effort to fulfil that dream. I am not quite ready to give it up.
And Melissa at The Blog of Melissa Pilakowski has a great motivation to hoard books:

Unlike my other hoarding obsessions—sunglasses, shoes, office supplies, costume jewelry—collecting books does come with a perk. As a teacher, I get a tax deduction every April for the books I put in my classroom library.
Check out the great stacks of books posted on Erotic Horizon, The Book Coop, and It's All About Books.

All the entries were wonderful - if you haven't already done so, please go visit them (you can find all the links here).

Thank you to all who played along this week - I know I, for one, felt so much better knowing my problem is not all that bad!!

Hi Everyone,

My name is Mindy Hardwick, and I’m happy to be guest blogging today on my favorite young adult book—Homecoming. I am both a published children's writer and educator. Some of my stories and articles have been published with The Washington State History Museum’s on-line magazine, ColumbiaKids including: a middle grade story, “Tales of the Lighthouse Keeper,” and articles about Rachel the Pike Market Pig, and the Fremont Troll. I run a weekly poetry workshop with youth in a juvenile detention center in Everett, WA. You can read some of the youth’s poems at www.denneypoetry.com. You can also find a couple of my flash fiction pieces, Directions and Night Crimes, which were inspired by the detainees, on Sarah LaPolla’s blog, Glass Cases. I keep a blog at www.mindyhardwick.com

I first read Homecoming in my sixth grade reading class. When I reread the book for this post, I took a quick look at the copyright date. My sixth grade year would have been the year the book was published!

In middle school, I was lucky to have both a language arts class and a reading class. Our reading teacher, Mr Stobie, dedicated the entire hour to reading. He filled the room with young adult novels, which at that time, would have been the problem novels of the 80’s. (Young adult novels which focused on a character who was usually trying to deal with an issue such as death in Tiger Eyes by Judy Blume). In sixth grade, we spent our class time reading and journaling about young adult novels. I thought this was Heaven! I didn’t have to worry about reading under the covers with a flashlight, now I could tell Mom and Dad that I was doing homework! Later, when I became a seventh grade language arts teacher myself, I used this same classroom teaching style.

Ironically, at the same time I started teaching, my collection of young adult novels resurfaced at my Mom’s house. She even found the same yellow bookcase where the books had always been stored. I was amazed to see that the books had survived moves across the country as well as decades of being stored in boxes. I unpacked the books and used them to set up my classroom library. And of course, the first book, I found was Homecoming.

Over the years, I’d seen copies of Homecoming at the bookstore, and the cover had changed from the one I remembered. At one point, I attended a library book sale to buy books for the classroom library. That day, I found a copy of Homecoming with the same cover that I remembered. I purchased the book, and never loaned that copy out to students!

When I began taking writing classes, we often studied first lines of novels. But, to me, no first line ever came close to the line in Homecoming: “The woman put her sad moon — face in at the window of the car.” And even though I studied many young adult novels during my coursework in Vermont College’s MFA in Writing for Children and Young Adult program, Homecoming still remained my favorite book. I discovered that there was something about Homecoming which had never left me. Something about Dicey’s character that had grabbed me and continued to hold onto me. Maybe it was the way she so carefully dolled out money for each meal, buying apples and a loaf of bread for 88 cents, or maybe it was all those hot, dusty miles they walked along strip malls on their way to Bridgeport. But, a few years later, when I started writing my own young adult novel, Dicey’s story crept into mine. My character, Jasmine, had also been abandoned by a parent, and just like Dicey, Jasmine goes to live with an extended family member. As Dicey does in the second Tillerman series, Dicey's Song, my character Jasmine must also create a new life for herself. Later, I realized I even named one of my secondary characters, Sammy, and that was the same name as Dicey’s younger brother.

As a writer, I can look at Homecoming and see so many qualities which I try to mirror in my own work: A main character with a strong want and motive. Secondary characters that are just as complex as the main character. Description which is so neatly woven into each scene. A plot which keeps me turning the page.

But as both a reader and writer, I think what strikes me the most about Homecoming is Dicey’s determination to get her family to a safe home. It is Dicey’s determination, all these years later, still inspires me in my own life and reminds me not to give up. Dicey’s story reminds me to keep walking across the endless, hot concrete sidewalks and to keep dolling out that money for bread and peanut butter until I reach that end destination and find “home”. __________________________________________ Thank you so much Mindy! What a wonderful post! Homecoming and the whole Tillerman Saga were really life changing books for me. I loved the whole series and I love hearing what you remember about them! Dicey really is a truly amazing character! Thank you again for participating! Also — to the rest of my readers out there — If you would like to be a Memory Monday guest, in my blog for more information or send me an email! I'd love to have you!

Rain barrels it's economical

Rain barrels during the winter period

VIA «Rain barrels — for economical owners!»

One of the first words students of the Spanish language learn is “vamos” (let’s go). Here in Ecuador (and I suspect many other Latin countries) “vamos” is pretty much a way of life. By that I mean that many (most) things are done on the spur of the moment, without much planning. People will take an idea or suggestion and run with it, dropping everything else along the way. For example, the other day I idly mentioned to Lucho that the door between the kitchen and the dining area served no useful purpose and that it might be a good idea to remove it. He agreed with me and then said “do you want me to take it out right now?” Or when I ask someone what they are planning to do for the day, half the time they’ll tell me and then say “vamos, do you want to come with me?” This means that plans change in an instant and on any given day I’ll end up doing about 10 things that I never expected to do.

I’ve given up telling Merry what our plans are more than a few hours in advance because invariably something changes and we don’t end up doing what she was looking forward to doing. And I’m not the only one who does this. Sometimes I think that people are being extremely vague, or even evasive, about what they are up to, but the reality is that they may have a goal in mind, but they just don’t know if they will be able to accomplish it anytime soon.

Sometimes it is hard for me adjust to this because I am a planner at heart. I’m the kind of person who likes to make a list of things to do at the beginning of the day and cross them off as they get done. I still make my lists (at least mentally) but I scale back on the things I want to do, and if I don’t get something done, oh well, maybe it will get done another day. In the meantime I may get some things accomplished that I hadn’t planned on getting done that day. I have learned to take advantage of the opportunities that present themselves. So for example, if the cell phone company calls and tells us that we have to do something in their office downtown, I’ll also find something else to do while I’m there, like checking our P.O. Box or buying some paper at the bookstore.

As you can imagine, partly because of this “last minute” culture, the passage of time is viewed a little differently here. People often arrive late, and many things take much longer than originally planned; but it is all much more accepted than it would be in the States. Of course, this varies depending on the person and some people are much more difficult to pin down than others. For example, one of Lucho’s sisters is notorious for showing up hours late or not getting things done on time. She is also extremely busy because she works two jobs and is involved in many other endeavors. That means that there are many opportunities for her to be “detoured” into something new. So everyone knows that if she says she is going to be somewhere “right away” it will be at least an hour. If she says “1/2 hour” it may be a couple of hours, and if she says “one hour” well, we might as well wait until the next day!

Also, everyone seems to take on new projects quickly (“vamos!”, let’s do it!), without as much preparation as I’m used to. If an opportunity presents itself, they take it, be it something small like going over to a friend’s house for coffee after running into them on the street or something big like trying to buy the apartment next door because it happens to be for sale, or starting in on a new business because a friend needs some investment cash (and by the way we need the money tomorrow). Projects are dropped just as quickly too. So someone can spend all evening discussing the perfect undertaking with you. Lots of plans will be made and future meetings scheduled. Everyone will part full of energy and enthusiasm for the next steps. Then, inexplicably, you will never hear from that person ever again. Someone else got to them and “vamos” they’re off to the next venture.

Now several companies are responding to demand from brides-to-be, keen to channel 27-year-old Pippa's look for their own big day.
Meeting demand: Dan Rentillo, design director at David's Bridal, will be ordering as many copies of Pippa's dress as he will of Catherine's
Design director Dan Rentillo told the New York Times: 'There was really no anticipation about Pippa’s dress. I can’t think of one where there was such a fuss over the bridesmaid’s dress.'
Andrew Hops, vice president for JS Collections, added: 'She wore it so well, so we said, "We’ll do that dress right away."'
Unexpected trend: Mr Rentillo said that he couldn't think of a time when so much fuss was made over the bridesmaid's dress
Sketch in time: All three companies already have samples made up, and expect to get dresses on sale within six to eight weeks
source: dailymail

VIA Forget Kate! The dressmakers working overtime on copycat gowns for brides-to-be...

I picked up No One Belongs Here More Than You

by Miranda July because it had a cool cover, it was desperately on sale, and I'd read some great reviews of it. I went through my bookshelves and this is actually the only short story collection I own now, and it's possibly the only short story collection I've ever read. That being said, it usually takes me quite awhile to get through collections, but I gobbled up Miranda July's stories in just a few days. And it seems like this collection is everywhere! A few weeks ago I did a post about my favorite book covers, and someone commented saying they loved the cover of this collection. About a week ago I posted the books I read in July (including this one) and two people got in a conversation about Miranda July's artwork. It seems like this collection has become a part of my generation's cultural footprint, and I can understand why, because the stories in this collection speak to me in a very generational manner.

I always find collections difficult to review and therefore usually avoid doing reviews of them at all, but this didn't really even seem like a short story collection to me. It just seemed like a series of stories about humans changing, not changing, failing, and learning. The first story that really caught my attention was the third, Majesty, with it's beautiful one liners, "We come from long lines of people destined to never meet" and "That day I carried the dream around like a full glass of water, moving gracefully so I would not lose any of it." Miranda July as this amazing way of staggering her phrasing and then tucking a little gem, golden sentence in the middle of everything. This makes the stories easy to read and also a bit of a treasure hunt.

My only complaint with these stories is that towards the end she seemed to lose a bit of momentum. There were a few stories in a row where I was just not intrigued and I felt like she was relying too much on sexual intrigue to make her plots move forward. I can see that that was a theme in this collection, but it was just a little too much all at once for me. I felt like she should pick a different method. Overall though I found the collection enjoyable, funny, and sad, so I am giving it a B.

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