Merry Wanderer of the Night:
Libya

At first, di Lernia and many of his colleagues were optimistic about the future of archaeology in Libya after years of neglect under dictator Moammar Gadhafi. But today, di Lernia has trouble imagining what fieldwork will look like in the war-torn country.

Years after the conflict began, Libya is still unstable. The United Nations was holding talks in Geneva this week to attempt to unify the two rival governments in control of Libya since Gadhafi's dramatic downfall. Meanwhile, ISIS extremists have taken power in parts of the country, such as Derna, a city in the east, where the group Human Rights Watch has documented violent forms of abuse, including executions and floggings.

Alongside reports of human atrocities, there has been a steady stream of reports detailing the threats to Libya's cultural resources, from ideological destruction to unchecked development. In 2013, for example, there was construction equipment sitting at the Hellenic city of Cyrene, one of five UNESCO World Heritage Sites in Libya, ready to clear the way for houses. Another World Heritage Site, Ghadamès — a city sometimes called "the pearl of the desert" that was once home to the Romans and the Berbers — suffered rocket attacks in 2012. The same year, ultraconservative Islamists reportedly destroyed Sufi shrines and graves in Tripoli that don't conform to their beliefs. In 2011, robbers pulled off one of the biggest archaeological heists, stealing a hoard of nearly 8,000 ancient coins from a bank vault in Benghazi.

"I'm afraid if nothing happens, this will be a disaster for generations of Libyan archaeologists — and for universal heritage," di Lernia told Live Science. Today (Jan. 28), he published a commentary in the journal Nature to try to raise awareness about the situation within the scientific community. "It's very difficult to keep the light on Libya in this moment," di Lernia said.

Over the last four years, di Lernia, who is a professor at the Sapienza University of Rome, and his colleagues have been able to publish new research based on the wealth of material they collected in past field seasons. They've shown that dairy farms existed in a once-green Sahara. They have also analyzed Stone Age burials in the desert region.

Though access to the southeastern part of Libya has been restricted since 2011, di Lernia used to be able to travel to Tripoli. But as the fighting between Libya's two governments worsened over the past year, di Lernia wasn't able to get to Libya at all. From afar, it's difficult for international observers to assess the damages in the country.

"From time to time, I succeed in talking to my friends there, and they say that all sites are in danger, all sites are at risk," di Lernia said. "We don't know what's going on in many places. We don't know what's going on in the museums."

In other conflict zones, such as Syria, archaeologists have turned to satellite imagery to assess damage to cultural heritage sites. Those images show that places like Apamea, a Roman city and once-thriving tourist attraction for Syria, has been turned into a moonscape because of the holes gouged out by looters. But the same approach might not work in Libya, di Lernia said, as satellites can't detect more subtle damages, such as graffiti that's been reportedly painted over rock art in the Tadrart Acacus mountains, near the Messak plateau.

Di Lernia used to spend months at a time at the Messak plateau, but he can’t imagine long archaeological field seasons resuming in Libya anytime soon. In Nature, he put forth a host of recommendations to rekindle research, calling for more support for museum, university and lab-based research. Di Lernia said he'd like to see more museum collections go online, and a Web-based library for rock art sites. He also wants to see international universities provide support and funding for Libyan students and scientists to train and work overseas.

"The only way to keep Libyan archaeology alive is to do lab research, desk research, working on the Internet and working on the digitization of cultural heritage in Libya," di Lernia said. "The situation in Libya is a part of a wider picture, I'm afraid. Probably we have to rethink our capacity to do research within this political framework."

Author: Megan Gannon | Source: LiveScience ]January 28, 2015]

The "unique" four foot marble statue is said to have been illegally dug up in Cyrene, a UNESCO world heritage site, before being smuggled to the UK in 2011, via Dubai.

It was uncovered in a west London warehouse by customs officials two years later and handed to the British Museum pending a court's decision over ownership.

District Judge John Zani, who is overseeing the case at Westminster Magistrates Court, was given a detailed analysis of the sculpture during a two hour viewing at the museum.

Accompanied by barristers, solicitors and his legal adviser, the judge carefully examined the statue as he was told stains and other evidence demonstrated that it was “definitely” excavated illegally from the ancient Greek colony of Cyrene.

The statue, which depicts a Greek woman wearing a hood and flowing gown, is said to be unparalleled besides a single comparable example in the Louvre. The woman wears two snake-like bracelets and carries a doll.

It hails from the third centuries BC, when it served as a grave marker.

Authorities in Tripoli have already launched a bid to repatriate the work of art.

A British Museum spokesperson said that as far as they were aware it was the first time a court had convened on the premises.

Jordanian, Riad Al Qassas, who does not reside in the UK, is accused of falsifying paperwork after telling customs that the sculpture came from Turkey, rather than Libya, and was worth £60,000, rather than between £1.5m to £2m.

He denies one count of knowingly or recklessly delivering a false document to HMRC on November 1 last year.

Dr Peter Higgs, curator of Greek sculpture at the British Museum, told District Judge Zani the statue looked “fresh” and had been excavated “fairly recently”.

Highlighting earth stains and marks from vegetation, he pointed to “small pickaxe” marks as the judge circled the statue, studying it closely in a tiny store-room.

A video of the viewing was later played in court.

Dr Higgs said: “The statue is a three-quarter length figure. It is a funerary statue that I believe comes from the region of Cyrenaica, in Libya, which was a Greek colony.

“The statue is thought to represent either Persephone, the goddess of the underworld...or it is meant to be someone who is dedicated to the goddess. I believe it is very unlikely to come from Turkey.”

Dr Higgs said the statue was one of a kind, adding that it was in “the top ten” of its class.

“I believe that the statue was definitely made in Libya, in Cyrenaica,” he added.

“I believe, as I said, it is one of the best examples of its type and is extremely rare.”

Andrew Bird, for HMRC, has told the court that documents suggest Al Qassas had only a marginal role in the export.

He claimed Hassan Fazeli, a Dubai businessman who has claimed the sculpture has belonged to his family collection since 1977, was behind the crime.

Mr Bird said the false documents were submitted by Hassan Fazeli Trading Company LLC, which is based in Dubai, and which was last year accused by New York prosecutors of illegally bringing five ancient Egypt artefacts into the USA.

Ben Watson, representing Al Qassas, indicated his client would be happy to hand over the sculpture to Libya if it was shown to originate from there.

Libya has been plagued by looting and cultural vandalism since the fall of Colonel Gadaffi in 2011, with the resulting power vacuum effectively ending the state-sponsored preservation of Libya's multiple Greek and Roman sites.

The expansion of Islamic State fanatics into North Africa has stoked fears that unique sites will be destroyed, mirroring shocking images from the IS-controlled city of Mosul in Iraq.

A British Museum spokesperson said that as far as they were aware it was the first time a court had convened on its premises.

Author: Victoria Ward | Source: The Telegraph [March 31, 2015]

“A sort of ‘blue helmets of culture’ are needed, as there are blue helmets that intervene to protect in situations of war,” said Dario Franceschini told the Guardian, referring to the signature uniforms of UN peacekeeping troops.

“There should be an international rapid response force to defend monuments and archaeological sites in conflict zones,” he said.

Franceschini was speaking following the partial destruction of Iraq’s Hatra, an ancient fortress city that the Roman empire repeatedly failed to conquer. Local residents on 7 March reported hearing a large explosion, as Isis militants went on a destructive rampage through the city.

Such attacks were described by Unesco as “a turning point in the appalling strategy of cultural cleansing underway in Iraq,” coming just two days after the Islamist groups bulldozed their way through the 13th-century BC city of Nimrud.

Isis militants have also decimated collections at Mosul museum, which housed artefacts dating back 3,000 years, and set about razing the ancient city walls of nearby Dur-Sharrukin.

As the extremists continue their wanton destruction of Iraq’s prized heritage, Italy’s culture minister urged the international community to wake up to a new form of warfare.

“At one time great monuments were hit accidentally in wars, during bombing. Now they’re hit precisely because they are symbols of culture, symbols of a religion,” he said. Building a force specifically to protect heritage in crisis situations could not be left to an individual state, Franceschini said, and must be initiated by the international community.

The UN security council agreed measures last month to combat the trafficking of antiquities plundered from Iraq and Syria, but safeguarding culture has yet to be written into the mandate of peacekeeping operations.

As historians mourn the loss of Iraq’s cultural heritage, fears have been raised that the same destruction could be wrought on Libya. Amid growing instability, Isis has been gaining ground in Libya, where five sites have been awarded Unesco world heritage status.

Author: Rosie Scammell | Source: The Guardian [March 20, 2015]

The new project, entitled Endangered Archaeology, has been launched at Oxford and Leicester Universities, funded by the Arcadia Fund. The researchers are using satellite imagery and aerial photos, such as Google Earth, to record and monitor the most endangered, and often undocumented, archaeological sites across the Middle East and North Africa. Nearly all the archaeological remains are made of stone or earth and are visible from the air.

They include tombs, settlements, forts, towns, cities, and field and irrigation systems of all periods – from prehistory to the 20th century.  Many of the countries are currently inaccessible on the ground due to ongoing conflicts. Recent work in Jordan by Professor David Kennedy and Dr Robert Bewley has already shown the scale and intensity of development, and that the methodology works, which is why it is being applied on a larger scale across the region.

Project director Dr Bewley, from Oxford University’s School of Archaeology, said: 'This exciting project is very timely as the threats to the region’s most important archaeological sites are increasing at an unprecedented pace and the situation is only going to become more critical if we don’t act now.'

The research team estimates that across the Middle East and North Africa there could be as many as 3-5 million archaeological sites, many of which are under immediate threat, and even more are likely to become endangered in the future. Information about the historical context and condition of each of the sensitive sites will be made available in an open-access database. The information can then be used by everyone, but especially by local archaeologists and volunteers in each of the countries.

Where possible, the project will cooperate with local authorities responsible for the protection of sites, Departments of Antiquities or similar agencies. It is hoped that through the project, a network of local 'wardens' will be created to manage and preserve the landscape and sensitive sites.

Professor Andrew Wilson, the project’s Principal Investigator, said: 'The project will provide tools and strategies for the future conservation and management of threatened heritage, both individual sites and entire archaeological landscapes. This region contains the world’s richest concentration of significant archaeological remains spanning prehistory, the Persian, Greek, Roman, and Islamic empires.'

The project’s website http://ea.arch.ox.ac.uk will be available next month and the database with images and contextual information will follow later in the year.

Source: University of Oxford [February 20, 2015]