“The artifacts were discovered hidden in cheap vases during an inspection of a shipping container from Alexandria, Egypt, at the Port of Valencia on Spain’s Mediterranean coast,” said Director-General of Guardia Civil Arsenio Fernandez de Mesa.

The ancient Egyptian artifacts, with a total value of between 200,000 and 300,000 euros (U.S. $225,000-339,000), were recovered as part of a comprehensive crackdown launched by agents from European law enforcement authorities in 14 countries to prevent looting, theft and illicit trafficking of cultural artifacts.

The Spanish police showed the press 36 of the recovered Egyptian artifacts including “a majestic bust of Sekhmet, the ancient Egyptian warrior goddess, worth an estimated 100,000 euros ($125,000),” Spanish Police Captain Javier Morales was quoted as saying by news24.

Also among the most valuable recovered artifacts is a statue of Isis, ancient Egyptian goddess of magic, and a vase covered in hieroglyphics, said Morales.

“During the comprehensive operation, dubbed ‘Aureus,’ the agents carried out checks on 6,244 individuals, 8,222 vehicles, 27 vessels, as well as 2,352 inspections at antique and art dealers, auction houses and secondhand outlets. Checks were also stepped up at airports, land borders and ports in Europe,” according to Europol.

Most of Egypt’s major archaeological sites have been targeted for looting since the 2011 uprising toppled former president Hosni Mubarak. Thousands of ancient Egyptian artifacts, most of which were obtained from illicit digging activities, are now flooding the global markets, auction houses and electronic commerce websites.

In spite of the Egyptian government’s efforts to track smuggled artifacts inside Egypt and in auction houses abroad, the issue is still unsettled.

“During the past four years, Egypt has recovered over 1,600 artifacts and is currently working on other cases in many European countries,” Ministry of Antiquities’ Museums Sector head Ahmed Sharaf previously told The Cairo Post.

It is estimated that around $3 billion in Egyptian antiquities have been looted since the outbreak of the January 25 Revolution in 2011, according to the International Coalition to Protect Egyptian Antiquities, a U.S.-based initiative partnered with Egypt’s Antiquities Ministry.

Author: Rany Mostafa | Source: The Cairo Post [January 29, 2015]

The golden funerary mask, seen Friday by AFP at the Egyptian Museum, showed the sticky aftermath of what appears to have been overzealous use of glue to fix the mask's beard in place.

A museum official, who spoke anonymously to avoid repercussions, told AFP the beard had fallen of accidentally when the mask was removed from its case last year to repair the lighting.

Museum head Mahmoud al-Helwagy denied that conservation workers had damaged the mask

"This is illogical and inconceivable," he told AFP. "These are conservation workers, not carpenters."

Antiquities Minister Mahmud al-Damaty also denied that the 3,000-year-old relic was treated carelessly.

"The job was done correctly," he told AFP, without explaining why curators needed to fix the mask.

Monica Hanna, an Egyptologist who inspected the mask, said what she saw had so shocked her that her group was taking the matter to the public prosecutor.

"We are presenting a complaint on mismanagement to the prosecutor tomorrow," said Hanna, from Egypt's Heritage Task Force, which has long battled mismanagement and looting of Egypt's legendary ancient artefacts.

According to the museum official, "there seems to have been a lapse in concentration and the mask hit the case and almost fell" when it was removed from its case.

"So (the curator) grabbed it in his arms to break the fall, and the beard separated," he said.

The long braided beard fit into the mask with a peg, and had been separated before, the official said.

"This mistake can happen. But what caused it to get worse? The curator was scared and he fixed it hastily."

The epoxy glue dried very quickly, said the official.

"You should use material (that dries slowly) and then support it, maybe over several hours or 24 hours, so you can fix mistakes," he said.

"Renovation work needs an adhesive that is easy to remove in case there is any damage, without leaving any traces."

Museum director Helwagy told the official MENA news agency that epoxy glue is used internationally to fix artefacts.

The death mask of the enigmatic boy king is one of the crown jewels of the museum, which also houses the mummy of Pharaoh Ramses II.

The museum used to attract millions of tourists before a 2011 revolt -- centred in nearby Tahrir Square -- brought down president Hosni Mubarak and unleashed four years of tumult.

Author: Mohamed El-Shahed | Source: AFP [January 23, 2015]

The museum is one of the city's main tourist sites, but in some areas, ancient wooden sarcophagi lay unprotected from the public, while pharaonic burial shrouds, mounted on walls, crumble from behind open panels of glass. Tutankhamun's mask, over 3,300 years old, and other contents of his tomb are its top exhibits.

Three of the museum's conservators reached by telephone gave differing accounts of when the incident occurred last year, and whether the beard was knocked off by accident while the mask's case was being cleaned, or was removed because it was loose.

They agree however that orders came from above to fix it quickly and that an inappropriate adhesive was used. All spoke on condition of anonymity for fear of professional reprisals.

"Unfortunately he used a very irreversible material — epoxy has a very high property for attaching and is used on metal or stone but I think it wasn't suitable for an outstanding object like Tutankhamun's golden mask," one conservator said.

"The mask should have been taken to the conservation lab but they were in a rush to get it displayed quickly again and used this quick drying, irreversible material," the conservator added.

The conservator said that the mask now shows a gap between the face and the beard, whereas before it was directly attached: "Now you can see a layer of transparent yellow."

Another museum conservator, who was present at the time of the repair, said that epoxy had dried on the face of the boy king's mask and that a colleague used a spatula to remove it, leaving scratches. The first conservator, who inspects the artifact regularly, confirmed the scratches and said it was clear that they had been made by a tool used to scrape off the epoxy.

Egypt's tourist industry, once a pillar of the economy, has yet to recover from three years of tumult following a 2011 uprising that toppled longtime autocrat Hosni Mubarak.

Museums and the opening of new tombs are part of plans to revive the industry. But authorities have made no significant improvements to the Egyptian Museum since its construction in 1902, and plans to move the Tutankhamun exhibit to its new home in the Grand Egyptian Museum scheduled to open in 2018 have yet to be divulged.

Neither the Antiquities Ministry nor the museum administration could be reached for comment Wednesday evening. One of the conservators said an investigation was underway and that a meeting had been held on the subject earlier in the day.

The burial mask, discovered by British archeologists Howard Carter and George Herbert in 1922, sparked worldwide interest in archaeology and ancient Egypt when it was unearthed along with Tutankhamun's nearly intact tomb.

"From the photos circulating among restorers I can see that the mask has been repaired, but you can't tell with what," Egyptologist Tom Hardwick said. "Everything of that age needs a bit more attention, so such a repair will be highly scrutinized."

Author: Brian Rohan | Source: Associated Press [Jabuary 22, 2015]

Minister of Antiquities Mamdouh Eldamaty told Ahram Online that the necropolis, in the Gebel Mahran area, includes a collection of tombs called Likoli, which have holes engraved in a rock-hewn wall.

The tomb raiders unearthed a collection of artefacts including 20 clay lamps, 18 glass bottles and a large number of clay pots.

Eldamaty said the pots give us a view of the pot industry during that period.

The ministry of antiquities is to send an archeological mission to the site to continue excavations and reveal more of these tombs.

The Tourism and Antiquities Police caught the criminal red-handed and they are now under investigations.

Author: Nevine El-Aref | Source: Ahram Online [January 20, 2015]

The skeleton came into the possession of the university according to the division law. The law allowed foreign missions to have a share in the artefacts they discovered at archaeological sites in Egypt.

Minister of Antiquities Mamdouh Eldamaty explained that the skeleton was unearthed in the Nazlet Khater area of the Upper Egyptian city of Sohag during an excavation by the Leuven University archaeological mission.

After diplomatic efforts, he continued, the university agreed to return the skeleton because it is a very important artefact in the history of Egypt.

Ali Ahmed, head of the Stolen Antiquities Recovery Section, told Ahram Online that the skeleton will arrive next week and a committee is now studying how to put it on display at the National Museum of Egyptian Civilization in Fustat.

Author: Nevine El-Aref | Source: Ahram Online [January 18, 2015]

“The committee has agreed to found a joint fund to complete stalled renovation projects to many mosques and other Islamic sites.” said Gamal Mostafa, part of the new committee and director general of the archaeological sites of Al-Sultan Hassan and al-Rifaai mosques. “[The committee] aims to tackle the bureaucracy and obstacles that inhibit the completion of Islamic heritage development projects.”

Over the past decade, several development projects – particularly in Cairo which is one of the world’s oldest Islamic cities – have been launched to protect Egypt’s ancient mosques, but lack of funding coordination and security following the 2011 revolution meant the majority of projects were abandoned.

The Egyptian government has been criticised over the increase in thefts, not only in mosques, but in Egypt’s heritage sites across the country. Following the 2011 revolution and the subsequent collapse of the country’s government, armed gangs, looters and general destruction placed the country’s rich cultural history in peril. As a result, Egyptian Prime Minister Ibrahim Mahlab requested support from UNESCO to try and stem reports of ongoing chaos at Egyptian heritage sites.

Author: Tom Anstey | Source: Leisure Management [January 13, 2015]

Egypt's Antiquities Ministry stated Sunday it was monitored and suspended the sale of 10 ancient Egyptian artifacts that were listed for sale in an Australian auction house.

The artifacts, spanning several periods of ancient Egyptian history, were spotted on the website of the auction house a few weeks ago, Antiquities Minister Mamdouh al-Damaty said.

“As soon as the artifacts were monitored, the ministry’s Restored Artifacts Department (RAD) in cooperation with Egypt’s embassy in Australia initiated the required legal procedures to retrieve the artifacts after their authenticity was confirmed by experts,” head of the RAD Aly Ahmed said.

After the experts were deeply skeptical about some of the artifacts, the department pursued the diplomatic path and contacted officials at the Australian government and at the auction house to verify and present the artifacts’ provenances, said Ahmed.

“The Australian authorities responded and seized the artifacts and will send them back to Egypt during the coming few weeks,” said Ahmed, who confirmed the artifacts are the outcome of illicit digging activities that occurred in several archaeological sites across the country in the aftermath of the January 25 Revolution and its consequent security lapse.

Keeping track of registered artifacts that have been stolen from archaeological sites, museums and storerooms of the antiquities ministry, “is definitely the easiest part of our job, while the process of detecting and repatriating unregistered ones is like searching for a needle in a haystack,” Ahmed previously told The Cairo Post.

We can monitor what is being sold in public but we cannot monitor what is being sold in secret. There is no record of how many artifacts have gone missing so far as many were taken from illicit digging, and there is no way to know that they even exist, ” Ahmed said.

During the past four years, Egypt has recovered over 1,600 artifacts and is currently working on other cases in many European countries, he said.

Author: Rany Mostafa | Source: The Cairo Post [January 04, 2015]

The Stone Towers by Zaha Hadid Architects

VIA «Zaha Hadid will construct Stone Towers in Cairo»

A rectangular scrap measuring about 4.five inches by 1.five inches and featuring 15 partial lines of Homer's epic poem The Iliad in the elegant hand of a 4th Century Egyptian scribe was just [DEC] picked up by an unidentified European purchaser for £16,000 right after a feverish Net auction battle.

That value was way above the posted estimated but is standard of the sums that collectors will now devote to lay their hands on these fingerprints from the previous. Indeed, it is not just modern day art that has been setting jaw-dropping records at auction lately - so have ancient scrolls.

When a fragmentary parchment sheet from the 3rd century AD featuring portions of Paul's epistle to the Romans was bought at Sotheby's for £301,000 auctioneers and antiquity authorities alike have been stunned.

But even though there is no suggestion of any impropriety in these unique sales, scholars are alarmed by the burgeoning online trade as some unscrupulous sellers also cash in. They portray a no cost-ranging trade, particularly on the on line auction giant eBay, exactly where precious documents are carved up for sale, potentially stolen goods are trafficked and forgers can flourish.

Brice Jones, a papyrologist and lecturer in New Testament and Early Christianity at Concordia University in Montreal, has turn into an on the web scrolls sleuth, scouring auction web-sites for manuscripts that are usually incorrectly labeled or their provenance unclear.

A couple of pieces are straightforward forgeries. Most famously, the papyrus fragment called the Gospel of Jesus's Wife created headlines for apparently overturning almost two millennia of theological teaching that Jesus was unmarried, but is now widely viewed as a forgery.

Considerably a lot more distressingly, some sellers are dismembering papyrus books to sell things page-by-page, a financially lucrative endeavor that amounts to small extra than vandalism of ancient works.

A single eBay papyrus seller turned out to be two sisters who ran an online beauty supplies store. They had inherited a Book of Revelation from which they cut person pages to sell on an ad hoc basis to fund the wedding costs for one.

But Mr Jones has also identified a proliferation of scrolls becoming sold of which the origin and ownership is unknown or unclear. A fragment of papyrus with neatly penned Greek script of Homers Iliad, 565-580, 4th Century AD. Ex Hamdy Sakr collection, London, formed in the 1960's. There had been only two serious bidders on the piece and it probably went a lot greater than either of them had anticipated.

Papyrus itself is a tall, fibrous reed plant that grew along the shallow banks of the Nile River in Egypt. 'Papyrus' is the Latin type of the Greek word papuros, from which the English word 'paper' is derived.

The papyri - mostly written in ancient Greek and Coptic - variety from items such as rare biblical texts or the lines of the Iliad to hum-drum but fascinating each day records of book-maintaining accounts or letters amongst loved ones members. All exert an incredible lure for collectors, historians, archaeologists and theologians.

But under American and Egyptian law, only antiquities that can be verified currently to have been in private hands ahead of the early 1970s can be traded. Those guidelines are intended to avoid looting and end the export of papyrus that is generally still identified by Bedouin tribesmen, preserved by the arid desert situations. But critics say that lots of sellers skirt or ignore the guidelines on Internet internet sites that are difficult to monitor and regulate.

The disapproving tone from academia also reflects a deep philosophical objection by many scholars to how manuscripts flow by means of private hands, fearing that priceless scripts will disappear forever amid the frenzy of trading.

"The study of ancient papyri is a fascinating field of historical inquiry, simply because these artefacts are the fingerprints of true men and women from a bygone era," Mr Jones told The Telegraph.

"Each time I study a new papyrus, it is as if I am peeking over the shoulders of the scribe who wrote it, eavesdropping on a conversation that in several cases was meant to be private: an argument in between a husband and wife, a divorce contract, an invitation to dinner, a letter in between a father and son.

"But when private collectors acquire papyri for private enjoyment and restrict scholarly access to them, the instant consequence is that we drop worthwhile historical info that would otherwise advance our understanding about ancient people."

Nonetheless, the owner of a little specialist World-wide-web auction corporation, who asked not to be named due to the fact of the sensitivity of the situation, pushed back against these criticisms.

"We are scrupulous about producing certain of ownership despite the fact that not everybody is so fussy and it's accurate that there are some people today who know practically nothing who are out attempting to make a buck in the wild West of the Web," he mentioned.

"But some of these archaeologists and purists simply hate the reality that that any private person would personal, invest in or sell antiquities.

"They ignore the reality that things like this have always been collected. Indeed, some of these scripts have been commissioned by the private collectors of that time.

"Collectors play a crucial function in preserving these items with their interest. A lot of these items would stay hidden, forgotten, fading away, unknown to the scholars, if there was not a industry for them."

Amongst specialists in the research of early Christianity, there is specific concern about the emergence of eBay as a absolutely free-wheeling marketplace for antiquities, with low opening bids and normally exaggerated language to lure in possible purchasers.

An eBay spokesman, however, stated that its150 million buyers and sellers "must make certain listings comply with our clear policy on artefacts. We operate with regulators, law enforcement and other parties which includes the Egyptian Embassy to apply this policy, and if a listing of concern is identified we will need proof that it was legally exported and take away any listing exactly where this proof is not supplied."

As a specialist who spends his life studying such scrolls, Mr Jones also has concerns for the preservation and conservation of sensitive centuries-old documents when they are handled by traders.

He cited then instance of the well-known papyrus codex of the Gospel of Judas, which published in 2006. It was stored by one particular of its owners in a protected-deposit box on Long Island for sixteen years, and then placed in a freezer by a possible purchaser who thought that was the ideal way to preserve it.

"The benefits of these choices have been horrifying: the codex crumbled into quite a few hundreds of tiny pieces and what was after a practically total codex was now badly deteriorated and tricky to restore," he stated.

The booming trade has clearly revealed to scholars how numerous papyri have survived down the centuries.

"This prompts the question: just how quite a few ancient manuscripts are sitting in the basements, match boxes, drawers, safes, or shelves of private collectors about the globe?" Mr Jones asked lately.

"It is nearly certain that numerous ancient manuscripts or fragments thereof are just sitting in the dark closets of their collectors, decaying and crumbling to pieces. The public demands to be conscious of the importance of the preservation of antiquities, for the reason that when they are gone, they are gone forever."

Author: Philip Sherwell | Source: The Telegraph [December 28, 2014]

The burial site in the Valley of the Queens was opened for ten days in mid-October to celebrate the 110th anniversary of its discovery by the Italian archaeologist Ernesto Schiaparelli. Speaking at an event in London last month, Egypt’s minister of tourism, Hisham Zazou, proposed that the site remains open. “I want to make sure [this period] is expanded, so it is open every month,” Zazou said, adding that the tomb would be open one week a month to a limited number of tourists. Access was restricted to 150 visitors before it was closed in 2006.

Egypt’s tourism industry has suffered since the 2011 revolution, with just 7.1 million visitors from January to September this year, compared with 14.7 million in 2010, according to Zazou. Although tourism has increased in resorts around the Red Sea, numbers remain low at cultural sites. Egypt’s authorities now hope to attract visitors back to the Nile Valley by opening new archaeological sites.

Nefertari’s tomb is renowned for its colourful paintings showing the queen with deities, but the remarkably well-preserved works quickly deteriorated after the tomb’s discovery due to rising humidity levels and associated salt damage, partly brought on by the breath of tourists. From 1986 to 1992, the Getty Conservation Institute used emergency conservation measures to stabilise the works. The tomb reopened in 1995, but renewed concerns led to its closure to the public in 2006, although the antiquities ministry continued to grant access for private tours.

The Getty has monitored the tomb regularly over the years, and according to a spokesman for the institute, there has been “no apparent deterioration as a result of visitors or due to humidity from visitors”. There has been physical damage, however, which the Getty has “ascribed to filming in the tomb”.

Author: Garry Shaw | Source: The Art Newspaper [December 18, 2014]

The recent illegal construction of a residential building, which has partially blocked the view of Giza Pyramid “is a blatant encroachment of Egypt’s building laws which restrict urban housing in a five km radius from the Giza plateau,” Coordinator of the Popular Front to Defend Antiquities Osama Karar told Youm7 Saturday.

“If encroachments of building residential units in the area continue at the same rate witnessed since the January 25 Revolution, the Giza Pyramids won’t be seen from more than 30-meters away,” said Karar in response to photos published in Youm7 Friday.

The photos show an under-construction residential building located in Abu el-Houl street, walking distance from the foot of the Sphinx. The photos also show mobile network towers installed on rooftops, within the perimeter of the area where construction is restricted.

“Several residential buildings, with ranging from 5 to 11 stories tall, are being built in streets located less than 200 meters from the Giza Pyramids area. It is a blatant encroachment,” he added.

The Giza Plateau is part of a zone of 50 square kilometers that is protected by UNESCO, which stretches to the funerary complex at Saqqara, further south.

“The ancient ruins of the Memphis area , including the Pyramids of Giza , Saqqara , Dahshur , Abu Ruwaysh , and Abu Sir, were collectively designated a World Heritage site in 1979,” archaeologist Sherif el-Sabban told The Cairo Post Saturday.

Following the 2011 revolution and the lack of proper security, private construction companies demolished some of the area’s old villas and 4-story residential buildings and replaced them with tall, residential buildings that encroach on the neighborhood’s small alleyways.

Karar says that bureaucracy, a lax approach from the government in implementing building code along with corruption issues are common in Egypt’s official bodies issuing building permits, and represent a threat to Egypt’s cultural heritage.

“The Ministry of Antiquities seems unwilling to admit failure, but the Egyptian government should take action to ensure that archaeological sites do not end up in a disaster,” he said.

Author: Rany Mostafa | Source: The Cairo Post [April 12, 2015]

The items were seized by Australian Federal Police (AFP) officers and Federal Arts Department representatives from an auction house and private home in Sydney under laws designed to protect cultural objects.

Local authorities were tipped off by Interpol about the historic items including a Coptic textile fragment and large saucer lamp.

Macquarie University's Ancient Cultures Research Centre director Naguib Kanawati was one of several examiners who was asked to assess the cultural significance of the artefacts.

"While the provenance is unknown, the objects are all funerary in nature and would have been found in a cemetery or multiple cemeteries," he said.

They include a wooden hand belonging to an anthropoid coffin, small statuettes of a man and woman to serve the deceased in the afterlife, as well as a number of amulets.

A preliminary examination by Australian Egyptologists suggested the items date from the New Kingdom to Coptic periods and that some pieces may be over 3,000-years-old.

"As sites were used for burials by successive generations at different stratigraphic levels it is not unusual to find objects belonging to different periods at the same site," Professor Kanawati said.

Federal Arts Minister George Brandis handed the artefacts back at a formal ceremony at the Egyptian Embassy in Yarralumla.

"This is a splendid and significant occasion because it is not often that one government has the opportunity to return to another government, artefacts that are precious not only to Egypt but significant to the history of civilisation itself," he said.

Egypt's ambassador Dr Hassan El-Laithy welcomed the return of the significant items.

"One of the pieces that the Honourable Minister handed back over was a piece that witnessed the Coptic history and Christianity in Egypt... something we are very proud of," he said.

"Egypt was not only privileged by having its old civilisation of the Pharaohs, but also having prophets Moses and Jesus living in Egypt."

Last year Prime Minister Tony Abbott returned a 900-year-old bronze statue of the god Shiva to India that was found to have been looted from a temple in Tamil Nadu.

The statue had been purchased by the National Gallery of Australia in 2008 from a New York art dealer who became embroiled in a stolen art trafficking scandal.

Author: Liz Foschia | Source: ABC News Website [April 08, 2015]

During the two-month renovation period, “special lighting and ventilation systems, which do not damage the drawings and inscriptions, while at the same time providing a clear view for visitors, will be installed,” said Wahid.

The limestone-topped Pyramid of Khafre was closed for restoration in 2011 before former Antiquities Minister Mohammad Ibrahim announced in October 2012 the Pyramid and as many as six other ancient tombs at the Giza site would be reopened.

The renovation will include the removal of graffiti, which visitors have left on the walls of the pyramid’s passageways and burial chamber, removal of the salt deposits from its walls and the replacement of the outer stairs leading to its entrance, Wahid said.

“Built as a tomb for the 4th Dynasty Pharaoh Khafre, it rises to a height of 150 meters. It looks to be the tallest of the Giza pyramids – but only because it is built at a higher elevation than the Great Pyramid (or Pyramid of Khufu), which is only four meters taller, archaeologist Sherif el-Sabban told The Cairo Post Tuesday.

The pyramid was most likely first opened – and robbed – a few years after it was completed. The first recorded opening of the pyramid was in 1372, and it was fully excavated in 1818 by Giovanni Belzoni, whose graffiti is still seen in the burial chamber, according to Sabban.

Author: Rany Mostafa | Source: The Cairo Post [April 07, 2015]

“The Meidum Geese,” which has been compared to Leonardo DaVinci’s  “Giaconda,” commonly known as the Mona Lisa for its importance in Egyptian painting tradition, “seems to be painted over another painting, parts of which can still be seen,” Francesco Tiradritti, Professor of Egyptology at the Kore University of Enna told The Cairo Post Tuesday.

“After months of study, I came to the conclusion that there are few doubts on the falsification of the ‘Meidum Geese,'” Tiradritti said adding that its background was repainted in a blue hue of grey and that “the original had a more cream shade and it is still visible on some areas of the painting, especially on the right-top corner and at the two sides of the goose to the right.”

Tiradritti’s theory suggesting the painting is fake is based on several clues including that the species of two out of six birds portrayed on it were unlikely to have been present in Egypt.

His other clue is related to some of the portrayal’s colors which were not common in ancient Egyptian art.

Beige colors are unusual in Egyptian art, Tiraditti told livescience.com previously, adding “even the shades of more common colors, like orange and red, are not even comparable with the same colors used in other fragments of painting coming from the same tomb,” Tiradritti was quoted as saying by Livescience.

The similarity in size of the six geese is also another clue to support the theory, said Tiradritti adding that the size of animals and people in ancient Egyptian art have often varied according to their importance.

The portrayal was discovered in 1871 in a tomb nearby Meidum Pyramid, which was built by the founder of the 4th Dynasty Pharaoh Snefru (2610B.C.-2590B.C). The tomb, discovered by Italian scholar Luigi Vassalli, belonged to Snefru’s son, Nefermaat, said Tiradritti.

Tiradritti has suggested a more thorough non-invasive scan of the painting.

“It is highly likely that Vassalli has to be considered the real author of ‘the Geese,'” Tiradritti said citing that Vassalli never published a word about his discovery, “which is unusual given that he loved to talk about his discoveries in Egypt.”

The reason why Vassali may have forged the painting remains a mystery, said Tiradritti, adding that while he was examining the remains from the tomb where the painting was discovered, he noticed “a fragment of painting that Vassalli supposedly found.”

Author: Rany Mostafa | Source: The Cairo Post [April 01, 2015]

In coordination with the American Research Center in Egypt, the ministry will attempt to save the temple, which is located in Sohag, Upper Egypt.

The project will work on preserving the heart of the temple and the cemetery of Osiris by diverting the groundwater into vertical wells and linking them to water channels in order to get rid of the water, said director general of Luxor antiquities Sultan Eid on Sunday.

Cleaning the temple and restoring the inscriptions, drawings and colors inside the temple will also be part of the project, Eid added.

Abydos is one of the most important archaeological sites in both Egypt and the world due to its religious and historical significance in ancient Egypt. It contains the tombs of some of the early kings of Egypt during the reign of the first and second dynasty, as well as artifacts belonging to the 19th dynasty.

It is the only temple which retains its ceiling, based on 36 pillars of granite. It contains the list of famous kings of Egypt, from King Menes until King Seti the First.

Source: Egypt Independent [March 30, 2015]

A 4,000-year-old statue was sold by Northampton Borough Council (NBC) last year despite an outcry from within the UK as well as other places, including Egypt. 

NBC sold the Sekhemka statue for £15.76m to an overseas buyer -- widely believed to be from Middle East -- in July to “help fund an extension to the town's museum and art gallery.”

Ed Vaizey, minister for culture, communications and creative industries decided to “place a temporary export ban” on the statue. He said the statue was "gifted" to the council in 1880.

The statue “will not be allowed to leave the country,” Vaizey said.

Arts Council England ruled earlier the sale breached the accredited standards for how museums manage their collections. Arts Council England banned Northampton Council from the Museums Association and accordingly has had a Heritage Lottery Fund bid rejected.

Vaizey’s decision is understood to be based on a recommendation by the reviewing committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA), which is administered by Arts Council England.

The RCEWA said the statue was of "outstanding aesthetic importance" and was significant in the study of "the development of private statuary and funerary religion in Egypt and the history of human self-representation."

Save the Sekhemka Action Group praised the ban on exporting the statue. It said in a statement “Our group are obviously delighted that Sekhemka will not be leaving the UK.”

However, the group, which has been campaigning for the statue for many years, remains “deeply disappointed that the situation has been allowed to escalate.”

The statement described the NBC actions as “reckless” and “threatening” the future of Northampton museum.

Author: Marwan Sultan | Source: Ahram Online [March 30, 2015]

Some media reported that the wooden gilded chair of the boy king Tutankhamun was broken during its transportation between the Egyptian museum in Tahrir Square to the planned Grand Egyptian Museum (GEM) overlooking Giza plateau.

Almost two months ago news broke about the flawed restoration work on Tutankhamun's golden mask at the Egyptian museum.

It was reported that three other artifacts of Tutankhamun’s collection were also damaged during their transportation. These objects, according to reports, are the top of the sarcophagus, a round offering table, and a marble vessel.

The reports also accused the Ministry of Antiquities of negligence.

“What has been published in newspapers are unfounded claims,” GEM's director general Tarek Tawfik told Ahram Online.

He continued to say that the objects that were transported to the GEM were not broken and do not even belong to the boy king’s funerary collection, despite photos in the media which suggest this to be the case.

“They are non-royal objects from the Old and Middle Kingdoms discovered in Dahshour necropolis and were dismantled at the Egyptian Museum in Tahrir, and not broken as claimed,” confirmed Tawfik.

The objects which were identified in the media as Tutankhamun’s chair, he asserted, is instead a non-royal table from the Middle Kingdom. The sarcophagus, the vessel and the offering table have been in two pieces since they were discovered last century and were not broken during transportation.

Eissa Zidan, the head of restoration at the GEM, told Ahram Online that what was thought to be a sarcophagus, was in fact an Old Kingdom alabaster plaque that was discovered last century in two pieces.

All the newly transported objects, Zidan continued, are safe and none of them were broken. They came to the museum in their current condition and were subjected to normal restoration procedures like any other transported objects.

An archaeologist at the GEM who spoke to Ahram Online on condition of anonymity, said that the person behind the publishing of the false news is a former restorer at the GEM. The administration terminated his contract and transferred him to his original job as a restorer in the Al Manial Palace restoration department.

The official said that the former restorer at the GEM made up the rumours as revenge for his demotion.

Author: Nevine El-Aref | Source: Ahram Online [March 26, 2015]

The artifacts, which had been shown in a mass exhibition in Berlin, may stay in Germany for some repairs in cooperation with the Egyptian Museum in Berlin before their return to Egypt, Hegazy said.

The Egyptian Embassy will host a concert April 2 to declare the receipt of the artifacts, and express thanks to German authorities and the Egyptian Museum in Berlin for their effort, he added.

The iconic bust of Queen Nefertiti, currently on display at Berlin’s Neues Museum, remains one of Egypt’s top artifacts the country has said should return. The bust was obtained in 1912 by German archaeologist Ludwig Borchardt, who Egypt claims misled authorities regarding to the value of the bust to be allowed to take it out of the country; Germany claims the ownership of the artifact is not in question.

Political turmoil in Egypt since the January 25 Revolution in 2011 and the subsequent security lapse left the country’s cultural heritage vulnerable to looting. In spite of the efforts of the Egyptian government in tracking artifacts smuggled outside Egypt and in auction houses abroad, the issue is still unsettled.

In July 2014, 24 ancient Egyptian artifacts were returned from the Egyptian Museum of Leipzig University in Germany. Minister of Antiquities Mamdouh el-Damaty traveled to Germany to supervise the administrative procedures accompanying the repatriation of the artifacts, ONA reported.

The artifacts spanned several eras of ancient Egyptian civilization and were likely stolen from the west bank of Luxor, the head of the Antiquities Ministry’s Restored Artifacts Department Ali Ahmed told The Cairo Post.

Source: The Cairo Post [March 25, 2015]

Egypt's Minister of Antiquities, Mamdouh Eldamaty, is to cut the ribbon to open a new tourist destination in the town. He told Ahram Online that the restoration of the Sphinx Avenue and installing new lightening and security systems in Luxor temple came within the framework of the ministry’s efforts to protect the country’s ancient shrine.

Eldamaty explained that the development of Luxor’s temple lighting and security systems is a part of a Spanish grant of 150 million euros used for the implementation of a scheme to protect every archaeological site in Theban so they can be visited at night and be well-protected.

He went on to say that the new lighting system is made according to the latest technology which guarantees the preservation of the temple walls and engravings.

For his part Major General Mohamed Al-Sheikha, head of the Projects Department at the ministry of antiquities, said that the security system installed in the temple includes of an electronic curtain stretched around the temple, along with monitoring cameras connected to a TV circuit.

He told Ahram Online that the restoration of the first and fifth sections of the Sphinxes Avenue represents 37 per cent of the whole path.  It was carried out in collaboration with the National Service Projects with a budget of LE66.5 million.

He went on to say that the restoration work of the first section, which stretches from the Luxor temple to 350 metres long, includes the removal of all encroachment as well as the consolidation of the avenue’s eastern wall and the restoration of the sphinxes themselves. The restoration of the 600-metre-long fifth section extends from the area behind Luxor Library to the town’s airport road.

Al-Sheikha pointed out that restoration is continuing on the other sections of the avenue in order to open more sections soon.

The Sphinxes Avenue was the site of ceremonial processions that once connected both Luxor and Karnak temples. It is dated to around 380 BCE and stretches some 2.7 kilometers. It would have originally had 1,350 sphinxes lining both sides. Around half of those have been uncovered, with many reworked by later civilizations or sitting in museums. Much of the avenue is still covered by modern buildings.

Author: Nevine El-Aref | Source: Ahram Online [March 22, 2015]

According to Fides, the project to build a road that should unite the city of Fayoum to an oasis area crossing the territories around the Coptic monastery of St. Macarius, threatens an archaeological area that stretches around a church dating to the fourth century.

Ninety-two kilometers from Cairo, the Monastery of St. Macarius is located in Wadi el-Natrun, the ancient Scetes. In Christian literature, the Scetes refers to one of the three early Christian monastic centers located in the desert of the northwestern Nile Delta.

In addition to the monastery itself, the project also threatens its water supply of the monastery and some cultivated areas belonging to it.

The monks, in recent days, launched an initiative of non-violent resistance. They lied in the path of bulldozers working on the project, led by workers who approached the monastery lands shouting "Allah Akbar."                                                                                  

In the past, the monks submitted various alternative projects to the authorities that would allow the site's historical and natural heritage to be preserved.

To encourage the search for alternative solutions, the Coptic Church also established an ad hoc committee for this purpose.

In addition, the Ministry of Antiquities expressed its opposition to the project, recommending the archaeological be fully protected.

The monastery was founded in 360 A.D. by St. Macarius the Egyptian, a spiritual father to more than 4,000 monks of different nationalities, such as Egyptians, Greeks, Ethiopians, Armenians, Nubians, Asians, Palestinians, Italians, Gauls and Span-lards. Among the monks are men of letters and philosophers, and members of the aristocracy of the time, along with simple illiterate peasants.

Since the fourth century, the monastery has been continuously inhabited by monks.

Source: Zenit [February 27, 2015]