Copyright by Theyskens’ Theory
THEYSKENS’ THEORY
VIA Theyskens’ Theory Autumn/Winter 2012/13 Women’s Collection
Copyright by Theyskens’ Theory
THEYSKENS’ THEORY
VIA Theyskens’ Theory Autumn/Winter 2012/13 Women’s Collection
Copyright by Theyskens’ Theory
THEYSKENS’ THEORY
Copyright by Vogue | Photography Hedi Slimane | Styling Mika Mizutani | Model Karlie Kloss
VOGUE JAPAN
Copyright by Thakoon
THAKOON
Copyright by Fashion156 | Photography Mark Shearwood | Styling Guy Hipwell | Hair & Makeup Nadine Ellas using Mac | Set Design Xavi Llarch Font | Styling Assistance Camilla Hunt & Taa Chakkaphak | Production Assistance Katie Tillyer & Lucinda Beeman | Models Lyden & Louis at Storm, Graham at Nevs, Sara at Next, Andrea & Lisa at Premier | Studio Angel Space
FASHION156
VIA Black Style
Copyright by ComeForBreakfast | Photography Giorgio Codazzi | Styling Emil Rebek
COMEFORBREAKFAST
Copyright by The Ones2Watch | Photography Dirk Kikstra | Styling Inge de Lange | Hair & Makeup Anita Jolles at House of Orange for Bobbi Brown | Model Irma Weij at Paparazzi Amsterdam
THE ONES2WATCH
Copyright by Lara Kazis | Via LesMads/OK Cool
VISION
Lara Kazis is feminin.
Plain and modern.
Pure and in love with detail.
Unique and wearable.
PRODUCTION
Each of Lara Kazis’s creations is developed and manufactured personally by the designer in Munich, Germany. It's important to us to bring uniqueness, individuality and personality into our designs.
HISTORY
The fashion label Lara Kazis was founded by the swiss fashion designer Larissa M. Ziegler in 2009.
LARA KAZIS
Copyright by Eastpak x Wood Wood | Art Direction Brian SS Jensen | Photography Sacha Maric | Styling Sebastian Machado | Hair, Make-Up Rikke Dengsø | Model Julius Gerhardt
The Eastpak x Wood Wood S/S 2013 collection Modulation will be pre-released in limited stores December 15th ! Among stores pre-dropping are all Wood Wood stores, Hunting and Collecting and OKI-NI.
WOOD WOOD Website
EASTPAK
VIA Eastpak X Wood Wood Modulation Spring/Summer 2013 Collection
Copyright by Reed Krakoff
REED KRAKOFF
Copyright by Reed Krakoff
REED KRAKOFF
Copyright by Mykita/Moncler | Photography & Direction Stefan Heinrichs
Inspired by the look of 1950s Alpine glacier goggles, MYKITA & Moncler together developed the innovative and technologically advanced sunglasses LINO and ACHILLE, both made for the slopes and for the street.
MYKITA & Moncler both stand for innovative and unique products of the highest quality, coupled with traditionalist brand philosophies. These shared values inspired the two companies to join forces in a project which aims to explore new and untapped territories in the eyewear market.
In July 1954 Lino Lacedelli and Achille Compagnoni became the first men to conquer the second highest mountain in the world (K2 ). Equipped with oxygen, climbing spikes, mountaineer goggles and specially made down jackets by Moncler, the Italians reached the summit. Harking back to the origins of the former outfitter of Alpine expeditions, the collaboration resulted in two models whose material selection and design both take into account what were already key factors among mountaineers back then: modern 21st century sports goggles have to be light, durable and adjustable.
A homage to the mountain and its conquerors was created in the form of the two models, LINO and ACHILLE, which are suitable both for downhill runs and also as classic sunglasses for everyday use – they are sporty as well as the perfect everyday accessory. the frames are inspired by the look of 1950s Alpine goggles, which featured round lenses in metal rims with leather side pieces for ultimate protection against the light.
ACHILLE, with its straight top line and broad frame is the more avant-garde model of the pair, a retro-futuristic new look. LINO’s sweeping top line and slim frame make this model a modern counterpart to the glacier snow glasses of yesteryear. the swept-back frame edge in both unisex models reflects the look of that era; the original leather sections
on the sides and bridge to protect against the glare are today revisited via the flared frames.
A critical factor for the design process was the new material MYLON, developed and patented by MYKITA after years of research. the polyamide-based material is being used in eyewear production for the first time and displays the features of the desired attributes: light, extremely durable and individually adjustable to the wearer are the key advantages of this new material.
Red and blue are a throwback to the first Moncler down coats that were originally sold in those colours in the early 1960s. Both models are available in the colours Red/Red flash mirror, Blue/Blue flash mirror as well as in a classic Black/Black flash mirror, in each case with mirrored lenses in the same colour or alternatively with solid grey-tinted lenses. the frames are fitted with mineral glass lenses from traditional Italian manufacturer Barberini, boasting excellent durability and clarity of vision.
All lenses reveal the MYKITA & Moncler logo when breathed on. An anti-fog finish on the inside of the lenses plus an anti-scratch outer coating make these spectacles a top-calibre sporting companion. the glasses come with a padded sleeping bag style carry pouch for easy transport in addition to a black glasses case and box.
The models comprising the MYKITA & Moncler collaboration are available by Mid December 2011 only at
MYKITA shops and Moncler boutiques worldwide.
MYKITA x MONCLER
MYKITA MYLON
Copyright by Christian Westphal | Photography Bo Johannsen | Print Design Sara Haraique | Model Emilie at Scoop
Christian Westphal has been caught by the fuzz. Whereas last two seasons was all about cut, the story for Summer 2013 is texture and lightning. To ensure that the focus is on the fabrics, the Danish-born designer zeroes in on a few uncomplicated, graphic silhouettes: over-the-knee skirts, nylon silk jackets, pants with cut-away waistband, and the signature shirts, some of them pumped up with away-from-the-neck volumes and bringing refined add-on plisses on collar and placket pieces.
On the other side of the spectrum, a fitted jacket comes whipped up from a weightless silk and metal blend. In the Westphal collection you’ll see a mix of minimalism, strong silhouettes and fresh accent colours that still defines the 2010’s, and this remains Westphal’s thing.
He wants his clothes to be for the modern urban women and aside from an incongruously literal Vegas reference in a metal powder gold print on black silk, the almost-abstractions look like scatterings of city lights. Westphal wants to literalize the notion when he decorates one skirt and a blouse with melting gold to replicate the lights of a Vegas building by night. But the real inspiration is anything but pseudo-science.
There is a school of thought which says that mystery preserves the magic, but Westphal tries to understand that if you reveal the machinery, you can enhance the mystery. That's because you're throwing a spotlight on the intangibles of creativity. But the other message of the collection is man-made: a shrugged-off casualness, and because this isn´t particularly fashion, Westphal uses the counterbalance of hyper-fashion silhouettes from Italian and Spanish haute couture of the 1950’s, however simultaneously academic and seductive.
CHRISTIAN WESTPHAL
VIA Christian Westphal Spring/Summer 2013 Women’s Collection
Copyright by Adidas | Creative Direction Pietsch Lim at PL STUDIO | Photography Willy Vanderperre | Styling Jay Massacret | Hair Anthony Turner | Make-Up Gucci Westman | Models Eddie Klint, Malcolm De Ruiter, Marloes Horst
Bodies in motion tend to stay in motion. It’s an age-old principle that is at the heart of a new adidas SLVR Spring/Summer 2013 collection inspired by martial arts, Fight Club, and the human physique.
ADIDAS SLVR Website
Copyright by Weekday
In celebration of Weekday’s 10th anniversairy in 2012, the brand launches a special premium line for all their faithful customers – the MTWTFSS COLLECTION for both Men and Women. It will be available from February 2012 in all Weekday stores.
WEEKDAY
VIA Weekday Presents Mtwtfss Collection For Both Men & Women
Copyright by Sleek | Phootgraphy Daniel Schröder | Styling Isabelle Thiry | Hair & Make Up Gregor Makris at Bigoudi | Models Val at AM, Erik Andersson at Mega Models, Hampus Ahlqvist at Unique & Maximilian / Photography Assistance Christian Schildmacher | Styling Assistance Josepha Rodriguez | Production Nu Projects Germany | Support Paris Uli Semmler | Retouching Primate Postproduction | Via Steelmachines
SLEEK MAGAZINE
VIA Men and Women
Copyright Photography Balint Barna | Styling Boglar Bendik / Make Up Kata Kertesz | Model Monica Jablonczky at VM Models
BALINT BARNA
MONICA JABLONCZKY at Models
Copyright by Spon Diogo | Photography Nikolaj Møller | Styling Spon Diogo | Grooming Rabea Schæfers | Model Debbie Wallace at Seeds
SPON DIOGO
Copyright by Malgorzata Dudek | Photography Christoph Musiol | Styling Jadwiga Pokryszka | Hair Margo Wegierek | Make-Up Patricia Bontscheff | Set-Design Uli Gajsa | Model Katarzyna Nawrocka | Sunglasses Slav Nowosad | Shoes Kazar
An homage to the Swiss surrealist, H.R. Giger. Always being fascinated by the artwork of Giger and the massive impact of his Biomechanical vision on the world of architecture, film, music, tattoo art, fashion and industrial design, Malgorzata Dudek, with H.R. Giger's prior approval, transferred his cultural influence onto fabric. the collection includes a series of one-off couture pieces with adapted Giger prints. Some of the standout pieces are an elegant skin-tight gown with a Giger Li print and a hautingly beautiful black, skin-tight gown with 3-D baby heads from Giger's Landscape XVIII adorning the back and train. Throughout the collection, there are also laser-cut leather elements which were inspired by the artists airbrushing. the collection was accessorized with metal sunglasses by designer Slav Nowosad which are inspired by Giger’s Birth Machine.
My desire with this collection is to honor to H.R. Giger, pay him tribute, and show how his influence resonates in the world of fashion. When I started sketching this collection and planning the fabrics, I couldn’t see it complete without elements of Giger’s artwork. And what better way for me, as a designer, to honor a man who’s Biomechanical vision has massively influenced architecture, film, music, tattoo art, fashion and industrial design. Last February, I sent sketches to him through his agent and to my surprise, I heard back almost immediately and was given creative freedom to incorporate a jointly agreed upon selection of Giger's art! It’s such an honor to work with this artist because he’s so influential that I was aware of and appreciated his work, long before I knew his name.
MALGORZATA DUDEK
H. R. GIGER | Museum
VIA Malgorzata Dudek Giger’s Goddess Spring/Summer 2012 Women’s Collection
Copyright by AKOG
THE KILIM PROJECT
About 2 years ago we made a trip to the middle east. We bought used carpets from almost every counrty located around the persian gulf. Every carpet is hand knitted and a few of them are from the beginning of the 19th century. Over the years we´ve collected more than 50 carpets to make a limited collection of 100 bags. Every piece is unique and handmade in Germany.
A KIND OF GUISE (AKOG ) was born by a common interest in creating. We met in Munich in the summer of 2009 working on various creative projects. AKOG is an expression of ourselves and our influences. Basically, what we are is what we create.
AKOG POP UP STORE
8th–10th December 2011 | 11am–7pm
Corneliusstraße 2 | 81312 Munich
A KIND OF GUISE