The ring, which depicts a bull-leaping scene, was initially dismissed as fake before its authenticity was established by a team of Culture Ministry experts.
The scene depicted on the 15th century BC artifact also includes a lion and a tree.
Source: Kathimerini [January 12, 2015]
At first, di Lernia and many of his colleagues were optimistic about the future of archaeology in Libya after years of neglect under dictator Moammar Gadhafi. But today, di Lernia has trouble imagining what fieldwork will look like in the war-torn country.
Years after the conflict began, Libya is still unstable. The United Nations was holding talks in Geneva this week to attempt to unify the two rival governments in control of Libya since Gadhafi's dramatic downfall. Meanwhile, ISIS extremists have taken power in parts of the country, such as Derna, a city in the east, where the group Human Rights Watch has documented violent forms of abuse, including executions and floggings.
Alongside reports of human atrocities, there has been a steady stream of reports detailing the threats to Libya's cultural resources, from ideological destruction to unchecked development. In 2013, for example, there was construction equipment sitting at the Hellenic city of Cyrene, one of five UNESCO World Heritage Sites in Libya, ready to clear the way for houses. Another World Heritage Site, Ghadamès — a city sometimes called "the pearl of the desert" that was once home to the Romans and the Berbers — suffered rocket attacks in 2012. The same year, ultraconservative Islamists reportedly destroyed Sufi shrines and graves in Tripoli that don't conform to their beliefs. In 2011, robbers pulled off one of the biggest archaeological heists, stealing a hoard of nearly 8,000 ancient coins from a bank vault in Benghazi.
"I'm afraid if nothing happens, this will be a disaster for generations of Libyan archaeologists — and for universal heritage," di Lernia told Live Science. Today (Jan. 28), he published a commentary in the journal Nature to try to raise awareness about the situation within the scientific community. "It's very difficult to keep the light on Libya in this moment," di Lernia said.
Over the last four years, di Lernia, who is a professor at the Sapienza University of Rome, and his colleagues have been able to publish new research based on the wealth of material they collected in past field seasons. They've shown that dairy farms existed in a once-green Sahara. They have also analyzed Stone Age burials in the desert region.
Though access to the southeastern part of Libya has been restricted since 2011, di Lernia used to be able to travel to Tripoli. But as the fighting between Libya's two governments worsened over the past year, di Lernia wasn't able to get to Libya at all. From afar, it's difficult for international observers to assess the damages in the country.
"From time to time, I succeed in talking to my friends there, and they say that all sites are in danger, all sites are at risk," di Lernia said. "We don't know what's going on in many places. We don't know what's going on in the museums."
In other conflict zones, such as Syria, archaeologists have turned to satellite imagery to assess damage to cultural heritage sites. Those images show that places like Apamea, a Roman city and once-thriving tourist attraction for Syria, has been turned into a moonscape because of the holes gouged out by looters. But the same approach might not work in Libya, di Lernia said, as satellites can't detect more subtle damages, such as graffiti that's been reportedly painted over rock art in the Tadrart Acacus mountains, near the Messak plateau.
Di Lernia used to spend months at a time at the Messak plateau, but he can’t imagine long archaeological field seasons resuming in Libya anytime soon. In Nature, he put forth a host of recommendations to rekindle research, calling for more support for museum, university and lab-based research. Di Lernia said he'd like to see more museum collections go online, and a Web-based library for rock art sites. He also wants to see international universities provide support and funding for Libyan students and scientists to train and work overseas.
"The only way to keep Libyan archaeology alive is to do lab research, desk research, working on the Internet and working on the digitization of cultural heritage in Libya," di Lernia said. "The situation in Libya is a part of a wider picture, I'm afraid. Probably we have to rethink our capacity to do research within this political framework."
Author: Megan Gannon | Source: LiveScience ]January 28, 2015]
“This is a salvage operation to get as much as we can,” said archaeologist Jera Davis, who is part of the team excavating the site.
The sites along the bank overlooking the river have been endangered by rapid erosion caused by a shift in the river channel. The salvage effort is a stopgap measure until UA and the U.S. Army Corps of Engineers can agree on a plan to stabilize the stretch of riverbank along the wooded northern border of the park, according to Matt Gage, director of the UA Office of Archaeological Research.
“Since 2010, we have really seen a major change in what is happening with the erosion in this area,” Gage said.
The university and the Corps are trying to work on a feasibility study, he said.
The stabilization work would likely be funded by local and federal matching funds, with the Corps responsible for the stabilization and the university assisting with the archaeological work at the site.
At a site below the raised walkway that runs along the edge of the bank, the team has been excavating a midden heap — or trash pit — for about a week.
The bank below the excavation is a steep slope of exposed sandy soil where the trunks of toppled cypress and gum trees protrude from the silt at the water’s edge.
Gage estimated the staff has about six to eight months of salvage work along the riverbank on the edge of the park. The salvage by the archaeologists needs to be done before the stabilization work begins and before the valuable archaeological deposits slide down the slope into the river.
Only about 15 percent of the massive Moundville complex has been excavated. The section threatened by the river is among the least explored, according to Davis.
The site overlooking the river was likely one of the first and last places to be occupied at the complex, which was inhabited from roughly the 11th to 16th centuries by Native Americans of the Mississippian culture. The site was a religious and commercial center, home to both elite and commoners of the culture.
Based on materials found in the trash pit, experts say the sites near the river were likely the residential areas for the elite members of the society. The items include such things as shards of elaborate ceramics and mineral pigments from the Midwest, Davis said.
The trash pits offer glimpses of daily life at the sprawling complex, once the second largest of its kind in what is now the United States.
Moundville is eligible as a United Nations Educational, Scientific and Cultural Organization World Heritage site, Gage said.
Erosion along the bank is speeding up, he warned.
“Every day, we are losing a little bit of Moundville,” he said.
In the past, a natural jetty formed by silt deposits at the mouth of Carthage Branch to the east of the park helped protect the stretch of riverbank by redirecting the current. The recent changes to the river channel eroded the natural barrier and began to cut away at the bank along the Moundville site, Gage said. He estimated that approximately 30 meters of riverbank has been lost since 1969. The Corps of Engineers stabilized a stretch of riverbank northwest of the park roughly 25 years ago with riprap and other stone to prevent erosion.
While the Corps was previously able to stabilize the riverbank on the northwest corner of the park with aggregate, the erosion occurring now is a more challenging engineering problem because of the steep slope of the bank, which drops almost immediately into the river channel, Gage said.
Gage anticipates the project could cost anywhere from $7 million to $11 million.
“It all depends on what the Army Corps of Engineers decides is a possibility,” he said.
Author: Ed Enoch | Source: The Tuscaloosa News [January 26, 2015]
According to an announcement of the Culture Ministry, the coins were found in the luggage of a Greek citizen travelling by car to Munich and seized by the German police.
Most of them are made of copper and date back to the Classical, Hellenistic, Roman and post-Roman eras.
It should be noted that several members of an antiquities smuggling ring that was dismantled in March 2012 were involved in the case.
Source: Protothema [January 24, 2015]
The golden funerary mask, seen Friday by AFP at the Egyptian Museum, showed the sticky aftermath of what appears to have been overzealous use of glue to fix the mask's beard in place.
A museum official, who spoke anonymously to avoid repercussions, told AFP the beard had fallen of accidentally when the mask was removed from its case last year to repair the lighting.
Museum head Mahmoud al-Helwagy denied that conservation workers had damaged the mask
"This is illogical and inconceivable," he told AFP. "These are conservation workers, not carpenters."
Antiquities Minister Mahmud al-Damaty also denied that the 3,000-year-old relic was treated carelessly.
"The job was done correctly," he told AFP, without explaining why curators needed to fix the mask.
Monica Hanna, an Egyptologist who inspected the mask, said what she saw had so shocked her that her group was taking the matter to the public prosecutor.
"We are presenting a complaint on mismanagement to the prosecutor tomorrow," said Hanna, from Egypt's Heritage Task Force, which has long battled mismanagement and looting of Egypt's legendary ancient artefacts.
According to the museum official, "there seems to have been a lapse in concentration and the mask hit the case and almost fell" when it was removed from its case.
"So (the curator) grabbed it in his arms to break the fall, and the beard separated," he said.
The long braided beard fit into the mask with a peg, and had been separated before, the official said.
"This mistake can happen. But what caused it to get worse? The curator was scared and he fixed it hastily."
The epoxy glue dried very quickly, said the official.
"You should use material (that dries slowly) and then support it, maybe over several hours or 24 hours, so you can fix mistakes," he said.
"Renovation work needs an adhesive that is easy to remove in case there is any damage, without leaving any traces."
Museum director Helwagy told the official MENA news agency that epoxy glue is used internationally to fix artefacts.
The death mask of the enigmatic boy king is one of the crown jewels of the museum, which also houses the mummy of Pharaoh Ramses II.
The museum used to attract millions of tourists before a 2011 revolt -- centred in nearby Tahrir Square -- brought down president Hosni Mubarak and unleashed four years of tumult.
Author: Mohamed El-Shahed | Source: AFP [January 23, 2015]
According to the plans, the new museum will have to adhere to strict bio-climatic architectural standards and must be situated as far away as possible from the sea, in order to better protect the antiquities and the museum itself from the elements.
The new museum will occupy a space of at least 5,000 square meters and will feature all of the exhibits displayed in the existing museum, along with many other artefacts located on the island’s archaeological sites and in storage.
The funds for the construction plans were donated by the London-based International Foundation for Greece.
Source: To Vima [January 23, 2015]
The museum is one of the city's main tourist sites, but in some areas, ancient wooden sarcophagi lay unprotected from the public, while pharaonic burial shrouds, mounted on walls, crumble from behind open panels of glass. Tutankhamun's mask, over 3,300 years old, and other contents of his tomb are its top exhibits.
Three of the museum's conservators reached by telephone gave differing accounts of when the incident occurred last year, and whether the beard was knocked off by accident while the mask's case was being cleaned, or was removed because it was loose.
They agree however that orders came from above to fix it quickly and that an inappropriate adhesive was used. All spoke on condition of anonymity for fear of professional reprisals.
"Unfortunately he used a very irreversible material — epoxy has a very high property for attaching and is used on metal or stone but I think it wasn't suitable for an outstanding object like Tutankhamun's golden mask," one conservator said.
"The mask should have been taken to the conservation lab but they were in a rush to get it displayed quickly again and used this quick drying, irreversible material," the conservator added.
The conservator said that the mask now shows a gap between the face and the beard, whereas before it was directly attached: "Now you can see a layer of transparent yellow."
Another museum conservator, who was present at the time of the repair, said that epoxy had dried on the face of the boy king's mask and that a colleague used a spatula to remove it, leaving scratches. The first conservator, who inspects the artifact regularly, confirmed the scratches and said it was clear that they had been made by a tool used to scrape off the epoxy.
Egypt's tourist industry, once a pillar of the economy, has yet to recover from three years of tumult following a 2011 uprising that toppled longtime autocrat Hosni Mubarak.
Museums and the opening of new tombs are part of plans to revive the industry. But authorities have made no significant improvements to the Egyptian Museum since its construction in 1902, and plans to move the Tutankhamun exhibit to its new home in the Grand Egyptian Museum scheduled to open in 2018 have yet to be divulged.
Neither the Antiquities Ministry nor the museum administration could be reached for comment Wednesday evening. One of the conservators said an investigation was underway and that a meeting had been held on the subject earlier in the day.
The burial mask, discovered by British archeologists Howard Carter and George Herbert in 1922, sparked worldwide interest in archaeology and ancient Egypt when it was unearthed along with Tutankhamun's nearly intact tomb.
"From the photos circulating among restorers I can see that the mask has been repaired, but you can't tell with what," Egyptologist Tom Hardwick said. "Everything of that age needs a bit more attention, so such a repair will be highly scrutinized."
Author: Brian Rohan | Source: Associated Press [Jabuary 22, 2015]
Patrol Capt. Jon Nelson says several people were spotted removing the rocks, some dug out of the prehistoric floor of the site. The Forest Service has distributed a photo of three people who it says might be able to help with the investigation.
It's a federal crime to vandalize archaeological resources. Penalties range from a $5,000 fine and six months in jail to a $20,000 fine and a year in jail.
Source: Associated Press [January 21, 2015]
Police estimated the value of the 5,361 vases, kraters, bronze statues and frescoes at about 50 million euros ($58 million). The works, from the 8th century B.C. to the 3rd century, were laid out Wednesday at the National Roman Museum and may go on public display.
Carabineri Gen. Mariano Mossa says it was "by a long shot the biggest recovery in history in terms of the quantity and quality of archaeological treasures."
They were found during an investigation into Basel-based art dealer Gianfranco Becchina, accused by prosecutors of being part of a huge trafficking network.
Source: Associated Press [January 21, 2015]
Minister of Antiquities Mamdouh Eldamaty told Ahram Online that the necropolis, in the Gebel Mahran area, includes a collection of tombs called Likoli, which have holes engraved in a rock-hewn wall.
The tomb raiders unearthed a collection of artefacts including 20 clay lamps, 18 glass bottles and a large number of clay pots.
Eldamaty said the pots give us a view of the pot industry during that period.
The ministry of antiquities is to send an archeological mission to the site to continue excavations and reveal more of these tombs.
The Tourism and Antiquities Police caught the criminal red-handed and they are now under investigations.
Author: Nevine El-Aref | Source: Ahram Online [January 20, 2015]
The skeleton came into the possession of the university according to the division law. The law allowed foreign missions to have a share in the artefacts they discovered at archaeological sites in Egypt.
Minister of Antiquities Mamdouh Eldamaty explained that the skeleton was unearthed in the Nazlet Khater area of the Upper Egyptian city of Sohag during an excavation by the Leuven University archaeological mission.
After diplomatic efforts, he continued, the university agreed to return the skeleton because it is a very important artefact in the history of Egypt.
Ali Ahmed, head of the Stolen Antiquities Recovery Section, told Ahram Online that the skeleton will arrive next week and a committee is now studying how to put it on display at the National Museum of Egyptian Civilization in Fustat.
Author: Nevine El-Aref | Source: Ahram Online [January 18, 2015]
